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The commander was a liberal-minded man, entirely absorbed with the struggles, and knew nothing about his wretched family life.

Nekhludoff recalled all the tortures this man had occasioned him; how on one occasion he thought that the husband had discovered all, and he was preparing to fight a duel with him, intending to use a blank cartridge, and the ensuing scene where she, in despair, ran to the pond, intending to drown herself, while he ran to search for her. "I cannot go now, and can undertake nothing until I have heard from her," thought Nekhludoff. The preceding week he had written to her a decisive letter, acknowledging his guilt, and expressing his readiness to redeem it in any manner she should suggest, but for her own good, considered their relations ended. It is to this letter that he expected a reply. He considered it a favorable sign that no reply came. If she had not consented to a separation, she would have answered long ago, or would have come personally, as she often did before. Nekhludoff had heard that an army officer was courting her, and while he was tormented by jealousy, he was at the same time gladdened by the hope of release from the oppressive lie.

The other letter was from the steward in charge of his estates. Nekhludoff was requested to return and establish his right to the inheritance and also to decide on the future management of the estates; whether the same system of letting out to the peasants, which prevailed during the lifetime of his mother, was to be continued, or, as the steward had strongly advised the deceased Princess, and now advised the young Prince, to augment the stock and work all the land himself. The steward wrote that the land could thus best be exploited. He also apologized for his failure to send the three thousand rubles due on the first of the month, which he would send by the next mail, explaining it by the difficulty of collecting the rents from the peasants whose bad faith had reached a point where it became necessary to resort to the courts to collect them. This letter was partly agreeable and partly disagreeable to Nekhludoff. It was agreeable to feel the power of authority over so vast an estate, and it was disagreeable, because in his youth he was an enthusiastic adherent of Herbert Spencer, and being himself a large land owner, was struck by the proposition in Social Statics that private ownership of land is contrary to the dictates of justice. With the frankness and boldness of youth, he not only then spoke of the injustice of private ownership of land; not only did he compose theses in the university on the subject, but he actually distributed among the peasants the few hundred acres of land left him by his father, not desiring to own land contrary to his convictions. Now that he found himself the owner of vast estates, he was confronted by two alternatives: either to waive his ownership in favor of the peasants, as he did ten years ago with the two hundred acres, or, by tacit acquiescence, confess that all his former ideas were erroneous and false.

He could not carry out the first, because he possessed no resources outside of the land. He did not wish to go into service, and yet he had luxurious habits of life which he thought he could not abandon. Indeed, there was no necessity of abandoning these habits, since he had lost the strength of conviction as well as the resolution, the vanity and the desire to astonish people that he had possessed in his youth. The other alternative—to reject all the arguments against private ownership of land which he gathered from Spencer's Social Statics, and of which he found confirmation in the works of Henry George—he could follow even less.

For this reason the steward's letter was disagreeable to him.

CHAPTER IV.

Having breakfasted, Nekhludoff went to the cabinet to see for what hour he was summoned to appear at court, and to answer the Princess' note. In the work-room stood an easel with a half-finished painting turned face downward, and on the wall hung studies in drawing. On seeing that painting, on which he had worked two years, and those drawings, he called to mind the feeling of impotence, which he experienced of late with greatest force, to make further advance in the art. He explained this feeling by the development of a fine aesthetic taste, and yet this consciousness caused him unpleasant sensations.

Seven years before he had retired from active service he decided that his true vocation in life was painting, and from the height of his artistic activity he looked down upon all other occupations. And now it appeared that he had no right to do so, and every recollection of it was disagreeable to him. He looked on all the luxurious appointments of the work-room with heavy heart, and walked into the cabinet in ill humor. The cabinet was a high room, profusely ornamented, and containing every imaginable device of comfort and necessity.

He produced from one of the drawers of a large table the summons, and, ascertaining that he must appear at eleven o'clock, he sat down and wrote to the Princess, thanking her for the invitation, and saying that he should try to call for dinner. The tone of the note seemed to him too intimate, and he tore it up; he wrote another, but that was too formal, almost offensive. Again he tore it up, and touched a button on the wall. A servant, morose, with flowing side-whiskers and in a gray apron, entered.

"Please send for a carriage."

"Yes, sir."

"And tell the Korchagins' maid that I thank them; I will try to call."

"Yes, sir."

"It is impolite, but I cannot write. But I will see her to-day," thought Nekhludoff, and started to dress himself.

When he emerged from the house a carriage with rubber tires awaited him.

"You had scarcely left Prince Korchagin's house yesterday when I called for you," said the driver, half-turning his stout, sun-burned neck in the white collar of his shirt, "and the footman said that you had just gone."

"Even the drivers know of my relations to the Korchagins," thought Nekhludoff, and the unsolved question which continually occupied his mind of late—whether or not he ought to marry Princess Korchagin—again occurred to him, and, like most questions that he was called upon to decide at that time, it remained unsolved.

He had many reasons for, and as many against, marriage. There was the pleasure of domestic life, which made it possible to lead a moral life, as he called married life; then, and principally, the family and children would infuse his present aimless life with a purpose. This was for marriage generally. On the other hand there was, first, the loss of freedom which all elderly bachelors fear so much; and, second, an unconscious awe of that mysterious creature, woman.

However, in favor of marrying Missy in particular (Korchagin's name was Maria, but, as usual in families of the higher classes, she received a nickname) there was, first, the fact that she came of good stock, and was in everything, from her dress to her manner of speaking, walking and laughing, distinguished not by any exceptional qualities, but by "good breeding"—he knew no other expression for the quality which he prized very highly. Second, she valued him above all other men, hence, he thought she understood him. And this appreciation of him, that is, acknowledging his high qualities, was proof to Nekhludoff of her intelligence and correct judgment. Finally, against marrying Missy in particular, was, first, the extreme probability of his finding a girl of much better qualities than Missy, and, consequently, more worthy of him; and, second, Missy was twenty-seven years old and had probably loved other men before him. This thought tormented him. His pride could not reconcile itself to the thought that she could love some one else, even in the past. Of course, she could not be expected to know that she would meet him, but the very thought that she could have loved some one else before offended him.