‘I’ll go wherever you are.’
‘Don’t you have prospects in London?’
‘Of course. But not if you won’t be happy.’
Chapter 21
That’s how I got here—Scintilla.
Say Australia to me and I still can’t tell you much. It has a ground beneath your feet like any other place. The sky has a fiercer, whiter sun. I wasn’t here for those things. I was here for Tilda. She was Australia to me. We were citizens of us. I know it is not a healthy way to live, but it is how we ended up living. If I want nature there are Tilda’s landscapes decorating the walls, stripes and splashes of what she calls Abstract Passionism. If I want something to read there are Tilda’s medical records to remind me of life and death. If I want sport I can jog for an hour in the forest. I can play jump-the-snake in summer on the forest track.
Straight off the plane from Amsterdam—it was late January—we thought we might settle in Melbourne. It had old joined-up houses like dingy London streets, frilly iron-lace edges and brick of reddish brown. ‘Good ole Melbourne,’ Tilda called it, like a fond putdown. But she preferred the flat plains two hours’ drive to the west. There, if you ignored the barbed-wire fences, it was like beholding fields of wild dusty desert and not just farms. She wanted to strike out in that direction. We’d sleep off the jetlag and then head westward into the summer heat.
We camped in her studio in Fitzroy, a suburb with the dingiest London look of all. Her rent was paid up till mid-February, so that gave us planning time.
By ‘studio’ I mean a partitioned floor shared by four artists above a lighting shop. The rules stated no lodging was allowed—the property was for art work only, not bedding down in. But there was too much smell from turps pots and soaking brushes to give away the funk of our congressing and sleeping. We bought a futon and had it folded up long before anybody arrived. One artist, called Sebastian, who had a waxed antennae moustache like Dali and wore a three-piece suit and white spats, was particular about the rules. He was painting a portrait of someone famous. He didn’t want to bring someone famous into a doss house.
Our planning time only produced one idea: Tilda wanted to live as a modern Van Gogh somewhere on the dusty plains. A region called the Wimmera-Mallee had, she said, Van Gogh wheat fields. He would have drooled to see how vast they were, sun-bleached and blazing bronze. Her $40,000 would surely get us a house of fair proportions. She planned to paint, eventually have an agent in Melbourne and make money that way. ‘The perfect life,’ she said.
There is no such thing, of course.
Chapter 22
What was I going to do? This was the question which marred our setting out for home-hunting. ‘How will you make a living?’ Tilda asked. I big-noted in my usual way—‘I’ll think of something’—and let the sentence trail off. But two events put me in my place.
The first was my birthday, February 10. I was twenty-two. It meant nothing to me; there was no big to-do; I felt no different. Even the mirror thought so. I had no extra year of face lines, no thinning hair, no belly bulge appearing. My eye-whites still woke up bright and clear despite the night before’s two bottles of cheap cleanskin wine. No matter how much I drank I never got headaches.
Tilda was another story. Wine made her skull throb; she became argumentative with it. She moaned and coughed under the futon’s blanket, wishing I wouldn’t gloat about how I felt so fit and in my prime. It was like an accusation, she said, that she was getting over the hill. ‘You may not mean it to be but that’s how I read it. Could you stop parading, please?’
‘I’m not parading. I feel no different from last year, or being sixteen, that’s all.’
‘You’ll know what I mean one day.’ She rubbed her bloodshot eyes and pushed her burst plait into a bit more order. She fingered around in her toilet bag and took out a mascara pencil, a pocket mirror. She turned her back to me but I could still see her face cameoed in the glass, her eyes rolled upward for dragging black pencil lines around her eyelids. ‘Anyway,’ she yawned. ‘I have something you don’t. I have plans. Some direction. A purpose.’
Being talked down to like that made me argumentative. ‘Fuck purpose.’
‘Hardly a mature attitude.’ She pulled off the T-shirt she used for a nightie and began dressing, keeping her back to me for privacy. ‘We’ve been together a few months now. We can’t keep doing nothing but congressing all our lives. What will you do for a living?’
Was this the point where love’s more ended? I had a flattening-out of feeling in me, an unspecified disappointment where blind excitement had been.
We began turning on each other in a scratchy, squabbling way. I sat on her studio table and lit a cigarette to show I was so fit and young I could enjoy a cigarette first thing in the morning. Tilda needed till noon to clear her lungs for it. She jigged her jeans on, sucked in a breath for the effort of the tight zipper. She waved that the smoke was making her feel sick. I blew louder and further into her breathing zone.
She suggested I consider her for a moment. She didn’t mean the smoke; she meant the money issue, the issue she called ‘the pragmatics’. When she introduced me to people they were going to ask, ‘So tell me, Colin. What do you do?’
‘What are you going to say?’ she asked.
I shrugged. ‘I don’t know yet.’
‘What am I going to say? “Oh, Colin just moons about being cuntstruck, and expects me to moon about being cockstruck.”’
‘What people?’
Tilda closed her eyes, exasperated. ‘Listen. I love you. This has been such fun and so wild, you and me. I’ve loved it. But if we want a perfect life we have to start thinking sensibly.’
‘When you say you’ve loved it, you mean it in the past tense? I’ve come all this way to Australia and you’re regretting it?’
‘No. That’s not what I said.’
‘You implied it, then.’
Her voice went up a key to a pleading tone. ‘My parents, for instance. They will ask, “What do you do, Colin?” I wouldn’t want you just shrugging.’
This led straight into the second event. Tilda had garaged her Escort van at her parents’ while she was overseas. It was a dented, rattly thing, she said, but reliable enough to tackle the trip west. We’d sleep in the back—much cheaper than hotels, given it could take weeks to find a home.
She wanted to pick the van up that afternoon and thought it best if I didn’t accompany her. We would hardly project an image of practicality at the present time, would we? They might think I was botting off her, and she’d saddled herself with a no-hoper. Which was so far from the truth, she knew, but it’s all about image.
‘I embarrass you?’
‘I never said that. Come on, it won’t do us any harm to have a breather from each other for a few hours.’
Chapter 23
I thought I knew everything at twenty-two. Twenty-two is a know-all number of years. Back then it never caused me cringing but I am thirty now and can see the fallacy. There were things not normal about Tilda and me that were starting to show but I didn’t pick them.
It is normal for two people to think no one has ever loved so powerfully as they have: theirs is a true and blessed union. All those I love yous have built up resistance to doubt. But love is not simply sensations of the skin. More is demanded of you than sensations. I must have expected food and drink would fall out of the sky without me working for them; thin air would create money.
As we drove west I sat in the passenger side and pondered plans. I feigned napping to come up with a plan to keep Tilda happy. I nagged myself to conjure an idea, but nothing came. Not a one. The van’s radio commanded me to get down to Dimmeys for sensational bargains on towels and bedding, and I told it shut up and went back to the sleepy chore of plans.