Выбрать главу

Глава З. Скрин-теория, 1969–1996

1. Adams, Parveen and Elizabeth Cowie, eds. The Woman in Question: m/f. Cambridge, MA: MIT Press, 1990. 2. Altman, Rick. Film/Genre. London: BFI, 1999. 3. Bad Object-Choices, ed. How Do I Look? Queer Film and Video. Seattle, WA: Bay Press, 1991. 4. Barthes, Roland. S/Z: An Essay. Trans. Richard Miller. New York: Hill and Wang, 1974. 5. Baudrillard, Jean. Simulacra and Simulation. Trans. Sheila Faria Glaser. Ann Arbor, MI: University of Michigan Press, 1994. 6. Benshoff, Harry M. and Sean Griffin. Queer Images: A History of Gay and Lesbian Film in America. New York: Rowman and Littlefield, 2006. 7. Bhabha, Homi K. The Location of Culture. New York: Routledge, 1994. 8. Bolas, Terry. Screen Education: From Film Appreciation to Media Studies. Chicago, IL: Intellect, 2009. 9. Bordwell, David, Janet Staigen and Kristin Thompson. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Columbia University Press, 1985. 10. Buckland, Warren. Film Theory: Rational Reconstructions. New York: Routledge, 2012. 11. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1999. 12. Chion, Michel. The Voice and Cinema. Trans. Claudia Gorbman. New York: Columbia University Press, 1999. 13. Clover, Carol J. Men, Women, and Chain Saws: Gender in the Modem Horror Film. Princeton, NJ: Princeton University Press, 1992. 14. Cowie, Elizabeth. Representing the Woman: Cinema and Psychoanalysis. Minneapolis, MN: University of Minnesota Press, 1997. 15. de Beauvoir, Simone. The Second Sex. Trans. Constance Borde and Sheila Malovany-Chevallier. New York: Vintage, 2011. 16. de Lauretis, Teresa. Alice Doesn’t: Feminism, Semiotics, Cinema. Bloomington, IN: Indiana University Press, 1984. 17. The Practice of Love: Lesbian Sexuality and Perverse Desire. Bloomington, IN: Indiana University Press, 1994. 18. de Lauretis, Teresa and Stephen Heath, eds. The Cinematic Apparatus. New York: St. Martin’s Press, 1980. 19. Derrida, Jacques. Différance. Margins of Philosophy. Trans. Alan Bass. Chicago, IL: University of Chicago Press. 1982. 20. Dicker, Rory. A History of U. S. Feminisms. Berkeley, CA: Seal Press, 2008. 21. Doane, Mary Ann. The Desire to Desire: The Woman’s Film of the 1940s. Bloomington, IN: Indiana University Press, 1987. 22. Dyer, Richard. Entertainment and Utopia // Movies and Methods, Volume II. Ed. Bill Nichols. Berkeley, CA: University of California, 1985. 220–232. 23. Fanon, Frantz. The Wretched of the Earth. Trans. Richard Philcox. New York: Grove Press, 1961. 24. Black Skin, White Masks. Trans. Charles Lam Markmann. New York: Grove Press, 1967. 25. Foster, Hal, ed. The Anti-Aesthetic: Essays on Postmodern Culture. New York: New Press, 1998. 26. Foucault, Michel. The History of Sexuality: An Introduction, Volume I. Trans. Robert Hurely. New York: Vintage Books, 1978. 27. Friedan, Betty. The Feminine Mystique. New York: W. W. Norton, 1963. 28. Gever, Martha, John Greyson, and Pratibha Parmar, eds. Queer Looks: Perspectives on Lesbian and Gay Film and Video. New York: Routledge, 1993. 29. Gidal, Peter, ed. Structural Film Anthology. London: BFI, 1978. 30. Grievson, Lee and Haidee Wasson, eds. Inventing Film Studies. Durham: Duke University Press, 2008. 31. Hansen, Miriam. Babel and Babylon: Spectatorship in American Silent Film. Cambridge, MA: Harvard University Press, 1991. 32. Haraway, Donna. Simians, Cyborgs, and Women: The Reinvention of Nature. New York: Routledge, 1991. 33. Haskell, Molly. From Reverence to Rape: The Treatment of Women, in the Movies. 2nd ed. Chicago, IL: University of Chicago Press, 1987. 34. Heath, Stephen. Questions of Cinema. Bloomington, IN: Indiana University Press, 1981. 35. Heath, Stephen and Patricia Mellencamp. Cinema and Language. Los Angeles, CA: American Film Institute, 1983. 36. Hollinger, Karen. Feminist Film Studies. New York: Routledge, 2012. 37. hooks, bell. Black Looks: Race and Representation. Boston, MA: South End Press, 1992. 38. Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca, NY: Cornell University Press, 1981. 39. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham: Duke University Press, 1991. 40. Kaplan, E. Ann, ed. Feminism and Film. New York: Oxford University Press, 2000. 41. Kristeva, Julia. Powers of Horror: An Essay on Abjection. Trans. Leon S. Roudiez. New York: Columbia University Press, 1982. 42. Lesage, Julia. The Human Subject: He, She, or Me? (or, the Case of the Missing Penis) // Jump Cut, No. 4 (1974): 26–27. www.ejumpcut.org/archive/oniinessays/JC04folder/ScreenReviewed. 