Dundy brought his hands from behind him. In one was a necktie with narrow diagonal stripes in varying shades of green, in the other was a platinum scarfpin in the shape of a crescent set with small diamonds.
Spade bent over to look at three small, irregular spots on the tie. “Blood?”
“Or dirt,” Dundy said. “He found them crumpled up in a newspaper in the rubbish can on the corner.”
“Yes, sir,” the uniformed man said proudly; “there I found them, all wadded up in—” He stopped because nobody was paying any attention to him.
“Blood's better,” Spade was saying. “It gives a reason for taking the tie away. Let's go in and talk to people.”
Dundy stuffed the tie in one pocket, thrust his hand holding the pin into another. “Right —and we'll call it blood.”
They went into the living-room. Dundy looked from Bliss to Bliss's wife, to Bliss's niece, to the housekeeper, as if he did not like any of them. He took his fist from his pocket, thrust it straight out in front of him, and opened it to show the crescent pin lying in his hand. “What's that?” he demanded.
Miriam Bliss was the first to speak. “Why, it's Father's pin,” she said.
“So it is?” he said disagreeably. “And did he have it on today?”
“He always wore it.” She turned to the others for confirmation.
Mrs. Bliss said, “Yes,” while the others nodded.
“Where did you find it?” the girl asked.
Dundy was surveying them one by one again, as if he liked them less than ever. His face was red. “He always wore it,” he said angrily, “but there wasn't one of you could say, 'Father always wore a pin. Where is it?' No, we got to wait till it turns up before we can get a word out of you about it.”
Bliss said, “Be fair. How were we to know— ?”
“Never mind what you were to know,” Dundy said. “It's coming around to the point where I'm going to do some talking about what I know.” He took the green necktie from his pocket. “This is his tie?”
Mrs. Hooper said, “Yes, sir.”
Dundy said, “Well, it's got blood on it, and it's not his blood, because he didn't have a scratch on him that we could see.” He looked narrow-eyed from one to another of them. “Now, suppose you were trying to choke a man that wore a scarfpin and he was wrestling with you, and—”
He broke off to look at Spade.
Spade had crossed to where Mrs. Hooper was standing. Her big hands were clasped in front of her. He took her right hand, turned it over, took the wadded handkerchief from her palm, and there was a two-inch-long fresh scratch in the flesh.
She had passively allowed him to examine her hand. Her mien lost none of its tranquillity now. She said nothing.
“Well?” he asked.
“I scratched it on Miss Miriam's pin fixing her on the bed when she fainted,” the housekeeper said calmly.
Dundy's laugh was brief, bitter. “It'll hang you just the same,” he said.
There was no change in the woman's face. “The Lord's will be done,” she replied.:
Spade made a peculiar noise in his throat as he dropped her hand. “Well, let's see how we stand.” He grinned at Dundy. “You don't like that star-T, do you?”
Dundy said, “Not by a long shot.”
“Neither do I,” Spade said. “The Talbot threat was probably on the level, but that debt seems to have been squared. Now— Wait a minute.” He went to the telephone and called his office. “The tie thing looked pretty funny, too, for a while,” he said while he waited, “but I guess the blood takes care of that.”
He spoke into the telephone: “Hello, Effie. Listen: Within half an hour or so of the time Bliss called me, did you get any call that maybe wasn't on the level? Anything that could have been a stall… Yes, before… Think now.
He put his hand over the mouthpiece and said to Dundy, “There's a lot of deviltry going on in this world.”
He spoke into the telephone again: “Yes? . . . Yes . . . Kruger? . . . Yes. Man or woman? . . . Thanks. . . . No, I'll be through in half an hour. Wait for me and I'll buy your dinner. 'By.”
He turned away from the telephone. “About half an hour before Bliss phoned, a man called my office and asked for Mr. Kruger.”
Dundy frowned. “So what?”
“Kruger wasn't there.”
Dundy's frown deepened. “Who's Kruger?”
“I don't know,” Spade said blandly. “I never heard of him.” He took tobacco and cigarette papers from his pockets. “All right, Bliss, where's your scratch?”
Theodore Bliss said, “What?” while the others stared blankly at Spade.
“Your scratch,” Spade repeated in a consciously patient tone. His attention was on the cigarette he was making. “The place where your brother's pin gouged you when you were choking him.”
