b. Liquid surge will straighten the trailer out.
c. Liquid surge will straighten the tractor out. d.You will continue in a straight line and keep moving forward no matter how much you steer.
"Sounds like a pretty bad situation," Levy admits.
"Which do you think the answer is?"
Ahmad has felt the man approach, and then the presumptuous, poisonous touch on the shoulder. Now he is aware of, too close to his head, the man's belly, its warmth carrying out with it a smell, several smells-a compounded extract of sweat and alcohol, Jewishness and Godlessness, an unclean scent stirred up by the consultation with Ahmad's mother, the embarrassing mother he tries to hide, to keep to himself. The two adult voices had intertwined flirtatiously, disgustingly, two aged infidel animals warming to each other in the other room. Mr. Levy, having bathed in her babble, her insatiable desire to press upon the world her sentimental vision of herself, now thinks himself entitled to play with her son a paternal, friendly role. Pity and presumption prompt this unseemly, odorous closeness. Yet the Qur'an urges courtesy upon the faithful; this Jew, though self-invited, is a guest in Ahmad's tent.
The intruder lazily responds, "I don't know, my friend. Liquid surge isn't something I deal with very often. Let me opt for 'a,' the counter steering."
In a quiet voice that conceals the small surge of triumph within him, Ahmad says, "No, 'd' is the answer. I looked it up on the answer sheets they give you."
The belly next to his ear gives off a rumble of disquiet, and the unseen face above it grunts. "Huh. Don't bother to steer. That's sort of what your mother was just telling me. Relax. Follow your bliss."
"After a while," Ahmad explains, "the truck will lose speed on its own."
"The will of Allah," Mr. Levy says, trying to be funny, or friendly: trying to insert himself where Ahmad's insides are clenched shut, filled with the All-Encompassing.
The interface of Central High and its formerly extensive grounds with the city's private property has grown more complicated in the years since its playing fields stretched behind it, unfenced, toward a street of Victorian houses so varied and widely spaced as to be suburban. This area, to the northwest of the spectacular City Hall, was a domain of die middle class that pulled its money from the mills along the river, a short walk from the working-class tenements on the lower side of t_he then-bustling downtown. But the near-suburban houses became, as Jack Levy diinks of it, housing. Cost-cutting contractors broke them into apartments and subdivided their wide lawns or else tore them down to make room for solid blocks of low-rent row houses. The pressure of population and the encroachments of vandalism bore upon the grassy vacancies of school property and eventually caused the football field, which in the spring became a track-meet site, and the baseball grounds, whose outfield became in football season a junior-varsity gridiron, to be moved, in what seemed to various city boards a shrewd and profitable rearrangement, a fifteen-minute bus ride away, to the purchased land of an old dairy farm, Whelan amp; Sons Dairy, whose milk had contributed calcium to the bones of generations of New Prospect youngsters. The inner-city fields became congested slums.
The great high school and its several outbuildings were then walled off by Italian bricklayers whose work was later topped by glinting coils of razor wire. The immurement was piecemeal, a running response to various complaints and incidents of damage and explosions of spray-painted graffiti. The defaced, rusting fortifications created areas of unintended privacy, such as some square yards of cracked concrete alongside the half-buried yellow-brick edifice housing the giant boilers, originally coal-burning, that send steam, furiously knocking, into every classroom. One yellow-brick wall holds a basketball backboard whose hoop has been bent at a nearly vertical angle by boys imitating the dunk-and-hang style of NBA professionals. Twenty paces away, in the main building, double doors equipped with crash bars inside are in warm weather left propped open; they give onto steel stairs leading down to the basement floor with its locker rooms, boys' and girls' on either end, and, in between, die cafeteria and the wood and machine shops for the voke students. Underfoot, the cracks in the concrete hold crabgrass and mullein and dandelions and ridges of the minute particles, shining like coffee grounds, of the underlying earth which ants have brought to the surface. Where the concrete has been thoroughly undermined and pulverized, taller weeds, purslane and snakeroot and bedstraw and a species of daisy, have taken root and extend spindly stems up into the lengthening daylight.
In this gritty and unpoliced area, good for nothing with its deformed basketball hoop but to sneak a smoke or a sniff or a swig or to arrange showdowns between warring boys, Tylenol confronts Ahmad, who is still in his track shorts. A school-operated bus has brought him to the parking lot from practice on the former farm fifteen minutes away. Today he has ten minutes to shower and change and run the seven blocks to the mosque for his biweekly Qur'an lesson; he hoped to save some steps by cutting through to the double doors that should be open. This late after school, the area is usually empty, except for a few ninth-graders who accept the hoop at its ruined angle and use it for shooting baskets anyway. But today a cluster of blacks and Latinos, the gang allegiances declared by the blue and red of the belts on their droopy, voluminous drawers and their headbands and skull-fitting do-rags, are promiscuously mingled, as if the benign weather has declared a truce.
"Hey. You Arab." Tylenol stands square before him, flanked by several others wearing tight blue muscle shirts. Ahmad feels vulnerable, near-naked in his running shorts, his striped socks and feather-light cleats and sleeveless shirt sweat-soaked back and front in dark butterfly shapes; he has a sense of himself, his long limbs bare, as beautiful, beauty being an affront to the brutes of the world.
"Ahmad," he corrects, and stands there still with the heat of exertion, the heart-bursting sprints and jumps, rising from his pores. He feels luminous, and Tylenol's deepset little eyes wince, looking at him.
"Hear you went to church to hear Joryleen sing. How come?"
"She asked me to."
"Shit she did. You're an Arab. You don't go there."
"I did, though. People were friendly. One family shook my hand and gave me big smiles."
"They didn't know about you. You was there under false pretenses."
Ahmad stands lightly braced, his feet in their weightless shoes spread for balance, against Tylenol's coming assault.
But the pained squint becomes a smirk. "People seen you two walkin' after."
"After church, yes. So?"
Now, surely, the assault will come. Ahmad plans to feint left with his head and then sink his right hand into Tylenol's soft stomach, and then sharply lift his knee. But his enemy lets his smirk tear open into a grin. "So nothin', 'cordin' to her. She had somethin' she wanted me to tell you."
"Oh, yes?" The other boys, the blue-shirted minions, are listening. Ahmad's plan is that, having left Tylenol gasping and doubled up on the crumbling concrete, he will dodge between these astonished others for the relative safety of the school.
"She says she hates you. Joryleen says she don't give a flying fuck about you. You know what a flying fuck is, Arab?"
"I've heard the phrase." He feels his face go stiff, as if something warm is slowly coating it.
"So I don't care about you and Joryleen no more," Tylenol concludes, leaning in closer, almost as if amorous. "We laugh about you, the two of us. Especially when I fuck her. We fuck a lot, lately. A flying fuck is when you do it to yourself, like all you Arabs do. You all faggots, man."
The little audience around them laughs, and Ahmad knows from the heat on his face that he is blushing. This infuriates him to the point that when he blindly pushes through the muscular bodies toward the doors to the locker room, late now for his shower, late for his lesson, no one moves to stop him. Instead, there are whistles and hoots behind him, as if he is a white girl with pretty legs.