pro ball player, Vanderhorst. Texas uses lethal injection. You know that, right? Capital murder equals capital punishment in that state, and you killed a woman in Fort Worth, and you need to think about that. The U.S. Attorney's office has the authority to move your trial to Texas, and they'll argue for that because they're going to want you on death row. This attorney general is tough on crime-you understand that, right? But they're basically good guys, better guys than you'd think. They won't take you away from us if we have a better case to make against you here. You see how this works?" He added, "Or maybe it doesn't work-the system. Not all that well. But it's what we've got at the moment, and you're square in the middle of it."
Worry crept into the man's eyes.
"What's it going to take?" Boldt asked Matthews in a familiar game to them.
"I think he knows," Matthews replied.
"You see where this leaves you?" Boldt asked him.
Matthews said to Vanderhorst, "You and I both know you're of sound mind, fit to stand trial. That's not an out for you, Per. We'll run the usual tests, of course, but you're going to pass them. The decision you need to make now, before you lose the chance, is who is going to control your destiny. If you want it in the hands of the feds, that's up to you."
Boldt said, "You're curious about those last two photographs, aren't you?"
Vanderhorst eyed him suspiciously.
"Go ahead, take a look," Boldt said.
Vanderhorst didn't move a muscle.
"Curious about how we got the key, I'll bet."
Vanderhorst narrowed his eyes, both angry and unnerved, and Matthews saw the opening Boldt had given her.
She said, "We thought you'd worked them alone, Per. The ATM machines. The basement of the bank. That was one of our mistakes-one of the things that took us so long to catch you this idea you were smart enough to plan this on your own." She leaned across the table-Vanderhorst reared backward, overreacting, and nearly went over-and rolled the second to last sheet, revealing Ferrell Walker's head shot from central booking. "This is the man who gave us the key to that room. He says that he planned it all-that it was his brains-but that you did the actual killing."
"I don't even know this guy," Vanderhorst said.
"He says you do."
"He gave us the key to that room," Boldt repeated.
"He stole it."
"The key?" Matthews asked.
"That's right," Vanderhorst said, dipping his toes into the confessional waters.
"Stole it from where?" Boldt asked.
Vanderhorst continued to sweat profusely. He viewed Boldt with suspicion but didn't recoil into himself as Matthews feared.
She repeated, "He's claiming he's the brain behind this."
A confused Vanderhorst pointed to the first three images on the table. "Then who did these? I suppose this guy did these as well? Millicent Etheredge. Tanya Wallace. Anita Baylock. He's lying to you."
Their suspect had just stated the names of the other three victims, names that had not been mentioned in this room. There were explanations a good defense attorney could use, including the absurd amount of press most such cases received. But the context of his answer combined with the determination in his voice would go a long way toward convicting Per Vanderhorst.
"You're saying he wasn't part of this," Matthews suggested.
"It's bullshit," Vanderhorst said.
"He described them as strung up like fish. He'd been inside that room."
"He stole the key. My key."
She wanted so badly to look over at Lou and celebrate their victory with him, but she dared not send such a signal. They needed as much out of him as possible.
Boldt said, "That key has been missing how long?"
"A while now. I'm not all that great with time."
"How'd you get in there after that?"
"I didn't," Vanderhorst said and coughed. "Not after I lost that key. Most of the locks down there ... any skeleton key will work. But not that room. That's why I used it." He answered their puzzled expressions. "Listen, I hid the key so it couldn't be found on me."
"Is that right?" Boldt said.
"That was your idea," Matthews said.
"Hid it on a nail down the hall... this storage room. And then one day it vanishes-and that's the last I gone down there." He said to Boldt, "I'd been planning on leaving way before you ever showed up, believe me."
"But they owed you money," he said.
"Nearly six hundred bucks," Vanderhorst said, as if a king's ransom, as if it had been worth getting caught with that kind of money on the line. His desperate eyes tracked between his two interrogators. "Why are you both looking at me like that? What'd I say? Six hundred bucks is six hundred bucks. Who's going to walk away from six hundred bucks?"
"Makes sense to me," Boldt said.
Vanderhorst rolled the last photo over for himself. It was an ME's head shot of Billy Chen. He stared at the photo for a long time in complete silence. "Wrong place, wrong time."
"Is that right?" Boldt said skeptically.
"Ask him."
"You had him in that room. We can prove it."
Vanderhorst looked dazed to hear that. He shrugged his shoulders. "Some guy shows up uninvited, you show him the welcome mat."
"You knocked him out and then made it look like a drowning."
"So says you."
"Convince me I'm wrong."
Vanderhorst looked up at Boldt with bored, droopy eyes.
A sharp knock on the door caused Matthews to jump. For a moment she'd been in the Underground with Vanderhorst. The knock was followed by a woman in police uniform. "Lieutenant," she said, addressing Boldt. "They're here."
Anthony Shapiro pushed past her, all five foot three of him. He wore a dark blue silk suit worth a month of Boldt's salary. He said to Vanderhorst, "We're all done here, Mr. Vanderhorst. Don't say another word." He glanced at Boldt with fiery eyes. "Shame on you, Lieutenant. And on the weekend, no less!" He noticed the tape recorder then, the hubs still moving. He vaguely acknowledged Matthews. Two lieutenants in the same interrogation room-this particular team of Boldt and Matthewsseemed to finally register with him.
"Tell me you kept your mouth shut, sir," he said to his client.
"Who the hell are you?" Vanderhorst said.
Shapiro hung his head and sighed. "Okay," he said to Boldt, "tell me how bad it is."
Boldt smiled his first smile in many long weeks. It was as much as he needed to say.
Without a Prair
As Boldt and Matthews had sat down with Vanderhorst, LaMoia hung up the phone, his hand trembling noticeably. A housefly landed on the fabric wall of his office cubicle, and he watched it lovingly clean itself, rubbing its arms together like a card dealer warming his hands before the big game. As a detective he chased facts, one to the next, the cliched analogy of following crumbs so appropriate to him at a time like this.
Nathan Prair's long-awaited written report lay on his desk, a poorly crafted summary of the deputy sheriff having given Mary-Ann Walker a speeding ticket a week prior to her death, as well as his written alibi for the night Mary-Ann Walker had been killed-a night tour during which, by his own admission, he'd taken what cops called "lost time," a break, during the critical hour of 11 P.M. to 12 A.M.
LaMoia called upstairs to Matthews to share the vital information he'd just gotten from the manager of the airport McDonald's.
Hoping she might either make the interview with him or at least monitor his progress, he felt disappointment when her voice mail picked up. With time of the essence-Prair rotated off-duty soon-LaMoia made his journey without her.
On his way across town, he called Janise Meyer, of SPD's IT. unit, and asked the impossible of her. Janise didn't know the word. He was counting on that.
He had GPS technology to thank for his ability to locate Prair. The King County Sheriffs Office tracked every vehicle out on patrol. LaMoia requested the man's physical location or assignment rather than asking KCSO dispatch to radio the deputy or send a text message over the patrol car's Mobile Data Terminal.