“Are you crazy?” Bliss demanded. “I was—”
“Uh-huh, you were being married when he was killed. You were not.” Spade moistened the edge of his cigarette paper and smoothed it with his forefingers.
Mrs. Bliss spoke now, stammering a little: “But he—but Max Bliss called—“
“Who says Max Bliss called me?” Spade asked. “I don't know that. I wouldn't know his voice. All I know is a man called me and said he was Max Bliss. Anybody could say that.”
“But the telephone records here show the call came from here,” she protested.
He shook his head and smiled. “They show I had a call from here, and I did, but not that one. I told you somebody called up half an hour or so before the supposed Max Bliss call and asked for Mr. Kruger.” He nodded at Theodore Bliss. “He was smart enough to get a call from this apartment to my office on the record before he left to meet you.
She stared from Spade to her husband with dumfounded blue eyes.
Her husband said lightly, “It's nonsense, my dear. You know—“
Spade did not let him finish that sentence. “You know he went out to smoke a cigarette in the corridor while waiting for the judge, and he knew there were telephone booths in the corridor. A minute would be all he needed.” He lit his cigarette and returned his lighter to his pocket.
Bliss said, “Nonsense!” more sharply. “Why should I want to kill Max?” He smiled reassuringly into his wife's horrified eyes. “Don't let this disturb you, dear. Police methods are sometimes—”
“All right,” Spade said, “let's look you over for scratches.”
Bliss wheeled to face him more directly. “Damned if you will!” He put a hand behind him.
Spade, wooden-faced and dreamy-eyed, came forward.
Spade and Effie Ferine sat at a small table in Julius's Castle on Telegraph Hill. Through the window beside them ferryboats could be seen carrying lights to and from the cities' lights on the other side of the bay.
”. . . hadn't gone there to kill him, chances are,” Spade was saying; “just to shake him down for some more money; but when the fight started, once he got his hands on his throat, I guess, his grudge was too hot in him for him to let go till Max was dead. Understand, I'm just putting together what the evidence says, and what we got out of his wife, and the not much that we got out of him.”
Effie nodded. “She's a nice, loyal wife.”
Spade drank coffee, shrugged. “What for? She knows now that he made his play for her only because she was Max's secretary. She knows that when he took out the marriage license a couple of weeks ago it was only to string her along so she'd get him the photostatic copies of the records that tied Max up with the Graystone Loan swindle. She knows—Well, she knows she wasn't just helping an injured innocent to clear his good name.”
He took another sip of coffee. “So he calls on his brother this afternoon to hold San Quentin over his head for a price again, and there's a fight, and he kills him, and gets his wrist scratched by the pin while he's choking him. Blood on the tie, a scratch on his wrist—that won't do. He takes the tie off the corpse and hunts up another, because the absence of a tie will set the police to thinking. He gets a bad break there: Max's new ties are on the front of the rack, and he grabs the first one he comes to. All right. Now he's got to put it around the dead man's neck—or wait—he gets a better idea. Pull off some more clothes and puzzle the police. The tie'll be just as inconspicuous off as on, if the shirt's off too. Undressing him, he gets another idea. He'll give the police something else to worry about, so he draws a mystic sign he has seen somewhere on the dead man's chest.”
Spade emptied his cup, set it down, and went on: “By now he's getting to be a regular master-mind at bewildering the police. A threatening letter signed with the thing on Max's chest. The afternoon mail is on the desk. One envelope's as good as another so long as it's typewritten and has no return address, but the one from France adds a touch of the foreign, so out comes the original letter and in goes the threat. He's overdoing it now; see? He's giving us so much that's wrong that we can't help suspecting things that seem all right—the phone call, for instance.
“Well, he's ready for the phone calls now—his alibi. He picks my name out of the private detectives in the phone book and does the Mr. Kruger trick; but that's after he calls the blonde Elise and tells her that not only have the obstacles to their marriage been removed, but he's had an offer to go in business in New York and has to leave right away, and will she meet him in fifteen minutes and get married? There's more than just an alibi to that. He wants to make sure she is dead sure he didn't kill Max, because she knows he doesn't like Max, and he doesn't want her to think he was just stringing her along to get the dope on Max, because she might be able to put two and two together and get something like the right answer.