By keeping the Countess in the coastwise trade, and causing her to call at as many ports, almost, as there were between London and Glasgow, he managed to avoid the sea as much as possible, as well as pick up a great deal of business. While en route between ports he was silent, gloomy, irritable and un– happy, and kept to himself in his cabin where he studied the subject of agriculture. He rarely appeared on the bridge. Any delay encountered at sea between ports, such as engine trouble, or fog, or headwinds, would see him show his head at his door for a moment to inquire into the cause thereof, and then, no matter what the reason, retire to his cabin in a huge and absolute tantrum which manifested itself in his breaking every bit of glassware or crockery that happened to be within reach at the time.
Peter and Jennie estimated that the captain weighed close on twenty-two stone, which would be over three hundred pounds. He had smallish eyes, somewhat deep-set and knowing, like a pig's, and a series of chins that rippled out from a small and petulant mouth, reminding Peter of the concentric rings that formed in a pond when you throw a stone into the water. But what astonished them both the most was that instead of the deep and thunderous rumble one would expect to have emerged from such an enormous frame and cavernous chest, his voice when he spoke was high-pitched and cooing like a dove, and the angrier he became over anything, and most things when he was at sea made him angry, the higher and sweeter and more softly he cooed. He never appeared on the bridge or anywhere on deck without his mustard-coloured trilby hat, and in bad or wet weather he wore not oilskins and sou'westers as did the rest of the crew, but a tan mackintosh. He only cheered up and appeared for occasional meals aft when the Countess was running up river somewhere, or landlocked in an estuary.
Quite the opposite was Mr. Strachan, the first mate, a tall, youngish fellow with red hair, narrow blue eyes and a low forehead, who, as Jennie pointed out, was not very bright, but who loved the sea and considered everything that took place on or about it to be an adventure, great or small. This naturally was bound to bring him into conflict with the captain, and truth to tell, the two men did not get on too well. But since, at any rate at sea, Captain Sourlies left practically the entire operation and management of things to Mr. Strachan, this did not matter too much.
Peter soon discovered that Mr. Strachan, in addition to his profession, had two major interests in life. One was indulgence in the art of fence—and he faithfully attended the sessions of a fencing club when he was ashore both in Glasgow and London-and the other was a passion for telling not entirely credible yarns tinged with a 'believe-it-or-not' flavour, of miraculous things and adventures that had happened to him in his life at sea and various foreign ports.
When the listener expressed wonder or even polite doubt that such an occurrence could have taken place, Mr. Strachan would present `proof' of the incident by, for instance, exhibiting a burnt-out matchstick, or a small pebble, or a bit of paper, and saying'. .. and this verra bit o' paper I'm showing ye here was in me pocket at the verra instant all this was hoppening to me.' He was always busy collecting such odd bits and scraps to be used for this purpose, and he was quite upset with Mealie, the cook, for eventually obeying Captain Sourlies' orders and dropping the rats and mice that Peter and Jennie had caught over the side, as he felt that the corpses of the rodents would have furnished incontrovertible evidence of the story of the two cats who had stowed away aboard ship and when found had their passage money ready in this form.
Quite fascinating to Peter who, as a boy, had always had a fondness for reading stories and seeing pictures of swordplay, was Mr. Strachan's fencing practice during the voyage. It took the form of attacking a dummy that Mr. Box, the ship's carpenter, had made for him and which he set up on the after cargo hatch when the weather was fine, and belaboured with a sword.
This dummy was known to one and all aboard the Countess of Greenock as 'Auld Sourlies,' for whether the carpenter had intended so or not, he had somehow managed to make him in considerable resemblance to the stout captain both in face and in figure. Auld Sourlies, the dummy, that is, had a wooden arm, canvas-covered, with a powerful spring in the wrist to which was attached his sword, an epee with three needle-sharp little steel points. When Mr. Strachan struck it preparatory to making an attack upon him it would waggle almost as though Auld Sourlies was vigorously defending himself.
And so when he was off duty, there would be Mr. Strachan on the canvas-covered after-hatch, bare to the waist and sword in hand, shouting 'Hah!' and 'Heh!' at Auld Sourlies set up dumbly facing him, and `Oh, ye would, would ye? Alez, then take thot and thot and thot!' as he leaped in and out jabbing the point of his sword into the dummy's canvas body, while Peter and Jennie, when they also happened to be off duty at the same time, sat a little distance away and watched him, enthralled, their eyes bound to the flashing point and their heads moving as it moved, forwards and backwards, or side to side, almost like patrons at a tennis match.
Once, quite early in the voyage, when Mr. Strachan made a particularly violent attack and lunge, he apparently missed parrying the dummy's riposte somehow, when the blade snapped back and Auld Sourlies' point then laid his arm open almost from wrist to elbow, wounding him grievously. All the crew and officers of the Countess promptly dropped whatever they happened to be doing at the moment and came to look, including Captain Sourlies who had the first-aid kit and put six stitches in Mr. Strachan's arm. He did so, it seemed to Peter, with considerable satisfaction. In fact, it appeared to both Peter and Jennie that the captain was almost pleased with what had happened and was acting in a way as though it had been he who had done it to Mr. Strachan instead of the dummy, as he swabbed and stitched the injured arm, murmuring that he hoped that this would be a lesson to Mr. Strachan.
To the mate, however, it was another miraculous yarn to tell of himself being probably the only fencer in the world ever to be defeated and seriously wounded by a dummy, and what was more, there was the proof of it on his arm which he would carry to his grave.
But Peter's real favourite amongst the officers was the second mate, little Mr. Carluke, who looked somewhat like an inoffensive stoat, and who wrote Wild West and cowboy and Indian stories for the tuppeny dreadfuls and serial magazines in his spare time to eke out his income and prepare for the day when he would retire from the sea and devote his entire time to literature. He had never seen an Indian except in the pictures, or been west of the Scilly Isles, but he had read a great deal about cowboys and their ways and was given to acting out some of his dramas in the seclusion of his cabin between watches, before setting them down on paper.
He was fond of cats, and so Peter was able to spend many a pleasant and exciting hour sitting on the table where Mr. Carluke was writing one of his tales. It was, he told Jennie later, almost as good as going to the cinema. For the little second mate would lay down his pen and quite suddenly and dramatically leap to his feet, clap both hands to his sides in the action of one extracting two horse pistols from their leather holsters, and then pointing his forefingers with thumbs cocked like the hammers of a pair of six– shooters, he would say in a tense voice, 'Dinna ye move, thar, Luke Short, ye no-good hoss thief, or I doot not I'll be lettin' some ventilation through ye with my twa double oction forty-five colibre gats, forbye!' Then he would go quickly back to his desk and write it all down exactly as he had said it, which Peter found quite miraculous. Or he would pick up a kitchen knife and go through the motions of lifting the scalp of an imaginary redskin, and even imitate the sound of the chase when the cavalry came to the rescue by slapping his hands briskly in rhythm against his legs, thup-athup, thup-athup, thup-athup.