Fainy’s eyes smarted; in his ears was the continuous roar, the clatter clatter over crossings, the sudden snarl under bridges. It was a tunnel, all the way to Chicago it was a tunnel. Opposite him Pop’s and Uncle Tim’s faces looked red and snarling, he didn’t like the way they looked, and the light was smoky and jiggly and outside it was all a tunnel and his eyes hurt and wheels and rails roared in his ears and he fell asleep.
When he woke up it was a town and the train was running right through the main street. It was a sunny morning. He could see people going about their business, stores, buggies and spring-wagons standing at the curb, newsboys selling newspapers, wooden Indians outside of cigarstores. At first he thought he was dreaming, but then he remembered and decided it must be Chicago. Pop and Uncle Tim were asleep on the seat opposite. Their mouths were open, their faces were splotched and he didn’t like the way they looked. Milly was curled up with a wooly shawl all over her. The train was slowing down, it was a station. If it was Chicago they ought to get off. At that moment the conductor passed, an old man who looked a little like Father O’Donnell.
“Please, mister, is this Chicago?” “Chicago’s a long way off yet, son,” said the conductor without smiling. “This is Syracuse.”
And they all woke up, and for hours and hours the telephone poles went by, and towns, frame houses, brick factories with ranks and ranks of glittering windows, dumping grounds, trainyards, plowed land, pasture, and cows, and Milly got trainsick and Fainy’s legs felt like they would drop off from sitting in the seat so long; some places it was snowing and some places it was sunny, and Milly kept getting sick and smelt dismally of vomit, and it got dark and they all slept; and light again, and then the towns and the farmhouses and the factories all started drawing together, humping into warehouses and elevators, and the trainyards spread out as far as you could see and it was Chicago.
But it was so cold and the wind blew the dust so hard in his face and his eyes were so stuck together by dust and tiredness that he couldn’t look at anything. After they had waited round a long while, Milly and Fainy huddled together in the cold, they got on a streetcar and rode and rode. They were so sleepy they never knew exactly where the train ended and the streetcar began. Uncle Tim’s voice went on talking proudly excitedly, Chicago, Chicago, Chicago. Pop sat with his chin on his crutch. “Tim, I feel like a whipped cur.”
Fainy lived ten years in Chicago.
At first he went to school and played baseball on back lots on Saturday afternoons, but then came his last commencement, and all the children sang My Country, ’Tis Of Thee, and school was over and he had to go to work. Uncle Tim at that time had his own jobprinting shop on a dusty side street off North Clark in the ground floor of a cranky old brick building. It only occupied a small section of the building that was mostly used as a warehouse and was famous for its rats. It had a single wide plateglass window made resplendent by gold Old English lettering: TIMOTHY O’HARA, JOB PRINTER.
“Now, Fainy, old sport,” said Uncle Tim, “you’ll have a chance to learn the profession from the ground up.” So he ran errands, delivered packages of circulars, throwaways, posters, was always dodging trolleycars, ducking from under the foamy bits of big truckhorses, bumming rides on delivery-wagons. When there were no errands to run he swept out under the presses, cleaned type, emptied the office wastepaper basket, or, during rush times, ran round the corner for coffee and sandwiches for the typesetter, or for a small flask of bourbon for Uncle Tim.
Pop puttered round on his crutch for several years, always looking for a job. Evenings he smoked his pipe and cursed his luck on the back stoop of Uncle Tim’s house and occasionally threatened to go back to Middletown. Then one day he got pneumonia and died quietly at the Sacred Heart Hospital. It was about the same time that Uncle Tim bought a linotype machine.
Uncle Tim was so excited he didn’t take a drink for three days. The floorboards were so rotten they had to build a brick base for the linotype all the way up from the cellar. “Well, when we get another one we’ll concrete the whole place,” Uncle Tim told everybody. For a whole day there was no work done. Everybody stood around looking at the tall black intricate machine that stood there like an organ in a church. When the machine was working and the printshop filled with the hot smell of molten metal, everybody’s eyes followed the quivering inquisitive arm that darted and flexed above the keyboard. When they handed round the warm shiny slugs of type the old German typesetter who for some reason they called Mike pushed back his glasses on his forehead and cried. “Fifty-five years a printer, and now when I’m old I’ll have to carry hods to make a living.”
The first print Uncle Tim set up on the new machine was the phrase: Workers of the world unite; you have nothing to lose but your chains.
When Fainy was seventeen and just beginning to worry about skirts and ankles and girls’ underwear when he walked home from work in the evening and saw the lights of the city bright against the bright heady western sky, there was a strike in the Chicago printing trades. Tim O’Hara had always run a union shop and did all the union printing at cost. He even got up a handbill signed, A Citizen, entitled An Ernest Protest, which Fainy was allowed to set up on the linotype one evening after the operator had gone home. One phrase stuck in Fainy’s mind, and he repeated it to himself after he had gone to bed that night: It is time for all honest men to band together to resist the ravages of greedy privilege.
The next day was Sunday, and Fainy went along Michigan Avenue with a package of the handbills to distribute. It was a day of premature spring. Across the rotting yellow ice on the lake came little breezes that smelt unexpectedly of flowers. The girls looked terribly pretty and their skirts blew in the wind and Fainy felt the spring blood pumping hot in him, he wanted to kiss and to roll on the ground and to run out across the icecakes and to make speeches from the tops of telegraph poles and to vault over trolleycars; but instead he distributed handbills and worried about his pants being frayed and wished he had a swell looking suit and a swell looking girl to walk with.
“Hey, young feller, where’s your permit to distribute them handbills?” It was a cop’s voice growling in his ear. Fainy gave the cop one look over his shoulder, dropped the handbills and ran. He ducked through between the shiny black cabs and carriages, ran down a side street and walked and walked and didn’t look back until he managed to get across a bridge just before the draw opened. The cop wasn’t following him anyway.
He stood on the curb a long time with the whistle of a peanutstand shrilling derisively in his ear.
That night at supper his uncle asked him about the handbills.
“Sure I gave ’em out all along the lakeshore… A cop tried to stop me but I told him right where to get off.” Fainy turned burning red when a hoot went up from everybody at the table. He filled up his mouth with mashed potato and wouldn’t say any more. His aunt and his uncle and their three daughters all laughed and laughed. “Well, it’s a good thing you ran faster than the cop,” said Uncle Tim, “else I should have had to bail you out and that would have cost money.”
The next morning early Fainy was sweeping out the office, when a man with a face like a raw steak walked up the steps; he was smoking a thin black stogy of a sort Fainy had never seen before. He knocked on the ground glass door.
“I want to speak to Mr. O’Hara, Timothy O’Hara.”
“He’s not here yet, be here any minute now, sir. Will you wait?”
“You bet I’ll wait.” The man sat on the edge of a chair and spat, first taking the chewed end of the stogy out of his mouth and looking at it meditatively for a long time. When Tim O’Hara came the office door closed with a bang. Fainy hovered nervously around, a little bit afraid the man might be a detective following up the affair of the handbills. Voices rose and fell, the stranger’s voice in short rattling tirades, O’Hara’s voice in long expostulating clauses, now and then Fainy caught the word foreclose, until suddenly the door flew open and the stranger shot out, his face purpler than ever. On the iron stoop he turned and pulling a new stogy from his pocket, lit it from the old one; growling the words through the stogy and the blue puff of smoke, he said, “Mr. O’Hara, you have twenty-four hours to think it over… A word from you and proceedings stop immediately.” Then he went off down the street leaving behind him a long trail of rancid smoke.