`One suggestion, Beck. I'd cover the top of the Ford with a waterproof sheet and have it driven slowly to the morgue. Kleist will find she has to scrape some of the remains clear of the car. He's practically glued to the roof. Enjoy yourself…'
I think,' Newman said after Moser had gone, 'it might be an idea to go up to the Plattform by the lift at the corner. If I remember rightly it doesn't stop working until eight thirty pm.'
`You have a remarkable memory for details about the Plattform.'
It's up to you…'
`I'll get the car to drive round and meet us at the exit… `No. Near the top of the Munstergasse…'
`If you say so…'
They emerged from the canvas shelter into hectic activity in the Badgasse. Uniformed police in leather greatcoats, 7.65-mm. automatics holstered on their right hips, walking up and down to no apparent purpose that Newman could see. Beck spoke briefly to his car driver and followed Newman who was striding to the distant corner of the wall.
The ancient lift is a small cage which ascends vertically inside an open metal shaft to the top of the Plattform. Newman had bought two 60-rappen tickets from the old boy who attended the lift when Beck arrived. They stood in silence as it made its slow ascent.
On a seat was perched a piece of newspaper with the remains of a sandwich and the interior of the lift smelt of salami. The old boy had moved from the entrance door to the exit door at the opposite end of the cage. Beck watched Newman as he stared out of the window overlooking the Aare, then switched his gaze to the facing window where he could see the slope terraced into kitchen gardens, the continuous walls of houses along the Munstergasse running into the Junkerngasse. In one of those houses Blanche would be in her apartment, probably phoning the man who would develop and print the films. At all costs he had to keep her name out of this horror.
The lift door was opened by the attendant after it reached the tiny shed at the corner of the Plattform. Newman did not make any move to get out. He spoke casually.
– 'You won't have many passengers at this time of night. Can you recall anyone who used the lift at about six thirty pm? Maybe six forty-five?'
Tor sixty rappen you want me to answer foolish questions?'
Beck said nothing. He produced his identity folder and showed it to the attendant, his face expressionless. Returning it to his pocket he stared out of the open doorway.
`I am sorry..' The attendant seemed confused. did not know. That awful business of the man who fell…'
`That's what I'm talking about,' Newman said amiably. 'We think he may have had a friend – or friends – who could identify him. Someone who was so shaken they took your lift down after the tragedy. Take your time. Think…'
`There was a big man by himself.' The attendant screwed up his face in his effort to concentrate. 'I didn't take all that notice of him. He carried a walking stick…'
`How was he dressed?' Beck interjected.
`I was eating my supper. I can't remember. A lot of people use this lift…'
`Not at this time of night,' Newman pointed out gently. 'I imagine you can remember the time?'
`Seven o'clock I would say. No earlier. The lift was at the bottom – he called it up – and I heard a clock chime…'
Beck walked out of the cage and Newman followed. In the distance, almost at the end of the thigh-high stone wall protecting them from the drop, uniformed policemen with torches searched the ground. A section was cordoned off by means of poles with ropes. The point, Newman guessed, where Nagy had gone over.
`Nothing, sir – at least as yet,' one of the policemen reported to Beck who shrugged.
`They're looking for signs of a struggle,' Beck remarked. `God, the wind cuts you in two up here. And it wasn't an accident,' he continued. 'There's no ice on the stones he could have slipped on…'
Newman placed both hands on the top of the wall close to the roped-off section and peered over. Vertigo. The great wall fell into the abyss. He studied the area, looking along the wall in both directions. His hands were frozen.
`Interesting,' he commented.
`What is?' Beck asked sharply.
`Look for yourself. This is the one place where there are no buttresses to break his fall. He'd still have been seriously injuredbut he might just have survived. He went over at the very place where it was certain he'd be killed…'
He looked round the great Plattform which was divided up into four large grassy beds. Stark, closely trimmed trees reared up in the night which was now lit by the moon. Behind them the huge menacing spire of the Munster stabbed at the sky. Newman thrust his hands into his pockets and began walking towards the exit he knew led into the Munsterplatz. Beck followed without comment.
Emerging from the gateway, Newman stood for a moment, staring round the cobbled square and across at the Munstergasse. The arcade on the far side was a deserted tunnel of light and shadow. He walked diagonally across the square and inside the arcade. He continued walking until he reached the Finstergasschen, the narrow alley leading towards the Marktgasse, one of the main streets of Berne. He checked his watch. Five minutes. That was the time it had taken for him to walk from the place where Nagy had died to the Finstergasschen.
The patrol car Beck had sent on ahead was parked by the kerb. Newman climbed into the rear seat without a word as Beck settled himself beside him He gave the driver a brief instruction.
`Not the front entrance. We'll take the long way round to my office.'
`Why?' asked Newman when the policeman had closed the partition dividing them from the driver.
`Because the front entrance may well be watched. I rushed you into the car on the way out but I don't want anyone to see you come back – even in those togs…'
Togs. Newman smiled to himself. During his stint in London Beck had picked up a number of English colloquialisms. He left the talking to Beck who continued immediately.
`Do you know that pathetic crumpled wreck back there?'
`Julius Nagy,' Newman replied promptly. 'The Tyrolean hat. He was wearing it when he followed me about in Geneva..
He had to admit that much. He had no doubt Beck had contacted Chief Inspector Tripet of the Sfirete in Geneva. Beck turned to face the Englishman.
`But how did you identify him in Geneva?'
`Because when I was last here I used him. He deserved a better death than that. He was born to a poor family, he hadn't enough brains to get far, but he was persistent and he earned his living supplying people like me with information. He had underworld contacts.'
`Here in Berne, you mean?'
`Yes. That was why I was surprised he had moved his sphere of operations to Geneva…'
`That was me,' Beck replied. 'I had him thrown out of the Berne canton as a public nuisance, an undesirable. I too felt sorry for him. Why did he risk coming back is what I would like to know…'
Again Newman refused to be drawn into conversation. They were approaching the building close to the base of the Marzilibahn when Beck made the remark, still watching Newman.
`I am probably one of the very few people in Switzerland who knows that what you have just seen is the second murder in the past few weeks.'
`Who else knows?'
`The murderers…'
The atmosphere changed the moment they entered Beck's office from the hostility which had lingered in the air during Newman's earlier visit. A small, wiry woman whose age Newman guessed as fifty-five, a spinster from her lack of rings, followed them inside with a tray. A percolator of coffee, two Meissen cups and saucers, two balloon-shaped glasses and a bottle of Remy Martin.
`This is Gisela, my assistant,' Beck introduced. 'Also she is my closest confidante. In my absence you can pass any message to her safe in the knowledge it will reach my ears only.'
`You're looking after us well,' Newman said in German and shook hands as soon as she had placed the tray on the desk.