“This is exciting!” Grazia informed Vasco. “Have you ever watched anyone dowsing for evil before, Vizio?”
“No, madonna. I don’t suppose I ever shall again.”
“You should let me teach you,” I said. “Except that we must concentrate on your fencing lessons first.” I opened the door and bowed Grazia ahead of me, letting Vasco follow us. “Now, madonna…”
I surveyed the long hall lined with ten-foot high bookshelves along either side, fitted with wheeled ladders for access to the upper layers. There were still two or three thousand volumes on the floor, in stacks and boxes. My heart failed me. Even to fake a survey of all this would take hours, and Gritti might decide to leave at any moment. Either he would take me with him or the Sanudos would evict me as soon as he had left; my chance to find Neptune would have gone.
The wall of bookshelves along the right side of the androne -which was currently on my left since we were at the rear of the house-was broken by three doors, opposing two doors and the staircase on the other side. The nearer door on my right was open and led to the kitchen, directly under Grazia’s chamber. Marina and Pignate were bustling around in there, preparing dinner. I told my mouth to stop watering.
“I think I will leave the main collection until I have surveyed the rest of the house, madonna. That will help me get the wand attuned. And I will leave the kitchen until the end, so I do not interrupt the cooks’ important labors. Now, what are those other rooms? Not more books, I hope?”
I had spoken in hope and jest, but Grazia said, “Yes!”
She crossed to the right side and threw open the rearmost door. The room beyond was packed with crates of books, piles of lumber, and half-completed bookshelves. I believe I groaned.
“Tiring work, is it, dowsing?” Vasco murmured behind me.
“And that’s still not all!” our guide proclaimed, heading to the front of the house. The room there was in much the same condition, except that the construction was further along. “This will be for the most valuable volumes.”
Now I had the plan clear in my mind. The right side held two rooms of books, and the other side had the kitchen at the back and a front room that I could guess.
“This,” I said, heading for it, “must be Fabricio and Pignate’s?” Girolamo had said they slept close to the door. “Let us start there.”
The chamber was spacious. A bed apiece and a chest for clothes and a couple of chairs, all of them quality pieces. The Sanudos were generous to their servants, even if they worked them hard, for I have seen dormitories half its size with a dozen flunkies packed in like salted fish. Holding the branches of the wand, I raised it so the stalk pointed straight forward.
“Please do not speak for a few moments,” I said, concentrating. I mouthed a prayer, which was perfectly sincere, an appeal for forgiveness for mendacity in a good cause. Then I began to walk slowly forward gently swinging the wand from side to side to point at this or that. When I had gone all the way around, I shook my head.
“Nothing, I’m afraid.” Following Grazia out, I pointed across to the central door on the right side, between the two rooms of books and opposite the staircase. Whatever lay behind it could have no windows. “What’s in there?”
“The way to the mezzanine.” She was enjoying herself, managing to forget her grief. She swept across in her mourning gown and opened the door to reveal narrow stairs, dimly illuminated by the two open doors at the top. Up we went.
The female servants’ dormitory was at the front. It was a very fine bedroom, and at the moment Noelia had it to herself, except that it was also being used to store furniture. I dowsed my way around and found nothing suspicious. What sort of a Neptune was I supposed to look for? A book about Roman gods? A statue? A painting? Fiery spiders?
The other mezzanine room had been Danese’s before his eviction. It had a fine view of the garden and the iron grille over the window matched Grazia’s on the other side. The furnishings were superb, and the paintings on the walls cried out for study and appreciation. The only criticism I could have leveled at it as a room was that its ceiling was no more than about nine feet high, which I found oppressive after Ca’ Barbolano. Even in Ca’ Sanudo, the altana and piano nobile ceilings were at least twice that. But Danese had indeed done well for himself, and I wondered what quarters he had enjoyed at Celeseo, for the mainland palaces of the rich sprawl far larger than those in cramped Venice.
“You had better dowse this room well, messer,” Grazia proclaimed, with an attempt at aristocratic hauteur. “Who knows what missing jewels it may contain?”
I portrayed wronged virtue. “Madonna, it was your aunt who accused your late husband of theft. I never did. Remember that no one here observed how your aunt had been cursed. She looks twice as old as she should, and yet none of you noticed. When valuables disappear for a day or two and then turn up again, it is only common sense to inspect them carefully, and apparently nobody had thought to do that. It was my duty to suggest that precaution, but any servant could have made the switch. I did not hint at Danese.”
She ignored me, deaf as Odysseus to the sirens.
I persisted. “The jewel incident was recent? It happened after you moved back from Celeseo?”
Reluctantly she nodded.
“Then I should certainly suspect the new servants more than Danese, who had been employed by your family for years.” I did not point out that Danese would have found it easier to have stolen jewelry counterfeited here in Venice than he would have done in Padua, or that he might have been worried about his tenure as cavaliere servente since his employer’s husband returned from foreign lands.
There was no obvious Neptune in sight, but I dowsed my way around the room. No demons emerged. Vasco kept yawning behind Grazia’s back.
We went downstairs, crossed the hall, and started up the main staircase. At the mezzanine level, Grazia swept right by the two doors and continued on up toward the piano nobile without a hint that the rooms there ought to be inspected also. I caught Vasco’s eye and for once we shared smiles of real amusement.
Martini and Bolognetti, the two fanti, were sitting patiently on a divan, and Madonna Eva was just emerging from the salotto, assisting the blighted Fortunata.
“Let us begin with your aunt’s room,” I said. “After all, that is the most likely place to find the source of the evil that cursed her.”
Fortunata would have to be billeted on that level, being unable to manage stairs, and Grazia led us across to the right-front corner, overlooking the canal. The room itself was magnificent. The ceiling paintings alone made me want to hurl myself down on the bed and spend half an hour admiring. There were several fine oils hung on the walls, also, although they were poorly arranged and matched. The furniture was of fine quality, but scanty, and some pieces obviously old, perhaps heirlooms. The bed was gracious, standing upon golden pillars in the center of the room. I was able to dowse all the way around it. No Neptune, no jinx, no demon.
We were safely back out in the salone before the owner arrived at her tortoise creep. I crossed to the open door opposite and found myself in the dining room. Little Noelia was laying out silverware and crystal. She stared with octopus eyes at me and my twig as I solemnly paced my way around the room and her, but neither of us spoke.
Now I had the piano nobile worked out also: on the right, Madonna Fortunata’s room and the salotto; on the left, the dining room and what must surely be the Sanudos’ own bedchamber at the rear. With Eva attending her aunt and Zuanbattista closeted with his son and Gritti in the salotto, now was my chance to pry there also. Grazia started to protest, but I rapped on the door and entered.