Vasco smiled happily. “You acknowledge that this is your rapier, messer?”
“It was until it was stolen,” I said, “and I know who took it.”
He scoffed.
“If not you,” I said, “then who? You were on watch in the salone all night, weren’t you?”
“What is this?” the Maestro screeched in the doorway. “Carnival? The Giudecca Festival? The marangona has rung, has it not? Out of here, all of you!” He hates strangers in his atelier. About a dozen Marcianas shamefacedly withdrew, leaving four of us and the corpse.
Vasco was still tying my bonds, as he thought. “You were in bed and asleep from the time we met last night until the alarm was raised this morning, is that correct?” he said.
My wiggle room there was thinner than a razor, as we had all removed our hats out of respect for the dead and my hair was still damp. “I do not have to answer your questions, citizen.”
His smile spread over his face like a cancer. “But you will answer the inquisitors when they put those same questions, clarissimo.”
“This is an unseemly conversation in the presence of mortality,” Father Farsetti said heavily. “Filippo, do you really believe you can learn something that may help the authorities catch the murderer?
The Maestro came forward, thumping his staff. “If you will evict these two yapping puppies, Father…Thank you.” He moved into the space Vasco had vacated and handed me his staff. “Bring my instruments.”
He poked and prodded while I fetched his medical bag. The best way to determine time of death is to estimate internal temperature, but Farsetti might not permit that indignity to a corpse, and he would certainly forbid any sort of dissection. The Maestro thrust two fingers into the corpse’s mouth, but did not suggest any worse intrusion. I gave him one of the scalpels I keep razor sharp for him and he slit open the blood-encrusted doublet to examine the exit wound. The dying man had lost so much blood that his clothes were stiff with it, yet still tacky near his skin.
The Maestro demanded that the corpse be turned over, so Vasco and I obliged. Face down, it seemed even more widely contorted, and I held one of its ankles lest it roll off the couch. The Maestro examined the entry wound, which was surrounded by a circle of subcutaneous hemorrhage where the hilt had impacted or pressed against the flesh, but the deceased had bled much less on that side. The blood on his leg had come from a stab wound in his calf, which confirmed my vision in the fire. There was a separate patch of blood on the back of his ruff, which was badly crushed, and his right wrist showed faint subcutaneous bleeding, too recent to date from my blow on it a week ago.
“Well, apprentice?” Nostradamus said. “What do you conclude?”
“He was stabbed in the back, master.”
Vasco crowed, as if I had just initialed my own death warrant. “How do you know that, since you weren’t downstairs to see?”
An easy one. “You told me so a moment ago, but the condition of the corpse proves it.” I returned my attention to my master. “The stroke missed his heart and likely penetrated the aorta, accounting for the massive hemorrhage in the dorsal area. A heart wound would not have bled so much. He died of exsanguination and asphyxiation. I mean he bled to death, but he may have suffocated first, as his thoracic cavity filled with blood. The punctures are so tiny it would not be possible to remove the sword and replace it from the opposite direction without leaving evidence. I estimate that he died about nine o’clock last night, but you can undoubtedly judge that more closely than I can, master.”
I thought that I had done quite well so far. There was another conclusion to be drawn, a very obvious one, except that I was not supposed to know about the absence of significant bloodstains in the loggia. Since nobody had yet mentioned that, I yielded to temptation and dangled a lure to see who would bite.
“He must have known his assailant,” I said, “and trusted him enough to turn his back on him, because no man will stand still to be impaled when he can leap into a canal. Dolfin was never much of a swimmer as a child, but the Rio San Remo is barely deep enough to drown in, even at high tide.” No one commented and I pushed on. “So he was standing in the loggia, looking outward-perhaps hoping a gondola would come by, although the hour must have been late. His companion was farther back, possibly on the pretext of seeking better shelter from the rain. Or possibly he came from the door.”
Vasco’s eyes gleamed, and I realized that I had given myself away in earnest this time.
“Or else,” I continued, “Danese was waiting for Luigi to open the door for him, and the murderer came from the watersteps, perhaps disembarking from the very same boat. When Dolfin was struck, he fell back on the hilt of the sword, driving the blade in as far as it could go. It would have snapped if he had fallen forward on it. Which way was he facing?”
For a moment no one spoke, although the Maestro’s lips were pursed hard enough to hurt.
Then Father Farsetti said, “His head was almost in the corner of the house wall, which means he had been facing outward.” The priest is the finest player of simultaneous mental chess I have ever met-I have watched him play six games at once-so either visualizing violent crime was not another of his skills, or he was playing along with me just as the Maestro was.
A clatter of feet announced the arrival of Corrado and Christoforo, jostling their way through the door, competing to be first with the news and shouting over each other: “Dr. Modestus says-” “The Jew says he-” “-he is sorry but he-” “-will visit a sick person-” “-cannot come to view a corpse-” “-but not come-” “-on the Sabbath.” “-to see a dead one.”
“Damnatio!” the Maestro snapped. “Very well, then! Away with you! That is unfortunate,” he confided to the priest. “I would value his opinion on the time of death, for Their Excellencies will certainly want to know that.” He was more annoyed at himself for having forgotten that today was Saturday.
The boys slunk out, angry at not being paid.
“I arrived here about ten o’clock,” Vasco announced confidently. “It took me much hammering to fetch that oaf of a doorman, and some minutes to argue my way in. There was certainly no carcase cluttering up the loggia then.”
“You are sure of the time?” the Maestro demanded, cutting off Father Farsetti’s protest about disrespect for the dead.
“Reasonably. It was about an hour after the curfew rang. The doorman says he locked up at curfew. For what the old fool’s testimony is worth, this morning he agrees that my knock came about then.”
“Luigi does not always interpret curfew the way the sun does,” I said, “is it possible that sier Danese was killed later than ten o’clock, master?”
He frowned, but did not look at me. “I estimate time of death as being within an hour of curfew, either before or after.”
My sword had killed Danese, so only a total blockhead would not see that I was in very grave trouble. But Vasco himself was now testifying that I had been in Ca’ Barbolano until after ten, so the earlier Danese had died, the less my peril. Ironically, Vasco had not yet seen this.
“I assure you,” he said, “that I did not overlook a corpse at my feet while I was waiting for that wreck of a doorman.”
“I did not say you did, Vizio. Turn him over again, please.” The Maestro slit Danese’s doublet and shirt and pulled free the bloodstained cloth. “Water and a cloth, please Alfeo.”
I assumed he wanted to look for postmortem bruising, evidence of the way blood had settled after death.
As I turned toward the doorway, it was suddenly occupied. The big man in the red and blue robe was Gasparo Quazza, Missier Grande. Behind him came a nobleman in black robes and then Sergeant Torre, chief of our local sbirri. Out in the salone were several more constables and a very worried Giorgio. Without a word, Missier Grande nodded to the priest and Nostradamus, made the sign of the cross in respect to the corpse, and then turned to his vizio.