"Hello, McKenzie," I said.
"Hi, yeah, sorry, I can't remember your name."
"Milo."
"Sure, okay. Milo. Listen, Milo, we talked last week and you promised I'd be able to take the Impressionism to Regressionism seminar even though it was full."
"Excuse me?"
"Yeah, you know, you promised you'd talk to the painting department and sort it all out. I mean, if I told my father-"
"Hold on."
"Hold on?"
"I made no such promise. We have nothing to do with academic decisions, with curriculum or enrollment."
"Okay, maybe it was that guy," said McKenzie, pointing.
"Horace?" I said.
"Yeah, Whore-Ass," said McKenzie.
Horace wore a pained grin at his terminal.
"Horace hasn't been well," I told McKenzie. "Now, as I mentioned, we have no jurisdiction over any of these issues, but maybe we can all get together with painting and figure this out."
"Meaning what?"
"Meaning we can figure this out."
McKenzie stared. How could she know I myself had once been a fraud, chockablock with self-regard, at an overpriced institution just like this one, still had the debt to prove it? How could she know she stared down at the wispy pate of a man who once believed he was painting's savior, back in a decade that truly needed one?
She spoke quietly now: "Listen, I don't mean to be rude, but you really are here to serve my needs. My father taught me that the consumer is always right. I am the consumer. You are actually the bitch of this particular exchange. But don't think I don't respect that you are just a guy, like, doing your shitty job."
"Thank you," I said.
"But maybe you aren't cut out to work with artists."
I guess what set me off was her effort to be polite. I should have just leaned on the painting department to make room on the roster for her, ruin the semester for some pimple-seared hump who shared his name with no stargazing facility. Nobody cared. I would be doing my shitty job. It was a good shitty job. I'd done it for a few years and it paid pretty well, enough to let Maura go part-time since the baby. There was a quality family plan, plus a quality theft plan, the paints and brushes I smuggled home for those weekends I tried to put something on canvas again, until the old agony would whelm me and I'd stop and briefly weep and then begin to drink and watch Maura cruise up and down the cable dial all night, never alighting on anything for more than a moment, her thumb poised like a hairless and tiny yet impressively predatory animal above the arrow button, Maura herself bent on peeking into every corner of the national hallucination before bedtime.
She liked reality shows the best, and then the shows that purported to be about reality.
So, yes, I should have just surrendered, cinched the entitled scion her little pouch of entitlements, put in my calls to the name shufflers, done my duty.
I thought about that moment later on. Maybe I got extratuned to the concept of bitchhood once I became Purdy's, though I must confess I've always found such usage of the term for female dogs distasteful. My mother was a second-wave feminist. I wasn't comfortable saying "cunt" until I was twenty-three, at which point, admittedly, I couldn't hold back for a time.
Or maybe it's just that I've always despised phrases like "that fateful day," but as time went on I found it hard to deny that the afternoon Horace launched his E Pluribus Pimpus oratory and McKenzie tried to reify my servility and I pictured titboning Vargina in a rare books room was pretty damn fateful. Or was it, in fact, just another random day, and it was I who did the fool thing, forced my hand?
What I said to McKenzie, there is no point repeating. It's enough to report my words contained nothing an arrogant, talentless, daddy-damaged waif wants to hear about herself. When I was finished she did not speak. A thickish vein in her pale head fluttered. The blue thing seemed to veer and switch direction. Then she took a few steps back and, still staring at me, phoned her damager. What was done to me was done in hours. My outburst was deemed hate speech, which called for immediate dismissal. I could hardly argue with them. I think it probably was hate speech. I really fucking hated that girl.
Two
You could say I had experienced some technical difficulties. There had been bad times, years trickled off at jobs that purported to yield what superiors called, with true sadism, opportunities. These yielded nothing, unless you considered bong slavery, a few bogus spiritual awakenings, and the unswerving belief I could run a small business from my home, opportune. Still, before my outburst at the bastion, I had made great strides. No more did I pine aloud for that time in the past when I had a future. Yes, I still painted on occasion, or at least stood at the easel and watched my brush hand twitch. It made for an odd, jerky style I hoped would get noticed someday.
I never confessed this last part to Maura. Our intimacy was largely civic. We spoke at length about our shared revulsion for the almost briny-scented, poop-flecked plunger under the bathroom sink, and also of a mutual desire to cut down on paper towels, but we never broached topics like hopes, or dreams. Hopes were stupid. Dreams required quarantine.
Still, Maura was a devoted mother, which, even if that often amounted to being helplessly present for the ongoing thwarting of a child's heart, meant something. Bernie was a beautiful boy. Good thing, too, as he'd become an expensive hobby. Preschool, preclothing for the preschool. Then there were the hidden costs, like food. Funny, isn't it, how much you can detest the very being you'd die for in an instant? I guess that's just families. Or human nature. Or capitalism, or something.
But the price of Bernie wasn't Bernie's fault. It wasn't Maura's, either. I was the fool who let the starveling have it, who couldn't find another job, though I came close at a few places. The interviewers could maybe tell I had the old brain. Jobs weren't about experience anymore, just wiring. Also, my salary demands might have been high. I lost out to kids who lived on hummus and a misapprehension of history, the bright newbies bosses exploit without compunction because these youngsters are, in fact, undercover aristocrats mingling with the peasantry, each stint entered on their resumes another line in the long poem of their riskless youth.
Not that I resented them.
Besides, there really wasn't work for anyone. The whole work thing was over. I'd even called up my last employers, but there were no further plans for powdered wigs and brass-buckle shoes in the Bronx. I'd grown morose, detached, faintly palsied. I stopped reading the job listings, just rode the trains each day, simmering, until dinnertime.
Back in high school, I remembered, a soothing way to fall asleep after picturing tremendous breasts in burgundy bras (yes, the image pre-dated Vargina) had been to conjure the crimson blossom of bullet-ripped concert tees, the hot suck and pour of flamethrower flame over pep rally bleachers. Typical teen shooter fluff, though I worried I'd inherited my grandmother's nutcake gene. I was fairly popular. Why did I slaver for slaughter?
The visions had stopped in college. Some huge and dainty hand peeled them off my skull walls.
I became a painter, at least at parties. I was happy for a time.
But now, riding the trains, or else home sitting with the bills, the old terrible feeling returned. Whenever I checked my bank balance the terrible feeling welled up in me. The goddamn asks, I'd sweep them with a Maxim gun or some other wipeout device whose history I learned of late at night on the war channels, a glass of Old Overholt rye on my knee. I was not bad off compared to most of the world. Why didn't anybody do anything? We could get a few billion of us together, rush the bastards. Sure, a good many of us would die, but unless the asks popped off some nukes, eventually they'd get overrun.