Since Tiaan had stolen the amplimet and used the construct, she must have some minor talent. Perhaps he could use her. Gilhaelith was a fair man and would pay her for that service. Was there anything he could do to get her legs back?
His library was one of the best in the world, for books were the first treasures to be sold when war swept across a city and drove its citizens onto the road. The world was awash with rare manuscripts; treasures could be had for a few gold coins and his agents were constantly sending him more.
Calling his librarian, Gilhaelith instructed her to find every document that bore on the subject of broken backs, necks, and recovery therefrom. There was plenty; he read all day and half the night before collapsing on his bed for a few hours of sleep. Late that evening he visited the patient, who lay as still and silent as before, then went on with his work.
Gilhaelith ploughed through the rest of the tomes, scrolls and parchments. Though they contained a good lading of miraculous cures, most he was able to dismiss as quackery. He found no reputable healer’s opinion that disagreed with his own.
EIGHTEEN
Tiaan roused from the potion while they were still in the forest. She remembered everything except the fall that had broken her back. The bearers were carrying her up a steep slope through forest that had a rich decaying smell. The lanterns were golden orbs swaying across her vision. The night was silent, apart from the tramp of footsteps and an occasional mutter of ‘No, this way,’ or ‘Give us a hand up here.’ The man who had discovered her was just a shadow, well ahead.
Was Gilhaelith friend or enemy? Most likely the latter. In her travels across Tirthrax, Tiaan had often considered how she might defend herself against attackers. She had not imagined being helpless to do so. This man could use her, or abuse her, in any way he wanted. He could give the thapter to the enemy, or sell her to the most evil man in the world. There was nothing she could do. She wished she had died.
Hours later, as dawn broke, they carried her out of the forest up through a patch of thorny bushes, over a barrens of black rock and scree that slipped underfoot, and onto the rim of the crater.
The summit of Booreah Ngurle was elongated like a bean seed and consisted of a large crater at the western end overlapping a smaller one at the east. Ahead, Nyriandiol hung inside the northern lip of the larger crater. Long and low, it extended for several hundred paces around the rim. Apart from a slender tower, from the approach road it appeared to consist of only a single storey.
The road, a rutted and gullied track deliberately maintained in poor repair, curved around onto the stony rim, here no more than fifty paces wide. The area outside the front of Nyriandiol was paved with roughly worked stone, forming a terrace that had been partly roofed and provided with stools and tables. Other parts were covered in climbing vines. A series of benches had been cut into the welded rock of the mountaintop, forming lower terraces that looked down into the crater.
From here, as they carried her across, Nyriandiol appeared to grow out of the mountain’s rim, which had been cut away on the inside to accommodate it. Subsequently the rubble had been put back so that, from the outside, only the upper storey and roof could be seen. From the lowest terrace, however, the full magnificence of the place was visible.
Sinusoidal walls of dark stone curved down for another seven levels. Enormous windows of coloured glass set in small panes made up parts of a giant mosaic which could only properly be viewed from the other side of the crater, with a spyglass. The panes, in groups of nine by nine, were linked by patterns of stone inlaid in the walls in geomantic themes: swirls, bridges and arcs of stone each laid according to secret numbers. The steep roof was covered in shingles of red jasper and even these were set down in numerical mosaics. Nyriandiol was a geomantic masterpiece, designed to safeguard its owner and enhance all his efforts in the great room on the lowest floor.
The front door, made of a single slab of chalcedony swinging on massive brass hinges, was an oval two spans high and two wide. The door surroundings had been cut from yellow jasper.
They lugged her inside. The villa was built entirely of stone, the lower floors being vaulted to bear the weight of those above. She was brought into a large room and placed on a bed. Someone saw that her eyes were open and gave her another dose of syrup. Tiaan surrendered to it gratefully.
She woke in the most mortifying position of her life. A metal dish had been jammed under her and someone was pressing hard on her bladder, forcing her to urinate. She prayed that it was a woman and not the odd-looking scarecrow, Gilhaelith. Whoever it was, they let out a muffled grunt with each thrust. Tiaan kept her eyes firmly closed. Was this a prescription for the rest of her life, having to be helped with every bodily function? If so, she prayed she would not live long.
Life conspired to devalue her in her own eyes. Each time she gained something it was snatched away. Minis’s rejection had been the ultimate demonstration of her worthlessness.
Tiaan had always known that she would mate and have children. It was every person’s duty, after all. She often dreamed about it, in an overly romantic way, but now it would never happen. She might still do her artisan’s work sitting down, but the few men available could take their pick, and who would want a mate such as she?
There had been so many visitors in the day that Tiaan began to feel like a circus exhibit. Several people spoke to her, but she did not answer. The drug had left her listless. Overwhelmed by the disaster, and unused to being waited on, she could not think of anything to say to them.
The nurse gave an especially loud grunt and Tiaan heard footsteps cross the room, away from her. She opened her eyes. Gilhaelith stood by the head of the bed, staring at her. What a strange, ill-put-together fellow he was. His nose was a triangular chunk sawn off the corner of a plank, his mouth seemed to take up half his face, while his chin was so big and square it would not have been out of place in a carpenter’s toolbox.
Gilhaelith had hair the colour of beach sand, the individual hairs crinkled and lying apart from their fellows in a frizzled mass like the unbraided strands of a rope. It looked as if he had mopped the floor with his head. His eyes were smoky grey, though not hard, as pale eyes could often be – he looked contemplative, even philosophical. They were his only appealing feature.
Who was Gilhaelith, and what did he want? He was taller than Minis, which made him too tall, and big-framed but skinny. His bones looked too large for his muscles; he had the oddity of broad shoulders but a narrow chest, and his legs made her want to laugh.
She studied him from half-closed eyes as he went back and forth in the room, walking with a springy, bent-kneed step. He kept staring at her then looking away. Now he was coming toward her. He could walk; she never would. Tiaan did not know how to deal with him either. She closed her eyes and pretended to be asleep. After standing beside her for a few minutes, he went away.
The room was empty at last. Tiaan looked around. Soft cords ran across her chest, waist and hips, binding her tightly to lengths of timber. She could move only her arms and her head.
The roof beams seemed to be massive trunks of petrified wood. The room was large and kidney-shaped, the walls built of chunks of dark volcanic rock cemented together with pale mortar. The floor was cleaved stone, slabs of irregular shape also set in mortar then varnished to the colour of beer. The walls were bare apart from three large watercolours depicting scenes from the Histories, all by the same artist.
In the far corner, a curved bookcase had been fashioned to fit the shape of the wall. It was hand-carved from thick pieces of a dark, highly figured timber, but was the work of an enthusiastic amateur, an artist rather than a master craftsman. The maker had used the natural curves of the timber, shaping them only when necessary. To Tiaan, used to furniture that was simple, geometric and functional, it was a shocking piece, self-indulgent and wasteful.