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As he threw it, I changed again.

The quick shift from big (the croc) to small (a fox) was nicely judged, if I say so myself. The six hands that had been struggling to cope with large—scale scales suddenly found themselves clenching thin air as a tiny red bundle of fur and whirling claws dropped through their flailing fingers to the floor. At the same moment a missile of flashing silver passed through the point where the croc's throat had recently been and embedded itself in the metal door beyond.

The fox ran up the alley, paws skittering on the slippery cobbles.

A piercing whistle sounded ahead. The fox pulled up. Searchlights dipped and spun against the doors and brickwork. Running feet followed the lights.

That was all I needed. The Night Police were coming.

As a beam swung toward me, I leaped fluidly into the open mouth of a plastic bin. Head, body, brush—gone; the light passed over the bin and went on down the alley.

Men came now, shouting, blowing whistles, racing toward where I'd left the girl and her companions. Then a growling, an acrid smell; and something that might have been a big dog rushing after them into the night.

The sounds echoed away. Curled snugly between a seeping bin—bag and a vinegary crate of empty bottles, the fox listened, his ears pricked forward. The shouts and whistles grew distant and confused, and to the fox it seemed as if they merged and became an agitated howling.

Then the noise faded altogether. The alleyway was silent.

Alone in the foulness, the fox lay low.

8

Nathaniel

Arthur Underwood was a middle—ranking magician who worked for the Ministry of Internal Affairs. A solitary man, of a somewhat cantankerous nature, he lived with his wife, Martha, in a tall Georgian house in Highgate.

Mr. Underwood had never had an apprentice, and nor did he want one. He was quite happy working on his own. But he knew that sooner or later, like all other magicians, he would have to take his turn and accept a child into his house.

Sure enough, the inevitable happened: one day a letter arrived from the Ministry of Employment, containing the dreaded request. With grim resignation, Mr. Underwood fulfilled his duty. On the appointed afternoon, he traveled to the ministry to collect his nameless charge.

He ascended the marbled steps between two granite pillars and entered the echoing foyer. It was a vast featureless space; office workers passed quietly back and forth between wooden doors on either side, their shoes making respectful pattering noises on the floor. Across the hall, two statues of past Employment ministers had been built on a heroic scale, and sandwiched between them was a desk, piled high with papers. Mr. Underwood approached. It was only when he actually reached the desk that he was able to glimpse, behind the bristling rampart of bulging files, the face of a small, smiling clerk.

"Hello, sir," said the clerk.

"Junior Minister Underwood. I'm here to collect my new apprentice."

"Ah—yes, sir. I was expecting you. If you'll just sign a few documents…" The clerk rummaged in a nearby stack. "Won't take a minute. Then you can pick him up from the day room."

" 'Him'? It's a boy, then?"

"A boy, five years old. Very bright, if the tests are anything to go by. Obviously a little upset at the moment…" The clerk located a wodge of papers and withdrew a pen from behind his ear. "If you could initial each page and sign on the dotted lines…"

Mr. Underwood flourished the pen. "His parents—they've left, I take it?"

"Yes, sir. They couldn't get away fast enough. The usual sort: take the money and run, if you get my meaning, sir. Barely stopped to say good—bye to him."

"And all the normal safety procedures—?"

"His birth records have been removed and destroyed, sir, and he has been strictly instructed to forget his birth name and not reveal it to anyone. He is now officially unformed. You can start with him from scratch."

"Very well." With a sigh, Mr. Underwood completed his last spidery signature and passed the documents back. "If that's all, I suppose I had better pick him up."

He passed down a series of silent corridors and through a heavy, paneled door to a brightly painted room that had been filled with toys for the entertainment of unhappy children. There, between a grimacing rocking horse and a plastic wizard doll wearing a comedy conical hat, he found a small pale—faced boy. It had been crying in the recent past, but had now fortunately desisted. Two red—rimmed eyes looked up at him blankly. Mr. Underwood cleared his throat.

"I'm Underwood, your master. Your true life begins now. Come with me."

The child gave a loud sniff. Mr. Underwood noticed its chin wobbling dangerously. With some distaste, he took the boy by the hand, pulled it to its feet, and led it out down echoing corridors to his waiting car.

On the journey back to Highgate, the magician once or twice tried to engage the child in conversation, but was met with teary silence. This did not please him; with a snort of frustration, he gave up and turned on the radio to catch the cricket scores. The child sat stock—still in the backseat, gazing at its knees.

His wife met them at the door. She carried a tray of biscuits and a steaming mug of hot chocolate, and straight away bustled the boy into a cozy sitting room, where a fire leaped in the grate.

"You won't get any sense out of him, Martha," Mr. Underwood grunted. "Hasn't said a word."

"Do you wonder? He's terrified, poor thing. Leave him to me." Mrs. Underwood was a diminutive, roundish woman with very white hair cropped short. She sat the boy in a chair by the fire and offered him a biscuit. He didn't acknowledge her at all.

Half an hour passed. Mrs. Underwood chatted pleasantly about anything that came into her head. The boy drank some chocolate and nibbled a biscuit, but otherwise stared silently into the fire. Finally, Mrs. Underwood made a decision. She sat beside him and put her arm around his shoulders.

"Now, dear," she said, "let's make a deal. I know that you've been told not to tell anyone your name, but you can make an exception with me. I can't get to know you properly just calling you 'boy, can I? So, if you tell me your name, I'll tell you mine—in strictest confidence. What do you think? Was that a nod? Very well, then. I'm Martha. And you are…?"

A small snuffle, a smaller voice. "Nathaniel."

"That's a lovely name, dear, and don't worry, I won't tell a soul. Don't you feel better already? Now, have another biscuit, Nathaniel, and I'll show you to your bedroom."

With the child fed and bathed and finally put to bed, Mrs. Underwood reported back to her husband, who was working in his study.

"He's asleep at last," she said. "It wouldn't surprise me if he was in shock—and no wonder, his parents leaving him like that. I think it's disgraceful, ripping a child from his home so young."

"That's how it's always been done, Martha. Apprentices have to come from somewhere." The magician kept his head bent meaningfully toward his book.

His wife did not take the hint. "He should be allowed to stay with his family," she went on. "Or at least to see them sometimes."

Wearily, Mr. Underwood placed the book on the table. "You know very well that is quite impossible. His birth name must be forgotten, or else future enemies will use it to harm him. How can it be forgotten if his family keeps in contact? Besides, no one has forced his parents to part with their brat. They didn't want him, that's the truth of it, Martha, or they wouldn't have answered the advertisements. It's quite straightforward. They get a considerable amount of money as compensation, he gets a chance to serve his country at the highest level, and the state gets a new apprentice. Simple. Everyone wins. No one loses out."