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Ilgauskas, he thinks.

We never took the same seats, class after class. We weren’t sure how this had started. One of us, in a spirit of offhand mischief, may have spread the word that Ilgauskas preferred it this way. In fact the idea had substance. He didn’t want to know who we were. We were passersby to him, smeary faces, we were roadkill. It was an aspect of his neurological condition, we thought, to regard others as displaceable, and this seemed interesting, seemed part of the course, displaceability, one of the truth functions that he referred to now and then.

But we were violating the code, the shy girl and I, seated face to face once again. This happened because I had entered the room after she did and had simply fallen into the empty chair directly across from her. She knew I was there, knew it was me, same gaping lad, eager to make eye contact.

“Imagine a surface of no color whatsoever,” he said.

We sat there and imagined. He ran a hand through his dark hair, a shaggy mass that flopped in several directions. He did not bring books to class, never a sign of the textbook or a sheaf of notes, and his shambling discourses made us feel that we were becoming what he saw before him, an amorphous entity. We were basically stateless. He could have been speaking to political prisoners in orange jumpsuits. We admired this. We were in the Cellblock, after all. We exchanged glances, she and I, tentatively. Ilgauskas leaned toward the table, eyes swimming with neurochemical life. He looked at the wall, talked to the wall.

“Logic ends where the world ends,” he said.

The world, yes. But he seemed to be speaking with his back to the world. Then again the subject was not history or geography. He was instructing us in the principles of pure reason. We listened intently. One remark dissolved into the next. He was an artist, an abstract artist. He asked a series of questions and we made earnest notes. The questions he asked were unanswerable, at least by us, and he was not expecting answers in any case. We did not speak in class; no one ever spoke. There were never any questions, student to professor. That steadfast tradition was dead here.

He said, “Facts, pictures, things.”

What did he mean by “things”? We would probably never know. Were we too passive, too accepting of the man? Did we see dysfunction and call it an inspired form of intellect? We didn’t want to like him, only to believe in him. We tendered our deepest trust to the stark nature of his methodology. Of course there was no methodology. There was only Ilgauskas. He challenged our reason for being, what we thought, how we lived, the truth or falsity of what we believed to be true or false. Isn’t this what great teachers do, the Zen masters and Brahman scholars?

He leaned toward the table and spoke about meanings fixed in advance. We listened hard and tried to understand. But to understand at this point in our study, months along, would have been confusing, even a kind of disillusionment. He said something in Latin, hands pressed flat to the tabletop, and then he did a strange thing. He looked at us, eyes gliding up one row of faces, down the other. We were all there, we were always there, our usual shrouded selves. Finally he raised his hand and looked at his watch. It didn’t matter what time it was. The gesture itself meant that class was over.

A meaning fixed in advance, we thought.

We sat there, she and I, while the others gathered books and papers and lifted coats off chair backs. She was pale and thin, hair pinned back, and I had an idea that she wanted to look neutral, seem neutral in order to challenge people to notice her. She placed her textbook on top of her notebook, centering it precisely, then raised her head and waited for me to say something.

“Okay, what’s your name?”

“Jenna. What’s yours?”

“I want to say Lars-Magnus just to see if you believe me.”

“I don’t.”

“It’s Robby,” I said.

“I saw you working out in the fitness center.”

“I was on the elliptical. Where were you?”

“Just passing by, I guess.”

“Is that what you do?”

“Pretty much all the time,” she said.

The last to leave were shuffling out now. She stood and dropped her books into her backpack, which dangled from the chair. I remained where I was, watching.

“I’m curious to know what you have to say about this man.”

“The professor.”

“Do you have insights to offer?”

“I talked to him once,” she said. “Person to person.”

“Are you serious? Where?”

“At the diner in town.”

“You talked to him?”

“I get off-campus urges. I have to go somewhere.”

“I know the feeling.”

“It’s the only place to eat, other than here, so I walked in and sat down and there he was in the booth across the aisle.”

“That’s incredible.”

“I sat there and thought, It’s him.”

“It’s him.”

“There was a big foldout menu that I hid behind while I kept sneaking looks. He was eating a full meal, something slopped in brown gravy from the center of the earth. And he had a Coke with a straw bending out of the can.”

“You talked to him.”

“I said something not too original and we talked off and on. He had his coat thrown onto the seat opposite him and I was eating a salad and there was a book lying on top of his coat and I asked him what he was reading.”

“You talked to him. The man who makes you lower your eyes in primitive fear and dread.”

“It was a diner. He was drinking Coke through a straw,” she said.

“Fantastic. What was he reading?”

“He said he was reading Dostoevsky. I’ll tell you exactly what he said. He said, ‘Dostoevsky day and night.’”

“Fantastic.”

“And I told him my coincidence, that I’d been reading a lot of poetry and I’d read a poem just a couple of days earlier with a phrase I recalled. ‘Like midnight in Dostoevsky.’”

“What did he say?”

“Nothing.”

“Does he read Dostoevsky in the original?”

“I didn’t ask.”

“I wonder if he does. I have a feeling he does.”

There was a pause and then she said that she was leaving school. I was thinking about Ilgauskas in the diner. She told me that she wasn’t happy here, that her mother always said how accomplished she was at being unhappy. She was heading west, she said, to Idaho. I didn’t say anything. I sat there with my hands folded at my belt line. She left without a coat. Her coat was probably in the coatrack on the first floor.

At the winter break I stayed on campus, one of the few. We called ourselves The Left Behind and spoke in broken English. The routine included zombie body posture and blurred vision, lasting half a day before we’d all had enough.

At the gym I did my dumb struts on the elliptical and lapsed into spells of lost thought. Idaho, I thought. Idaho, the word, so voweled and obscure. Wasn’t where we were, right here, obscure enough for her?

The library was deserted during the break. I entered with a keycard and took a novel by Dostoevsky down from the shelves. I placed the book on a table and opened it and then leaned down into the splayed pages, reading and breathing. We seemed to assimilate each other, the characters and I, and when I raised my head I had to tell myself where I was.

I knew where my father was — in Beijing, trying to wedge his securities firm into the Chinese century. My mother was adrift, possibly in the Florida Keys with a former boyfriend named Raúl. My father pronounced it raw-eel, like a thing you eat with your eyes closed.

In snowfall, the town looked ghosted over, dead still at times. I took walks nearly every afternoon and the man in the hooded coat was never far from my mind. I walked up and down the street where he lived and it seemed only fitting that he was not to be seen. This was an essential quality of the place. I began to feel intimate with these streets. I was myself here, able to see things singly and plainly, away from the only life I’d known, the city, stacked and layered, a thousand meanings a minute.