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‘Of course — after the music,’ said Jörgen. ‘Quiet now.’

But the ghosts were not quiet; they nudged one another and giggled and whispered.

Rami was also suffering from stage fright. Not as badly as Jan, but he could see that she had closed her eyes and seemed to be trying to forget that there was anyone else in the room. And yet there was a clear connection between Rami and the audience — as soon as she opened her mouth, every single person sitting on the floor fell silent. They were all staring at her.

‘OK,’ she drawled into the microphone. ‘This is an American song I’ve translated...’

She began with ‘The House of the Rising Sun’, which suited Jan; this was the drum accompaniment he knew best. Then she went on to her version of Neil Young’s ‘Helpless’, followed by Joy Division’s ‘Ceremony’, both of which Jan had also rehearsed with her.

Rami had begun to relax while she was singing, and there was more colour in her face. When ‘Ceremony’ ended she suddenly turned around, walked over to Jan — and kissed him on the lips.

He stopped playing. The kiss lasted three seconds, but the world came to a standstill.

Rami smiled at him, then walked back to the microphone.

‘This last song is called “Jan and Me”,’ she said, nodding to Jan to signal a four-beat.

He had never heard of the song; he was off balance after the kiss, but eventually he managed to start playing, keeping time with her nods. Rami played a minor chord and began to sing:

I am lying in my bed with Jan by my side we know where we are and we know where we’re bound we’re bound for outer space where it’s cold and it’s dark but the darkness is so beautiful we forget everything

She closed her eyes and went into the chorus:

Me and Jan, Jan and me every night, every day...

Jan was so taken aback by the words that he almost lost the beat. It sounded as if he and Rami were together, but they weren’t. He had been aware of the scent of her, but she had never even touched him.

When the song ended Rami went straight into a different chord, keeping the same beat. She leaned towards the microphone and looked straight at the audience for the first time. Jan could see that she was smiling as she said, ‘This is a song about my psychologist.’

She played a loud riff on the guitar and nodded to Jan to join in.

Rami found the rhythm, closed her eyes again and began to intone the lyrics with a harsh, thrusting pulse:

You gave birth to a whip out of your mouth you give birth to the blade of a saw from your back you raised little leeches in the depths of your brain and hurled me down when I stood up to you

Then she took a deep breath before starting on the chorus, almost spitting out the words:

Psycho, psycho, psychobabble! Stop talking, stop talking crap! Leave me alo-one!

The chorus just went on and on. Rami stood there straight-backed; she wasn’t even singing notes any more, she was just chanting the words Stop talking, stop talking crap! over and over again. No music was coming from the guitar, but Jan kept up a steady rhythm, beating time to the words.

He could see everyone in the Unit, inmates and staff, simply sitting there as if someone had cast a spell on them; the teenagers were all listening intently.

But the Psychobabbler had got to her feet over by the door. She didn’t look happy, and with every word that Rami chanted she took a step closer to the microphone. Eventually she was standing half a metre away from Rami, and about a metre from Jan. Rami hadn’t seen her; she had her eyes closed and was still singing, ‘Stop talking! Stop talking crap!’

The Psychobabbler grabbed hold of Rami’s shoulder; Rami opened her eyes, but ignored her and carried on singing. However, it sounded more like a battle cry now: ‘Stop! Stop! Stop!’

The Psychobabbler seized the microphone stand and moved it away, but Rami carried on yelling without the microphone. She opened her throat and let out a piercing scream that made those sitting on the floor recoil in shock. ‘Die! Die!’ Rami bellowed, then hurled herself at the Psychobabbler like a wild animal.

They crashed to the floor in the middle of the audience, rolling around as if they were locked together. Two wrestlers. Jan stared at them, but carried on drumming. He could hear Rami’s screams, he could see her scratching and tearing with her fingernails — not at the Psychobabbler, but at herself. She raked her arms until they bled, she smeared streaks of bright-red blood all over herself, over the floor, over the Psychobabbler’s face and her black clothes.

‘Calm down, Alice!’

Jan heard the sound of running footsteps as Jörgen and a colleague arrived and dragged Rami off. But still she carried on screaming, her arms flailing wildly.

‘Stop drumming!’ Jörgen bellowed at Jan.

He stopped at once, but still the noise continued. Rami screamed and screamed. The two men had her in a firm grip by now, and dragged her out of the room. Jan heard her cries disappearing down the corridor, and then there was near silence.

The only sound in the television room was of someone panting. The Psychobabbler. Slowly she got to her feet and adjusted her bloodstained jumper. A colleague passed her a handkerchief.

‘Now do you see?’ said the Psychobabbler. ‘Do you remember my diagnosis?’

The concert was over, but Jan stayed where he was for a little while before picking up his drum kit. His arms were trembling.

The boy in the denim jacket looked around with a nervous smile, then went over and switched on the TV.

Jan walked out alone. He went and put the drums back in the storeroom. He was intending to go back to his room and do some drawing, but when he saw Rami’s closed door he stopped, looked at it for a moment, then knocked.

There was no answer, so he knocked again.

No answer.

‘She’s not there,’ said a voice behind him.

Jan turned around and saw a girl in the corridor. One of the ghosts.

‘What?’

‘They took her down to the Black Hole.’

‘The Black Hole... What’s that?’

‘It’s where they lock you up if you kick off or something.’

‘Where is it?’

‘Down in the cellar,’ said the ghost. ‘It’s got a door with a whole load of locks.’

The Black Hole?

Jan crept down into the underworld, to the long, silent corridors. He found the right door and knocked. There was no answer this time either; the door was made of steel, and no doubt swallowed every sound. But there was a tiny gap at the bottom.

He went back up to his room and fetched pens and a piece of paper. He didn’t know what to write to Rami, but he had to cheer her up somehow, so he wrote: GOOD GIG! JAN

He slid the paper beneath the door, and managed to push a pen under as well. After a minute or so of absolute silence, the paper reappeared. Just one sentence had been added: I AM A SQUIRREL WITHOUT TREES OR AIR.