43. Lorde, Audre. Sister Outsider: Essays and Speeches. Freedom, CA: Crossing Press, 1984. 44. Lyotard, Jean-François. The Postmodern Condition: A Report on Knowledge. Trans. Geoff Bennington and Brian Massumi. Minneapolis, MN: University of Minnesota Press, 1984. 45. MacBean, James. Film and Revolution. Bloomington, IN: Indiana University Press, 1975. 46. MacCabe, Colin. Realism and the Cinema: Notes on some Brechtian Theses // Screen, Vol. 15, No. 2 (Summer 1974): 7–27. 47. MacCabe, Colin. Theory and Film: Principles of Realism and Pleasure // Screen, Vol. 17, No. 3 (Autumn 1976): 7–28. 48. Tracking the Signifier: Theoretical Essays: Film, Linguistics, Literature. Minneapolis, MN: University of Minnesota Press, 1985. 49. Marks, Laura U. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham, NC: Duke University Press, 2000. 50. Mayne, Judith. The Woman at the Keyhole: Feminism and Women’s Cinema. Bloomington, IN: Indiana University Press, 1990. 51. Cinema and Spectatorship. New York: Routledge, 1993. 52. Menand, Louis. The Marketplace of Ideas: Reform and Resistance in the American University. New York: W. W. Norton, 2010. 53. Millet, Kate. Sexual Politics. New York: Ballantine, 1970. 54. Mitchell, Juliet. Psychoanalysis and Feminism: A Radical Reassessment of Freudian Psychoanalysis. New York: Basic Books, 1974. 55. Mitry, Jean. The Aesthetics and Psychology of the Cinema. Trans. Christopher King. Bloomington, IN: Indiana University Press, 1997. 56. Modleski, Tania. Loving with a Vengeance: Mass-Produced Fantasies for Women. New York: Routledge, 1990. 57. The Women Who Knew Too Much: Hitchcock and Feminist Theory. New York: Routledge, 1988. 58. Nancy, Hamid. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton, NJ: Princeton University Press, 2001. 59. Nichols, Bill. Representing Reality: Issues and Concepts in Documentary. Bloomington, IN: Indiana University Press, 1991. 60. Blurred Boundaries: Questions of Meaning in Contemporary Culture. Bloomington, IN: Indiana University Press, 1994. 61. Oliver, Kelly, ed. French Feminism Reader. New York: Rowman and Littlefield, 2000. 62. Penley, Constance, ed. Feminism and Film Theory. New York: Routledge, 1988. 63. Pines, Jim and Paul Willemen, eds. Questions of Third Cinema. London: BFI, 1989. 64. Readings, Bill. The University in Ruins. Cambridge, MA: Harvard University Press, 1996. 65. Rodowick, D. N. The Difficulty of Difference: Psychoanalysis, Sexual Difference, and Film Theory. New York: Routledge, 1991. 66. Rogin, Michael. Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot. Berkeley, CA: University of California Press, 1996. 67. Rosen, Marjorie. Popcorn Venus: Women, Movies, and the American Dream. New York: Coward, McCann, and Geoghegan, 1973. 68. Said, Edward W. Orientalism. New York: Vintage Books, 1978. 69. Sartre, Jean-Paul. Anti-Semite and Jew. Trans. George J. Becker. New York: Schocken Books, 1948. 70. Shohat, Ella and Robert Stam. Unthinking Eurocentrism: Multiculturalism and the Media. New York: Routledge, 1994. 71. Silverman, Kaja. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Bloomington, IN: Indiana University Press, 1988. 72. Silverman, Kaja. Male Subjectivity at the Margins. New York: Routledge, 1992. 73. Solanas, Fernando and Octavio Getino. Towards a Third Cinema // Movies and Methods, Volume I. Ed. Bill Nichols. Berkeley, CA: University of Berkeley, 1976. 44–64. 74. Spivak, Gayatri Chakravorty. Can the Subaltern Speak? // Marxism and the Interpretation of Culture. Eds. Gary Nelson and Lawrence Grossberg. Urbana, IL: University of Illinois Press, 1988. 271–313. 75. Stam, Robert, Robert Burgoyne, and Sandy Flitterman-Lewis. New Vocabularies in Film Semiotics: Structuralism, Post-Structuralism, and Beyond. New York: Routledge, 1992. 76. Sullivan, Nikki. A Critical Introduction to Queer Theory. New York: New York University Press, 2003. 77. Thornham, Sue. Feminist Film Theory: A Render. New York: New York University Press, 1999. 78. Trinh T., Minh-ha. Woman, Native, Other: Writing, Postcoloniality, and Feminism. Bloomington, IN: Indiana University Press, 1989. 79. Framer Framed. New York: Routledge, 1992. 80. Turim, Maureen. Gentlemen Consume Blondes // Movies and Methods, Volume 2. Ed. Bill Nichols. Berkeley, CA: University of California, 1985. 369–378. 81. Williams, Linda. Hard Core: Power, Pleasure, and the «Frenzy of the Visible». Berkeley, CA: University of California Press, 1989. 82. Wollen, Peter. Signs and Meaning in the Cinema. Bloomington, IN: Indiana University Press, 1972. 83. Readings and Writings: Semiotic Counter-Strategies. London: Verso, 1982.