When he approached the house, the family stepped off the porch and retreated into the depths of the garden, leaving the door open for him. His cane tapped on the steps and flicked from side to side, like a tongue of a venomous snake. He was about to put his foot onto the first step, but then he turned to Mattie, undoubtedly alerted to her presence by the loud ticking of her heart.
“Kind sir,” Mattie said politely. “A word at your pleasure.”
“Call me Ilmarekh,” he said in a soft, almost feminine voice that lilted with some slight unidentifiable accent. “It’s been a while since anyone wanted a word with me.”
“I am Mattie,” she said, and softly touched her hand to the blind man’s.
He started at her touch. “Dear girl, are you an automaton?”
“Yes, sir,” Mattie said. “I am an alchemist, and I’m in need of your help. Do you mind if I watch you while you do your work?”
“Not at all,” he said. “Come inside.”
The hallway was subsumed by the twilight, long fingers of shadows stretching from the hollow of the cupped ceiling, reaching all the way down the walls, and only retreating by the western windows, which admitted the last of the sunlight. Ilmarekh sniffed the air, and Mattie tasted it too; both followed the sweet cloying perfume of opium to the kitchen.
The soul of the deceased had already found it—there was a faint shimmer in the bowl of brown powder left on the kitchen table, and a strange watery halo surrounded it, as, Mattie imagined, through a veil of tears.
The blind man carefully patted the pockets of his severe jacket and extracted a long-stemmed pipe with a small shallow bowl cut from ancient knotted wood, silvery with age. Without any ceremony, he stuffed the bowl of his pipe with the opium and lit it with a thick sulfurous match. Sweet smoke filled the kitchen, and the liquid shadow danced in the rising puffs and writhed under the ceiling, becoming smoke, becoming shadow and disappearing, sucked through Ilmarekh’s narrow, lipless mouth. His chest rose and fell in breaths that seemed too great for his narrow frame, and every last wisp of smoke was sucked into his chest and consumed.
When there was no opium left, Ilmarekh sighed and collapsed on the stool by the kitchen table. Bronzed pans reflected his white face and hair, and he seemed a ghost himself. The opium washed away the last color from his lips, and his white eyes were half-hidden under heavy eyelids.
“Are you all right?” Mattie asked. “I have tonics with me, if you’re feeling weak.”
He sat up, as if remembering her presence. “I am fine, I assure you,” he said. “A new soul takes a while to settle.”
“How many do you contain?” Mattie asked.
“Hundreds,” he answered, without any pride or remorse. “I imagine you came to ask me about one of them?”
“Yes,” Mattie said. “There was a woman, some years back, an alchemist… she used to live by the river, in the eastern district. Her name was Beresta.”
The blind man remained silent, chewing the air as if tasting something in it. “Yes,” he said after a while. “I know her.”
Ilmarekh said that he wished the world were simpler; he had been blind since birth, and he tried to imagine seeing, from the vague and distant memories of the souls that lived inside him. His favorite things to imagine were reflections and shadows, and reflections of shadows running along a long, unending pane of glass. This is what he imagined the souls he consumed were like, and he fancied himself a mere reflecting surface—and instead of wandering alone through the world that was not kind to shadows, they found solace in seeing their reflection in Ilmarekh’s soul, and the reflection gave them substance and contentment.
Among the hundreds of reflections he knew by feel and by their thoughts and memories twining with his own, he could locate Beresta with ease. He told Mattie that she was a shy, retiring soul that would rather remain unnoticed than communicate with him. “But I can coax her,” he said.
Mattie tried to imagine what it was like, having someone else’s soul sloshing inside one, silvery and elusive like a small fast fish that one could cradle in an open palm full of water but could never grasp without inflicting injury and distress. This is probably what it would be like to have any soul, she thought.
“She says she knows you,” Ilmarekh said after a protracted silence. “Rather, she knows the man who made you.”
“He sent me,” Mattie said. Sitting in someone else’s kitchen like that, not letting the worry about the owners intrude upon her communion with this small, strange man felt almost criminal and yet giddy. The slanted red rays of the setting sun set the pans afire and spilled thick amber puddles across the floor. The air smelled of cedar and amber.
“She says she knows your teacher,” Ilmarekh said. “She says she’ll tell you what you want to know if you tell her why you became an alchemist and why you chose the teacher you had.”
Both questions had the same answer. Mattie remembered when she had been a simple automaton with sturdy metal hands designed for gripping broom handles and handling saucepans; she was intelligent enough for conversation, for Loharri did not like being bored. She used to bustle through the house crammed full of spare mechanical parts and sweep the workshop floors, raising angry clouds of dust full of tiny stings of metal particles, she cooked meals heavy with red, steaming meat designed to enliven her master’s pale complexion and melancholy disposition. She waged protracted wars with small mice who were reluctant to leave the house and insisted on partaking of the food she brought from the market. Sometimes she went out with Loharri when he needed to run errands and wanted company or someone to carry things for him. She asked for nothing else and had not even heard about emancipation, even though an occasional twinge of dissatisfaction came unbidden every now and again.
This changed one day in June when Loharri, contrary to his complaints about the sweltering heat and repeated reassurances that he would not leave the house until the weather changed to something halfway sane, called her to go out with him. He gave her a machine to carry—a simple device, consisting of a bronze receptacle for water and a narrow nozzle; Mattie knew enough about Loharri’s contrivances to guess that when the water boiled, the steam would be forced through the nozzle onto the blades of a fan above it, spinning them and the platform mounted over it. There were deep depressions in the platform, currently empty, and Mattie guessed that they were meant for something—probably small things that needed spinning.
She puzzled over the machine as they walked, turning it this way and that, and never noticed that they were walking all the way to the eastern district, a place populated by those who were not as wealthy as her master but not entirely poor. Apartments clustered on top of each other, wisely avoiding contact with expensive land underneath, and the air smelled of bleach and smoked fish, of old flowers and laundry drying in the sun.
They headed to one of the tenement buildings, no different from the others under their roofs of overlapping red tiles. They walked up the rickety stairs; Loharri’s face was pale, and he sweated more than usual in his dark clothes; still no complaint escaped his tightly closed bloodless lips.
Mattie followed him, counting the creaking steps, and wondering about the reason for such uncharacteristic silence—usually, her creator was eager to offer his views on the weather, people populating any given area, and the latest election, whether she listened or not. That went doubly for any bodily discomfort he was experiencing, and his lack of complaining seemed downright ominous by the time they reached their destination—a narrow garret at the very top of the building, where all the heat of the day and every drop of fish smell had curled up comfortably and refused to leave.