"I wish," Miss Ming would say, "only to help, dear, for you're bound to have difficulty getting used to a world like this. We expatriates must stick together. If we don't, we're in trouble. Don't let it get to you. Don't mope. Don't get morbid."
And if Dafnish Armatuce would make an excuse, suggesting that Snuffles must be put to bed, perhaps, Miss Ming would exclaim. "There! You'll do harm to the boy. You must let him grow up, stand on his own two feet. You're afraid of experience — you're using him to protect yourself from what this world can offer. While he remains a child, he gives you an excuse to turn away from your own responsibilities as an adult. You're too possessive, Dafnish! Is it doing any good to either of you? He's got to develop his personality, and so have you."
At last, Dafnish Armatuce turned on the intolerable Ming. She would ask her, direct, to leave. She would say that she found Miss Ming's company unwelcome. She would ask Miss Ming never to return, but Miss Ming knew how to respond to this.
"Menstrual tension," she would say, sympathetically, undeterred by Dafnish Armatuce's reiteration of the fact that she had never experienced the menstrual cycle. "You're not yourself today." Or she would smile a sickly smile and suggest that Dafnish Armatuce get a better night's rest, that she would call tomorrow, in the hope of finding her in an improved mood. Or: "Something's worrying you about the boy. Let him have his head. Lead your own life." Or: "You're frustrated, dear. You need a friend like me, who understands. A woman knows what a woman needs." And a clammy, white, red-tipped hand would fall upon Dafnish's knee, like a hungry spider.
That Miss Ming wanted her for a lover, Dafnish Armatuce understood quite early, but love-making, even between man and woman, was discouraged in Armatuce; it was thought vulgar, and some would have it that the old sexual drive had been another central cause of the disaster which had nearly succeeded in destroying the whole race. The new methods of creating children, originally developed from necessity, were seen to contain virtues previously unconsidered. Besides, there was plainly no Armatuce blood in Miss Ming, and there was a strong taboo about forming liaisons beyond the clan.
Thus, no matter how lonely she might sometimes feel, Dafnish Armatuce remained unswervingly contemptuous of Miss Ming's advances, which would sometimes bring the accusation from that poor, smitten, unlovely woman that Dafnish Armatuce was "playing hard to get" and shouldn't "toy with someone's affections the way you do".
Scarcely for a day did Miss Ming lift her siege. She tried to dress like Dafnish Armatuce, or impress her with her own coarse taste. She would appear in fanciful frocks or stern tweed; several times she arrived stark naked, and once she had her body engineered so that it was a near-copy of Dafnish's own.
Even Miss Ming's determinedly self-centred consciousness must have understood that the look on Dafnish Armatuce's face, when she witnessed the travesty of her own form, was an expression of revulsion, for the invader did not stay long in that guise.
Harried, horrified and exasperated by Miss Ming's obsessive suit, Dafnish Armatuce began to accept invitations to the various functions arranged by those who were this world's social leaders, for if she could not find peace of mind in the great, silent spaces, then at least she might find some comfort in surrounding herself by a wall of noise, of empty conversation or useless display. To these balls, fetes and exhibitions she sometimes took her Snuffles, but on other occasions she would trust his security to the sophisticated mechanical servants Lord Jagged had placed at her disposal. Here she would often encounter Miss Ming, but here, at least, there was often someone to rescue her — the Iron Orchid or Sweet Orb Mace or, more rarely and much more welcome, Li Pao. Dafnish Armatuce resented Miss Ming mightily, but since this world placed no premium on privacy, there was no other way to avoid her — and Dafnish resented Miss Ming for that, too: for forcing her into a society with which she had no sympathy, for which she often felt active disgust, and which she suspected might be corrupting the values she was determined to maintain against a day when, in spite of constant confirmation of the impossibility, she might return to Armatuce.
Moreover, it must be said, since she made no effort to adapt herself to the world at the End of Time, she often felt an unwelcome loneliness at the gatherings, for the others found her conversation limited, her descriptions of Armatuce dull, her observations without much wit and her sobriety scarcely worth playing upon; she made a poor topic. Her boy was more attractive, for he was a better novelty; but she balked any effort of theirs to draw him out, to pet him, to (in their terms) improve him. As a result both would find themselves generally ignored (save by the ubiquitous Ming). There was not even food for malicious gossip in her — she was too likeable. She was intelligent and she understood what made her unacceptable to them, that the fault (if fault it were) lay in her, but the treatment she received hardened her, laid her prey to that most destructive of all the demons which threaten the tender, vulnerable human psyche, the Demon of Cynicism. She resisted him, for her son's sake, if not her own, but the struggle was exhausting and took up her time increasingly. Like us all, she desired approval, but, like rather fewer of us, she refused to seek it by relinquishing her own standards. Her son, she knew, had yet to learn this pride, for it was of a kind unattractive in a child, a kind that can only be earned, not imitated. So she did not show active disapproval if he occasionally warmed to some paradox-quoting, clown-costumed fop, or repeated a vulgar rhyme he had overheard, or even criticized her for her dour appearance.
How could she know, then, that all these efforts of hers to maintain a balance between dignity and tolerance would have such tragic results for them both, that her nobility, her fine pride, would be the very instruments of their mutual ruin?
Not that disaster is inherent in these qualities; it required another factor to achieve it, and that factor took the form of the despairing, miserable Miss Ming, a creature without ideals, self-knowledge or common sense (which might well be mutually encouraging characteristics), a creature of Lust which called itself Love and Greed masquerading as Concern, and one who was, incidentally, somewhat typical of her Era. But now we race too fast to our Conclusion. Your auditor stands back, once again no more than an observing listener, and allows the narrative to carry you on.
5. In Which Snuffles Finds a Playmate
The Duke of Queens, in cloth-of-gold bulked and hung about with lace, pearls in his full black beard, complicated boots upon his large feet, a natural, guttering flambeau in his hand, led his party through his new caverns ("Underground" was the current fad, following the recent discovery of a lost nursery-warren, there since the time of the Tyrant Producers), bellowing cheerfully as he pointed out little grottos, his stalagmites ("Prison-children in the ancient Grautt tongues — a pretty, if unsuitable, name!"), his scuttling troglodytes, his murky rivers full of white reptiles and colourless fish, while flame made shadows which changed shape as the fluttering wind changed and strange echoes distorted their speech.