The water-silences captured and transformed everything human in movement, so that we were like the coloured projections of undines painted upon these brilliant screens of rock and weed, echoing and copying the water-rhythms. Here thought itself perished, was converted into a fathomless content in physical action. I see the bright figure travelling like a star across this twilit firmament, its hair combed up and out in a rippling whorl of colour.
But not only here, of course. When you are in love with one of its inhabitants a city can become a world. A whole new geography of Alexandria was born through Clea, reviving old meanings, renewing ambiences half forgotten, laying down like a rich wash of colour a new history, a new biography to replace the old one. Memory of old cafes along the seafront by bronze moonlight, their striped awnings a—flutter with the midnight sea-breeze. To sit and dine late, until the glasses before one had brimmed with moonlight. In the shadow of a minaret, or on some strip of sand lit by the twinkle of a paraffin lamp. Or gathering the masses of shallow spring blossom on the Cape of Figs — brilliant cyclamen, brilliant anemone. Or standing together in the tombs of Kom El Shugafa inhaling the damp exhalations of the darkness which welled out of those strange subterranean restingplaces of Alexandrians long dead; tombs carved out of the black chocolate soil, one upon the other, like bunks in a ship. Airless, mouldy and yet somehow piercingly cold. (‘Hold my hand.’) But if she shivered it was not then with the premonitions of death, but with the sheer weight of the gravid earth piled above us metre upon metre. Any creature of the sunlight would shiver so.
That brilliant summer frock swallowed by the gloom. ‘I’m cold.
Let us go.’ Yes, it was cold down there. But with what pleasure one stepped from the darkness into the roaring, anarchic life of the open street once more. So the sun-god must have risen, shaking himself free from the damp clutch of the soil, smiling up at the printed blue sky which spelt travel, release from death, renewal in the life of common creatures.
Yes, but the dead are everywhere. They cannot be so simply evaded. One feels them pressing their sad blind fingers in deprivation upon the panels of our secret lives, asking to be remembered and re-enacted once more in the life of the flesh — encamping among our heartbeats, invading our embraces. We carry in ourselves the biological trophies they bequeathed us by their failure to use up life — alignment of an eye, responsive curve of a nose; or in still more fugitive forms like someone’s dead laugh, or a dimple which excites a long-buried smile. The simplest of these kisses we exchanged had a pedigree of death.
In them we once more befriended forgotten loves which struggled to be reborn. The roots of every sigh are buried in the ground.
And when the dead invade? For sometimes they emerge in person. That brilliant morning, for example, with everything so deceptively normal, when bursting from the pool like a rocket she gasped, deathly pale: ‘There are dead men down there’: frightening me! Yet she was not wrong, for when I mustered the courage to go down myself and look — there they were in very truth, seven of them, sitting in the twilight of the basin with an air of scrupulous attention, as if listening to some momentous debate which would decide everything for them. This conclave of silent figures formed a small semicircle across the outer doorway of the pool. They had been roped in sacks and leadweighted at the feet, so that now they stood upright, like chess pieces of human size. One has seen statues covered in this way, travelling through a city on a lorry, bound for some sad provincial museum.
Slightly crouched, responding to the ligatures which bound them, and faceless, they nevertheless stood, flinching and flickering softly like figures in an early silent film. Heavily upholstered in death by the coarse canvas wrappers which bound them.
They turned out to be Greek sailors who had been bathing from their corvette when, by some accident, a depth—charge had been detonated, killing them instantly by concussion. Their unmarked bodies, glittering like mackerel, had been harvested laboriously in an old torpedo net, and laid out upon dripping decks to dry before burial. Flung overboard once more in the traditional funeral dress of mariners the curling tide had brought them to Narouz’ island.
It will sound strange, perhaps, to describe how quickly we got used to these silent visitants of the pool. Within a matter of days we had accommodated them, accorded them a place of their own.
We swam between them to reach the outer water, bowing ironically to their bent attentive heads.
It was not to flout death — it was rather that they had become friendly and appropriate symbols of the place, these patient, intent figures. Neither their thick skin-parcels of canvas, nor the stout integuments of rope which bound them showed any sign of disintegration. On the contrary they were covered by a dense silver dew, like mercury, which heavily proofed canvas always collects when it is immersed. We spoke once or twice of asking the Greek naval authorities to remove them to deeper water, but by long experience I knew we should find them unco-operative if we tried, and the subject was dropped by common consent.
Once I thought I saw the flickering shadow of a great catfish moving among them but I must have been mistaken. We even thought later of giving them names, but were deterred by the thought that they must already have names of their own — the absurd names of ancient sophists and generals like Anaximander, Plato, Alexander….
So this halcyon summer moved towards its end, free from omens — the long sunburnt ranks of marching days. It was, I think, in the late autumn that Maskelyne was killed in a desert sortie, but this was a passing without echoes for me — so little substance had he ever had in my mind as a living personage. It was, in very truth, a mysterious thing to find Telford sitting red-eyed at his desk one afternoon repeating brokenly: ‘The old Brig’s copped it. The poor old Brig’ and wringing his purple hands together. It was hard to know what to say. Telford went on, with a kind of incoherent wonder in his voice that was endearing. ‘He had no-one in the world. D’you know what? He gave me as his next-of-kin.’ He seemed immeasurably touched by this mark of friendship. Nevertheless it was with a reverent melancholy that he went through Maskelyne’s exiguous personal effects. There was little enough to inherit save a few civilian clothes of unsuitable size, several campaign medals and stars, and a credit account of fifteen pounds in the Tottenham Court Road Branch of Lloyds Bank. More interesting relics to me were those contained in a little leather wallet — the tattered pay-book and parchment certificate of discharge which had belonged to his grandfather. The story they told had the eloquence of a history which unfolded itself within a tradition. In the year 1861 this now forgotten Suffolk farm-boy had enlisted at Bury St Edmunds.
He served in the Coldstream Guards for thirty-two years, being discharged in 1893. During his service he was married in the Chapel of the Tower of London and his wife bore him two sons.
There was a faded photograph of him taken on his return from Egypt in 1882. It showed him dressed in white pith helmet, red jacket and blue serge trousers with smart black leather gaiters and pipe-clayed cross belts. On his breast was pinned the Egyptian War Medal with a clasp for the battle of Tel-el-Kebir and the Khedive’s Star. Of Maskelyne’s own father there was no record among his effects.
‘It’s tragic’ said little Telford with emotion. ‘Mavis couldn’t stop crying when I told her. She only met him twice. It shows what an effect a man of character can have on you. He was always the perfect gentleman, was the Brig.’ But I was brooding over this obscure faded figure in the photograph with his grim eyes and heavy black moustache, with the pipe-clayed cross belts and the campaign medals. He seemed to lighten the picture of Maskelyne himself, to give it focus. Was it not, I wondered, a story of success — a success perfectly complete within the formal pattern of something greater than the individual life, a tradition?