In this hungry downslide of his life Jephtha had dared to hope for two things: to join up with the Shadows, and to glimpse Her Holiness, Crista Galli. He had tried his best with the Shadows. Here, chained to the rocks overlooking the Director's compound, Jephtha watched the stirrings of the great household through his darkening vision.
One of them might be her, he thought. He was lightheaded, and he puffed his chest against the hooks and thought, If I were a Shadow, I'd get her out of there.
Crista Galli was the holy innocent, a mysterious young woman born deep in the wild kelp beds twenty-four years ago. When Flattery's people blew up a rogue kelp bed five years back, Crista Galli surfaced with the debris. How she'd been raised by the kelp underwater and delivered back to humankind was one of those mysteries that Jephtha and his family accepted simply as "miracle."
It was rumored that Crista Galli held the hope for Pandora's salvation. People claimed that she would feed the hungry, heal the sick, comfort the dying. The Director, a Chaplain/Psychiatrist, kept her locked away.
"She needs protection," Flattery had said. "She grew up with the kelp, she needs to know what it is to be human."
How ironic that Flattery would set out to teach her how to be human. Jephtha knew now, with the clarity of his pain-transcendence, that she was the Director's prisoner down there as much as all Pandorans were his slaves. Except for now, at the base of the high reaches, Jephtha's chains had been invisible: hunger chains, propaganda chains, the chain of fear that rattled in his head like cold teeth.
He prayed that the security would not find Marica and the wots. The settlement sprawled, people hid people like fish among fish.
Mayb...
He shook his head, clink-clinking the terrible hooks and snaffles. He felt nothing except the cool breeze that wafted up from morning low tide. It brought the familiar iodine scent of kelp decomposing on the beach.
There! At that port high in the main buildin...
The glimpse was gone, but Jephtha's heart raced. His good eye was not focusing and a new darkness was upon him, but he was sure that the form he'd seen had been the pale Crista Galli.
She can't know of this, he thought. If she knew what a monster Raja Flattery is, and she could do it, she would destroy him. Surely if she knew, she would save us all.
His thoughts again turned to Marica and the wots. The thoughts were not so much thoughts as dreams. He saw her with the children, hand in hand, traversing an upcoast field in the sunlight. The single sun was bright but not scorching, there were no bugs. Their bare feet were cushioned by the fleshy blossoms of a thousand kinds of flower...
A dasher shriek from somewhere below jerked him out of his dream. He knew there was no field without bugs, nowhere on Pandora to stroll barefoot through blossoms. He knew that Vashon security and the Warrior's Union were known for their persistence, their efficiency, their ruthlessness. They were after his wife and their children, and they would find them. His last hope was that the dasher would find him before they hooked what was left of Marica up here by his side.
***
Again we have let another Chaplain/Psychiatrist kill tens of thousands of us - Islander and Merman alike. This new C/P, Raja Flattery, calls himself "the Director," but he will see. We have kissed the ring and bared the throat for the last time.
First light through the single plasma-glass pane stroked a plain white pillow with its rosy fingers. It outlined the sparse but colorful furnishings of this cubby in shades of gray. The cubby itself, though squarely on land and squarely gridded to a continent, reflected traditions of a culture freely afloat for nearly five centuries on Pandora's seas.
These Islanders, the biowizards of Pandora, grew everything. They grew their cups and bowls, the famous chairdogs, insulation, bondable organics, rugs, shelves and the islands themselves. This cubby was organically furnished, and under the old law warranted a heft of supply chits that converted easily to food coupons. Black-market coupons were a cheap enough price for the Director to pay to assimilate the Islander culture that had been dashed to the rocks the day he splashed down on the sea.
As the grip of dawn strengthened into morning it further brightened the single wall-hanging of clasped hands that enriched this small cubby. Red and blue fishes swam the border, their delicate fins interlacing broad green leaves of kelp. Orange fin and blue leaf joined at the foot of the hanging to form a stylized Oracle. The tight stitch of the pattern and its crisp colors all rippled with the progress of dawn. A sleeper's chest rose and fell gently on the bed beneath them.
The night and its shadows shrank back from the plasma-glass window at the head of the bed. Islanders had always enjoyed the light and in building their islands they let it in wherever they could. They persisted in light, even though most of them were now solidly marooned on land. In their undersea dwellings Mermen put pictures on their walls of the things they wall out - Islanders preferred the light, the breezes, the smells of life and the living. This cubby was small and spare, but light.
This was a legal cubby, regularly inspected, a part of the shopkeeper's quarters. It was a second-floor street room above the new Ace of Cups coffee shop at Kalaloch harbor. A huge white coffee cup swung from a steel rod beneath the window.
Almost synchronous with the sleeper's breathing came the slup slup of waves against the bulkhead below. Respirations caught, then resumed at the occasional splashings of a waking squawk and the wind-chime effect of sail riggings that clapped against a host of masts.
Dawn brightened the room enough to reveal a seated figure beside the bed. The posture was one of alert stillness. This stillness was broken by an occasional move of cup to mouth, then back to the knee. The figure sat, back to the wall, beside the plaz and facing the hatch. First light glinted from a shining, intricately inlaid Islander cup of hardwood and mother-of-pearl. The hand that held the cup was male, neither delicate nor calloused.
The figure leaned forward once, noting the depth of the sleeper's odd, open-eyed slumber. The progress of light across the bay outside their room was reflected in the hardening of shadows inside, and their relentless crawl.
The watcher, Ben Ozette, pulled the cover higher over the sleeper's bare shoulder to ward off morning dampness. The pupils in her green irises stayed wide with the onset of dawn. He closed her eyes for her with his thumb. She didn't seem to mind. The shudder that passed over him uncontrollably was not due to the morning chill.
She was a picture of white - white hair, eyelashes, eyebrows and a very fair porcelain skin. Her shaggy white hair was cropped around her face, falling nearly to her shoulders in the back. It was a perfect frame to those green, bright eyes. His hand strayed to the pillow, then back.
His profile in the light revealed the high cheekbones, aquiline nose and high eyebrows of his Merman ancestry. In his years as a reporter for Holovision, Ben Ozette had become famous, his face as familiar planetwide as that of a brother or a husband. Listeners worldwide recognized his voice immediately. On their Shadowbox broadcasts, however, he became writer and cameramaster and Rico got out in the lights - in disguise, of course. Now their family, friends, coworkers would feel the snap of Flattery's wrath.
They hadn't exactly had time to plan. During their weekly interviews, they both noticed how everyone, including compound security, stayed well out of microphone range as they taped. The next time they walked the grounds as they taped, interviewing with gusto. Then last night they simply walked out. Rico did the rest. The prospect of being hunted by Flattery's goons dried Ben's mouth a little. He sipped a little more water.