I feel dazed, but I know better than to show it. Certainly not in front of him.
Every branch staffs a medically trained Librarian in the interest of keeping work-related injuries quiet, and Patrick is the man for this branch. If I say yes, then he’ll treat me; but he’ll also have an excuse to report the incident, and there won’t be anything Roland can do to keep it off the books. I don’t have a clean record, so I shake my head.
“I’ll live.” A swatch of yellow catches my eye, and I recover my bandana from the floor and wrap it around the cut. “But I really liked this shirt,” I add as lightly as possible.
He frowns and I think he’s going to chew me out or report me, but when he speaks it’s only to say, “Go clean up.”
I nod and turn back to the Narrows, leaving a trail of red behind.
EIGHT
I AM A MESS.
I scoured the Narrows, but Jackson’s knife was nowhere to be found. As for the strange shadow I saw during the fight, the one with the silvery crown…maybe my eyes were playing tricks on me. That happens, now and then, with the ring off. Press against a surface wrong and you can see the present and past at once. Things can get tangled.
I wince, focusing on the task at hand.
The cut on my arm is deeper than I thought, and it bleeds through the gauze before I can get the bandage on. I toss another ruined wrap into the plastic bag currently serving as the bathroom trash bin and run the cut under cool water, digging through the extensive first-aid kit I’ve assembled over the years. My shirt is sitting in a heap on the floor, and I take in my reflection, the web of fine scars across my stomach and arms, and the bruise blossoming on my shoulder. I am never without the marks of my job.
Pulling my forearm from the water, I dab the cut, finally getting it gauzed and wrapped. Red drops have made a trail along the counter and into the sink.
“I christen thee,” I mutter to the sink as I finish bandaging the cut. I take the trash bag and add it to the larger one in the kitchen, making sure all evidence of my first aid is buried, just as Mom appears, a slightly smooshed but still cellophaned muffin in one hand, and the basket in the other. The muffins inside have cooled, a film of condensation fogging up the wrappers. Damn. I knew I forgot something.
“Mackenzie Bishop,” she says, dropping her purse on the dining room table, which is the only fully assembled piece of furniture. “What is this?”
“A Welcome muffin?”
She drops the basket with a thud.
“You said you would deliver them. Not drop them on people’s doormats and leave the basket in the stairwell. And where have you been?” she snaps. “This couldn’t have taken you all morning. You can’t just disappear.…” She’s an open book: anger and worry too thinly veiled behind a tight-lipped smile. “I asked for your help.”
“I knocked, but nobody was home,” I snap back, pain and fatigue tightening around me. “Most people have jobs, Mom. Normal jobs. Ones where they get up and go to the office and come home.”
She rubs her eyes, which means that she’s been rehearsing whatever she’s about to say. “Mackenzie. Look. I was talking to Colleen, and she said that you’d need to grieve in your own way—”
“You’re kidding me.”
“—and when you add that to your age, and the natural desire for rebellion—”
“Stop.” My head is starting to hurt.
“—I know you need space. But you also need to learn discipline. Bishop’s is a family business.”
“But it wasn’t a family dream.”
She flinches.
I want to be oblivious to the hurt written on her face. I want to be selfish and young and normal. M would be that way. She would need space to grieve. She would rebel because her parents were simply uncool, not because one was wearing a horrifying happy mask and the other was a living ghost. She’d be distant because she was preoccupied with boys or school, not because she’s tired from hunting down the Histories of the dead, or distracted by her new hotel-turned-apartment, where the walls are filled with crimes.
“Sorry,” I say, adding, “Colleen’s right, I guess.” The words try to crawl back down my throat. “Maybe I just need a little time to adjust. It’s a lot of change. But I didn’t mean to bail.”
“Where were you?”
“Talking to a neighbor,” I say. “Ms. Angelli. She invited me in, and I didn’t want to be rude. She seemed kind of lonely, and she had this amazing place full of old stuff, and so I just stayed with her for a while. We had tea, and she showed me her collections.”
Da would call that an extrapolation. It’s easier than a straight lie because it contains seeds of truth. Not that Mom would be able to tell if I told her a blatant lie, but it makes me feel a fraction less guilty.
“Oh. That was…sweet of you,” she says, looking wounded because I’d rather have tea with a stranger than talk to her.
“I should have kept better track of time”—and then, feeling guiltier—“I’m sorry.” I rub my eyes and begin to lean toward the bedroom. “I’m going to go unpack a little.”
“This will be good for us,” she promises. “This will be an adventure.” But while it sounded cheerful coming from Dad, it leaves her lips like a breath being knocked out of her. Desperate. “I promise, Mac. An adventure.”
“I believe you,” I say. And because I can tell she wants more, I manage a smile and add, “I love you.”
The words taste strange, and as I make my way to my room and then to my waiting bed, I can’t figure out why. When I pull the sheet over my head, it hits me.
It’s the only thing I said that wasn’t a lie.
I’m twelve, six months shy of becoming a Keeper, and Mom is mad at you because you’re bleeding. She accuses you of fighting, of drinking, of refusing to age gracefully. You light a cigarette and run your fingers through your shock of peppered hair and let her believe it was a bar fight, let her believe you were looking for trouble.
“Is it hard?” I ask when she storms out of the room. “Lying so much?”
You take a long drag and flick ash into the sink, where you know she’ll see it. You’re not supposed to smoke anymore.
“Not hard, no. Lying is easy. But it’s lonely.”
“What do you mean?”
“When you lie to everyone about everything, what’s left? What’s true?”
“Nothing,” I say.
“Exactly.”
The phone wakes me.
“Hey, hey,” says Lyndsey. “Daily check-in!”
“Hey, Lynds.” I yawn.
“Were you sleeping?”
“I’m trying to fulfill your mother’s image of me.”
“Don’t mind her. So, hotel update? Found me any ghosts yet?”
I sit up, swing my legs off the bed. I’ve got the bloodstained boy in my walls, but I don’t think that’s really shareable. “No ghosts yet, but I’ll keep looking.”
“Look harder! A place like that? It’s got to be full of creepy things. It’s been around for, like, a hundred years.”
“How do you know that?”
“I looked it up! You don’t think I’d let you move into some haunted mansion without scoping out the history.”
“And what did you find?”
“Weirdly, nothing. Like, suspiciously nothing. It was a hotel, and the hotel was converted into apartments after World War Two, a big boom time moneywise. The conversion was in a ton of newspapers, but then a few years later the place just falls off the map…no articles, nothing.”
I frown, getting up from the bed. Ms. Angelli admitted that this place was full of history. So where is it? Assuming she can’t read walls, how did she learn the Coronado’s secrets? And why was she so defensive about sharing them?
“I bet it’s like a government conspiracy,” Lynds is saying. “Or a witness protection program. Or one of those horror reality films. Have you checked for cameras?”
I laugh, but silently wonder—glancing at the blood-spotted floor—if the truth is worse.
“Have you at least got tenants who look like they belong in a Hitchcock film?”
“Well, so far I’ve met a morbidly obese antiques hoarder, and a boy who wears eyeliner.”