And now they were gone.
Peter sat down in front of the black door and the empty window, and blinked his eyes hard to keep back the tears. Not even washing would have been a solace for the grief he felt. He had been so eager that his new accomplishments might be made manifest and that he would have been able to show his mother and father some of the things that he had learned to do, and let them know that this was no longer the same Peter who had to be held by the hand by Scotch Nanny when crossing the street. He could now go about London quite well, almost by himself. And he had taken a trip to a strange city on a steamship, been chased up a bridge by dogs, he could kill rats and mice and earn his keep and the admiration of a man like Mr. Strachan, the first mate, and altogether he had become a very important person.
He might have been able to control himself, but the quick-witted Jennie, even without being able to read, had guessed what had happened and tried to comfort him. `Oh, Peter,' she said, brushing up close to him, `they've gone away and left you. I'm so sorry. It's just like … well, when my people went away and left me. It must be. I do understand.'
Reminded thus of her own tragedy, Jennie felt on the point of weeping herself, but holding back with an effort she fell to washing his face firmly and lovingly with that sweetly gallant movement of her head which Peter found so touching, and of course this caused him at once to burst into tears.
Even so, he was sorry too for Jennie that she had been reminded of the great tragedy of her life, and so partly to try to recover his own composure, as well as to make known his sympathy for her, he reciprocated by washing her face at the same time she was washing his, with the result that now Jennie also lost control of her emotions. In a moment they were both sitting on the pavement in the Mews, lamenting piteously, seeking relief from their grief in loud, mournful song, and of course doing the one thing against which Mr. Black had warned them, namely, making a noise and disturbing the residents, even though it was broad daylight and not yet two o'clock in the afternoon.
For upstairs on the second floor of the large white granite house next door, a window went up and somebody said, `Oh hush, kitties. Go away. You make me sad.'
Thereupon a head appeared at the window, looking out and down upon the two unhappy cats, an extraordinarily pretty one belonging to a young girl whose long, wavy brown hair, tied with a red ribbon, tumbled down on either side of a fresh and sweet face featuring a tender mouth and soft, endearing brown eyes.
This was what was revealed to Peter as he gazed upwards through his tears, but Jennie saw something else that made her recoil as though she had come face to face with a ghost. She stared at the apparition quite frozen into immobility for as instant with one paw upraised and the strangest expression on her face.
And simultaneously, the soft eyes of the girl went all round and alight with wonder, her mouth formed into an `O' of surprise and momentary disbelief, and then she cried out 'Jennie! Jennie Baldrin! Oh, my darling! Oh wait! Wait! I'm coming to you …'
Then she was gone from the window, and both Peter and Jennie heard the sound of hurried footsteps running down the stairs inside, and before Peter had time to say more than `Jennie, she knew your name, she called you by it,' the door to the street burst open and through it ran the child all flushed and panting and gathered Jennie into her arms and was hugging and kissing her, holding and rocking and crying over her and saying, 'Jennie, my dear, dear DEAR Jennie! Oh it is you. I've found you at last. Or was it you who found ME, you clever, clever cat. My darling, darling Jennie, you do know me, your own Buff, don't you dearest? Oh I must kiss you all over again …'
And there was no doubt that Jennie did know her, for in an instant and with a look of complete bliss and happiness on her face she had draped herself about Buff's shoulders like a long, live, limp fur-piece, and set up a purring louder than any aeroplane motor in the sky.
Now Buff shouted upstairs, as other windows in the Mews began to open and people poked their heads out in curiosity at the noise-'Mummy, Mummy! Jennie's come back to me. She's found me. Mummy, come down and look. I'm sure it is Jennie.'
Thereupon Buff's mother came downstairs, and she turned out to be a tall, sweet-faced woman who resembled Buff, and at the same time, Peter thought with a pang at his heart, resembled his mother too, so that for a moment he was not quite certain which was which, but she had no eyes for him whatsoever, as indeed neither did Buff, and now both fell to hugging and stroking and fondling Jennie, and talking together and to her, and to the nearest heads that were poked out of windows, marvelling, recounting, explaining the miracle of it all and how it had happened in the first place that they had come to lose Jennie three years ago.
But the thing was, of course, that Peter understood every word of what they were saying, and it made his heart swell with joy, because it did prove that they had not abandoned Jennie.
It seemed from what he could piece together that when they moved away from their old home they had had to go to a hotel for a few nights, as the paint in the new place was not yet quite dry. The morning that they were to move in and had planned to come back and call for Jennie Baldrin, Buff had been taken violently ill and had been rushed to the hospital where for three days and three nights her life was despaired of. Doctors and nurses, her mother and father, had watched constantly at her bedside, and in the excitement Jennie was forgotten.
At last, when Buff had been pronounced out of danger and on the road to recovery, Mrs. Penny had remembered Jennie, but more than five days had passed and when she hastened back to the old house it was to find Jennie gone.
Peter felt it was terribly important that Jennie should know this at once, and while all of the excitement and talking and crying was still going on he called up to Jennie, perched high and happily on Buff's shoulder, 'Jenniel I've the best news for you. I've been listening to what they've been saying. They didn't go away and cruelly leave you behind. Buff was taken ill and had to go to a hospital . . .' and as quickly as he could he told her the whole story, and concluded– `I knew that people who really loved cats, and particularly you, couldn't be like that. Aren't you glad about it …?'
Strangely, although she smiled down at him quite happily and dreamily, Jennie did not appear, to be impressed with the story or particularly elated over it, though no doubt she was pleased it had turned out that way, for she said only: `It doesn't really matter to me any more, Peter, what happened, or how, now that I have her back again and she loves me. You see, I could forgive her anything …'
This was a point of view so wholly feminine that Peter found it quite baffling and for a moment felt the forerunner of a real and awful pang of pain and loneliness which he quickly suppressed, for he wanted to entertain nothing but happiness that things had turned out so well for Jennie at last. But what Jennie said next was characteristic of her, and reassuring. She called down to him with that soft, crooning sound that was reserved only for their more intimate exchanges of thoughts, 'Oh, Peter, we're all going to be so happy now. For I know they'll love you just as much.'
But this was a dream that was soon shattered. For, as it turned out, Buff and her mother were hardly even aware of Peter's presence, and when at last the first excitement of greeting and crying over Jennie had begun to calm down, and all the heads that had popped out of windows in the Mews had drawn back inside again, Buff, with Jennie still draped lovingly about her shoulders and with one paw gently caressing her smooth cheek, turned and made her way inside No. 2 Cavendish Mews, the big granite house with the rich-looking vestibule where all of Jennie's troubles were to come to an end, and, quite naturally, Peter followed. But here Buff's mother, seeing a large white stray attempting to get through the door, bent down and gave him a gentle shove out into the street saying, not unkindly, 'No, no, old chap. Sorry, not you. We can't have every cat inside. You run along home now …'