St. Ives jackknifed awake again. The air of the cabin was cold and wet, and for a moment he imagined he was once more in the bathyscaphe, on the bottom of the sea. But then he heard Uncle Botley shout and then laugh, and the voice, especially the laughter, seemed to St. Ives to be a wonderful fragment of the living world — something he could get a grip on, like a cottage pie.
St. Ives studied his face in the mirror on the wall. He was thin and sallow. He felt a quick surge of terror without an object, and he realized abruptly that he had gotten old. He seemed to have the face of his father. “Time and chance happeneth to them all,” he muttered, and he went out on deck in the gathering night, where the lights of Grimsby slipped past off the starboard bow, and the waters of the Humber lost themselves in the North Sea.
St. Ives sat in the chair in his study. It was a dim and wintry day outside, with rain pending and the sky a uniform gray. He had been at work on the machine for nearly six months, and success loomed on the horizon now like a slowly approaching ship. There had been too little sleep and too many missed or hastily eaten meals. His friends had rallied around him, full of concern, and he had gone on in the midst of all that concern, implacably, like a rickety millwheel. Jack and Dorothy were on the Continent now, though, and Bill Kraken was off to the north, paying a visit to his old mother. There was a fair chance that he wouldn’t see any of them again. The thought didn’t distress him. He was resigned to it.
A fly circled lazily over the clutter on the desk, and St. Ives whacked at it suddenly with a book, knocking it to the floor. The fly staggered around as if drunk. In a fit of remorse, St. Ives scooped it up on a sheet of paper, walked across and opened the French window, and then dumped the fly out into the bushes. “Go,” he said hopefully to the fly, which buzzed around aimlessly, somewhere down in the bushes.
St. Ives stood breathing the wet air and staring out onto the meadow at the brick silo that rose there crumbling and lonely, full to the top with scientific aspirations and pretensions. It looked to him like a sorry replica of the Tower of Babel. Inside it lay Lord Kelvin’s machine, along with Higgins’s bathyscaphe. St. Ives had removed and discarded most of the shell of the machine, hauling the useless telltale debris away by night. What was left was nearly ready; he had only to wheedle what might be called fine points out of the gracious Lord Kelvin who would abandon Harrogate for Glasgow tomorrow morning.
St. Ives hadn’t slept in two days. Dreaming had very nearly cured him of sleep. There would be time enough for sleep, though. Either that, or there wouldn’t be. On impulse, he left the window open, thinking to show other flies that he harbored no ill will toward them, and then he slumped back across to the chair and sat down heavily, sinking so that he rested on his tailbone. A shock of hair fell across his eyes, obscuring his vision. He harrowed it backward with his fingers, then nibbled at a grown-out nail, tearing it off short and taking a fragment of skin with it. “Ouch,” he said, shaking his hand, but then losing interest in it almost at once. For a long time he sat there, thinking about nothing.
Coming to himself, finally, he surveyed the desktop. It was a clutter of stuff — tiny coils and braids of wire, miniature gauges, pages torn out of books, many of which torn pages now marked places in other books. There was an army of tiny clockwork toys littering the desktop, built out of tin by William Keeble. Half of them were a rusted ruin, the victims of an experiment he had performed three weeks past. St. Ives looked at them suspiciously, trying to remember what he had meant to prove by spraying them with brine and then leaving them on the roof.
He had waked up in the middle of the night with a notion involving the alteration of matter, and had spent an hour meddling with the toys, leaving them, finally, on the roof before going back to bed, exhausted. In the morning, somehow, he had forgotten about them. And then, days later, he had seen them from out on the meadow, still lying on the roof, and although he remembered having put them there, and having been possessed with the certainty that putting them there was good and right and useful, he couldn’t for the life of him recall why.
That sort of thing was bothersome — periods of awful lucidity followed by short bursts of rage or by wild enthusiasm for some theoretical notion having to do with utter nonsense. Moodily, he poked at the windup duck, which whirred momentarily to life, and then fell over onto its side. There were ceramic figures, too, sitting among comical Toby mugs and glass gewgaws, some few of which had belonged to Alice. Balls of crumpled paper lay everywhere, along with broken pens and graphite crumbs and fragments of India-rubber erasers. A lake of spilled ink had long ago dried beneath it all, staining the brown oak of the desktop a rich purple.
Filled with a sudden sense of purpose, he reached out and swept half the desk clear, the books and papers and tin toys tumbling off onto the floor. Carefully, he straightened the glass and ceramic figurines, setting a little blue-faced doggy alongside a Humpty Dumpty with a ruff collar. He stood a tiptoeing ballerina behind them, and then, in the foreground, he lay a tiny glass shoe full of sugar crystals. He sat back and looked at the collection, studying it. There was something in it that wasn’t quite satisfying, that wasn’t — what? Proportionate, maybe. He turned the toe of the glass shoe just a bit. Almost…He rotated the Humpty Dumpty so that it seemed to be regarding the ballerina, then slid the dog forward so that its head rested on the toe of the shoe.
That was it. On the instant, meaning had evolved out of simple structure. Something in the little collection reminded him of something else. What? Domestic tranquillity. Order. He smiled and shook his head nostalgically, yearning for something he couldn’t recall. The comfortable feeling evaporated into the air. The nostalgia, poignant as it had been for that one moment, wasn’t connected to anything at all, and was just so much vapor, an abstraction with no concrete object. It was gone now, and he couldn’t retrieve it. Maybe later he would see it again, when he wasn’t trying so hard.
Frowning, he returned to the window where he worked his fingers through his hair again. There was a broken limb on the bush where he had dropped the fly, as if someone had stepped into it clumsily. For a moment he was puzzled. There hadn’t been any broken limb a half hour ago.
A surge of worried excitement welled up in him, and he stepped out through the window, looking up and down along the wall of the house. Here he is again! he said to himself. No one was visible, though.
He sprinted to the corner, bursting quickly past it to catch anyone who might still be lurking. He looked about himself wildly for a moment and then ran straight toward the carriage house and circled entirely around it. The door was locked, so he didn’t bother going in, but headed out onto the meadow instead straightaway toward the silo. He realized that he should have fetched Hasbro along with him, or at any rate brought a weapon.
He had left the silo doors double-locked, though. They were visible from the house, too — both from the study and from St. Ives’s bedroom upstairs. Hasbro’s quarters also looked out onto the meadow, and Mrs. Langley could see the silo from the kitchen window. St. Ives had been too vigilant for anyone to have…And no one had. The doors were still locked, the locks untouched. Carefully, he inspected the ground finding stray shoeprints here and there. He stepped into them, realizing only then that he was in his stocking feet. Still, there was one set of prints that were smaller even than his unshod foot. They wouldn’t belong to Hasbro, then. Possibly they were Bill Kraken’s, except that Kraken was up in Edinburgh and these prints were fresh. Parsons! It had to be Parsons, snooping around again. Who else could it be? No one.