Even an anonymous gun, it seems, can leave a trail.
They could have four victims of that gun now, instead of two, except that the shooting in Massachusetts has already been solved, so nobody's going to compare that bullet with some bullets in Connecticut. And of course I didn't use the gun with Everett Dynes.
And I'm not going to be able to use it with the last resume, either.
What am I going to do? I can't use the Luger any more, not ever again. I don't have any other gun, and I don't know how I could get one without leaving an ownership trail. I know that criminals have ways to do that, but I don't live in their world, and if I tried to enter their world something bad would happen to me, I know that much.
A gun is so clean, so impersonal. It separates you, just a bit, from the event.
Can I stab somebody? Strangle? I don't see how I could do such things.
And I can't use the car again. Even apart from the difficulty of rigging another covering accident, and the suspicion I might arouse by having a second accident of that kind, even beyond all that, I know I couldn't do that again. Once was enough. More than enough.
And I certainly can't walk up to a total stranger with a glass in my hand and say, "Here, drink this."
What am I going to do? I've come this far, I can't stop now. Those deaths can't have been in vain. I've been given a warning, and I'll heed it. I have one resume to go, and then Fallon, and it's all over. One way or another, I'll do it, because I have to do it.
Not today, though. I have to deliver Marjorie to the New Variety this afternoon for her cashier job, and then pick her up this evening. It would be too difficult and too noticeable, now that we're talking to each other again, to alter our Sunday pattern by spending the whole day away; it would certainly come up in Tuesday's session with Longus Quinlan, and what would I say?
Monday. After I drop Marjorie at Dr. Carney's, on Monday, I'll drive over to New York State and study my last resume, and see what things look like. Monday, the ninth of June; I make a checkmark on the date on my desk calendar. Not to remind myself, I certainly won't need reminding, but to express to myself my determination to see this through.
I have to think of something.
Hauck Exman
27 River Road
Sable Jetty, NY 12598
518 943-3450
1987–present — Oak Crest Paper Mills — manager, polymer paper applications
1981–1987 — Oak Crest Paper Mills — supervisor, product development
1978–1981 — Oak Crest Paper Mills — sales director
1973–1978 — Oak Crest Paper Mills — salesman
1970–1973 — U.S. Marine Corps, instructor, Fort Bragg
1970 — Graduate degree, Business Administration, Holyoke University, Holyoke, MD
Married, three grown children. Self and current wife prepared to relocate if necessary.
Reference: John Justus, Oak Crest Paper Mills, Dention, CT
31
"Self and current wife." A lot of undercurrents under that "current." A hard-nosed ex-Marine, I wonder how many wives he wore down.
The simple son of a bitch was more faithful to his employer than to any woman. Out of the Marines and straight into Oak Crest and stayed there until they dumped him. How close was he to pension; a year and a half?
Hauck Curtis Exman; my God, it's my second HCE. I started with an HCE and, except for Fallon, I'm ending with an HCE. Here Comes Everybody. Yes, and here comes a candle to light you to bed.
Sable Jetty is south of Kingston, where I had my accident with the pickup truck. It's right on the Hudson River, a little old river town of wood and brick, built up the steep slope, probably two hundred years beyond any economic justification for its existence. These places have become weekend homes for the city well-to-do because they're so quaint, and they're quaint because the people have been too poor to keep up with the latest trends. This is the sort of town movie companies use when they're shooting a film set in the twenties or thirties. Now that the city people are losing their city jobs, maybe these towns will go on being quaint.
Sable Jetty spreads up from a small cove on the Hudson's western bank, where a hillock of land extends into the river, forming a natural calm basin along the shore just to its south, downstream. The Indians launched their canoes there, long ago, and the first European explorers landed there, because it was out of the river's current. A settlement built up, and then a ferry was started, and the town prospered, and all of that eventually disappeared. Today, the old ferry office is the county historical museum, the old ferry dock is long gone, and the old brick or wooden houses built up the teetery hill westward from the river's edge seem more and more like two-dimensional flat genre paintings and less and less like places where actual human beings live their lives.
River Road runs from the square in front of the ferry dock northward, immediately leaving town, arcing around the long gradual slope of the hillock. It doesn't go right along by the water, but partway upslope, with more substantial houses on its upward side, originally meant to give doctors and aldermen and hardware store owners good river views, and less substantial shacklike houses between road and water, originally meant to give the working class a roof over their heads where they could supplement their poor incomes with fish.
27 is on the uphill side, a big brick sprawl of a house, with a broad curved porch stretching around the front, set off by thick wooden pillars painted a creamy yellow. There must have been plantings around the house and along the roadside at one time, but they're gone now, replaced by a long narrow ribbon of lawn, flowing down the smooth and gentle slope from the front wall of the house to the low white picket fence — plastic, not wood — that defines the edge of the road. This lawn is flanked on both sides by very black blacktop driveways, the one on the left belonging to 27 and the one on the right belonging to the house next door. Newer smaller houses flank 27 too closely on both sides, so that this must once have been a more gracious and spacious property, until the side lots were sold off in the fifties.
Monday morning, 11:30. I came here directly from dropping Marjorie off at Dr. Carney's, crossing the Hudson on the same bridge as when I came back from Everett Dynes. I drive by 27 River Road southbound, looking up at the house on my right. A red-haired woman in a tan sweatshirt and blue jeans sits on a riding mower, grooming the lawn in slow ovals. The detached garage at the top of the driveway is closed, and no car is parked on the blacktop. The mailbox, oversized and silver, with the address stenciled on it in severe black, stands on a whitewashed wooden post between the end of the picket fence and the end of the driveway. Its flag is up; ideal for a shooting, if I could use the gun.
I don't even have the Luger with me; what's the point?
I drive on down into town, where half the small dusty shops around the square are hopelessly for rent. I park in front of one of the empty shops to study my road atlas, and there's no comfort there. River Road sweeps out of town and north around the protruding hillock, on the other side of which it angles west to dead-end at State Route 9, the main north-south state road on this side of the river. Route 9 continues south, avoiding the center of Sable Jetty, but with no other turnoffs before it reaches the town. No other road enters or crosses the area of the hillock, which makes a sort of pumpkin stuck onto the shore of the river. A private road, sealed with an electric gate, leads from the town end of River Road up to the mansion that commands the top of the hillock; long ago a lumber baron's or a railroad baron's place, it is now a Buddhist retreat, impenetrably fenced against its neighbors.