The air car lifted four inches and hummed smoothly forward. Richards crouched going through the gate, anticipating a possible ambush, but there was none. The smooth blacktop curved sedately toward the main buildings. A sign with a pointing arrow informed them that this was the way to Lots 16-20.
Here the police were standing and kneeling behind yellow barricades.
Richards knew that at the slightest suspicious move, they would tear the air car apart.
"Now stop," he said, and she did.
The reaction was instantaneous. "RICHARDS! MOVE IMMEDIATELY TO LOT 16!"
"Tell them that I want a bullhorn," Richards said softly to her. "They are to leave one in the road twenty yards up. I want to talk to them. "
She cried his message, and then they waited. A moment later, a man in a blue uniform trotted out into the road and laid an electric bullhorn down. He stood there for a moment, perhaps savoring the realization that he was being seen by five hundred million people, and then withdrew to barricaded anonymity again.
"Go ahead," he told her.
They crept up to the bullhorn, and when the driver's side door was even with it, she opened the door and pulled it in. It was red and white. The letters G and A, embossed over a thunderbolt, were on the side. "Okay," he said. "How far are we from the main building?" She squinted. "A quarter of a mile, I guess. " "How far are we from Lot 16?" "Half that." "Good. That's good. Yeah." He realized he was compulsively biting his lips and tried to make himself stop. His head hurt; his entire body ached from adrenaline. "Keep driving. Go up to the entrance of Lot 16 and then stop." "Then what?" He smiled tightly and unhappily. "That," he said, "is going to be the site of Richards's Last Stand."
Minus 036 and COUNTING
When she stopped the car at the entrance of the parking lot, the reaction was quick and immediate. "KEEP MOVING," the bullhorn prodded. "THE AIRPORT POLICE ARE INSIDE. AS SPECIFIED."
Richards raised his own bullhorn for the first time. "TEN MINUTES," he said. "I HAVE TO THINK."
Silence again.
"Don't you realize you're pushing them to do it?" she asked him in a strange, controlled voice.
He uttered a weird, squeezed giggle that sounded like steam under high pressure escaping from a teapot. "They know I'm getting set to screw them. They don't know how."
"You can't," she said. "Don't you see that yet?"
"Maybe I can," he said.
Minus 035 and COUNTING
"Listen:"
"When the Games first started, people said they were the world's greatest entertainment because there had never been anything like them. But nothing's that original. There were the gladiators in Rome who did the same thing. And there's another game, too. Poker. In poker the highest hand is a royal straight-flush in spades. And the toughest kind of poker is five-card stud. Four cards up on the table and one in the hole. For nickels and dimes anyone can stay in the game. It costs you maybe half a buck to see the other guy's hole card. But when you push the stakes up, the hole card starts to look bigger and bigger. After a dozen rounds of betting, with your life's savings and car and house on the line, that hole card stands taller than Mount Everest. The Running Man is like that. Only I'm not supposed to have any money to bet with. They've got the men, the firepower, and the time. We're playing with their cards and their chips in their casino. When I'm caught, I'm supposed to fold. But maybe I stacked the deck a bit. I called the newsie line in Rockland. The newsies, that's my ten of spades. They had to give me safe conduct, because everyone was watching. There were no more chances for neat disposal after that first roadblock. It's funny, too, because it's the Free-Vee that gives the Network the clout that it has. If you see it on the Free-Vee, it must be true. So if the whole country saw the police murder my hostage-a well-to-do, middle-class female hostage-they would have to believe it. They can't risk it; the system is laboring under too much suspension of belief now. Funny, huh? My people are here. There's been trouble on the road already. If the troopers and the Hunters turn all their guns on us, something nasty might happen. A man told me to stay near my own people. He was more right than he knew. One of the reasons they've been handling me with the kid gloves on is because my people are here.
"My people, they're the jack of spades.
"The queen, the lady in the affair, is you.
"I'm the king; the black man with the sword.
"These are my up cards. The media, the possibility of real trouble, you, me. Together they're nothing. A pair will take them. Without the ace of spades it's junk. With the ace, it's unbeatable."
He suddenly picked up her handbag, an imitation alligator-skin clutch purse with a small silver chain. He stuffed it into his coat pocket where it bulged prominently.
"I haven't got the ace," he said softly. "With a little more forethought, I could have had it. But I do have a hole card-one they can't see. So I'm going to run a bluff. "
"You don't have a chance," she said hollowly. "What can you do with my bag? Shoot them with a lipstick?"
"I think that they've been playing a crooked game so long that they'll fold. I think they are yellow straight through from the back to belly.
"RICHARDS! TEN MINUTES ARE UP!"
Richards put the bullhorn to his lips.
Minus 034 and COUNTING
"LISTEN TO ME CAREFULLY!" His voice boomed and rolled across the flat jetport acres. Police waited tensely. The crowd shuffled. "I AM CARRYING TWELVE POUNDS OF DYNACORE HI-IMPACT PLASTIC EXPLOSIVE IN MY COAT POCKET-THE VARIETY THEY CALL BLACK IRISH. TWELVE POUNDS IS ENOUGH TO TAKE OUT EVERYTHING AND EVERYONE WITHIN A THIRD OF A MILE AND PROBABLY ENOUGH TO EXPLODE THE JETPORT FUEL STORAGE TANKS. IF YOU DON'T FOLLOW MY INSTRUCTIONS TO THE LETTER, I'LL BLOW YOU ALL TO HELL. A GENERAL ATOMICS IMPLODER RING IS SET INTO THE EXPLOSIVE. I HAVE IT PULLED OUT TO HALF-COCK. ONE JIGGLE AND YOU CAN ALL PUT YOUR HEADS BETWEEN YOUR LEGS AND KISS YOUR ASSES GOODBYE."
There were screams from the crowd followed by sudden tidelike movement. The police found they had no one to hold back. Men and women were tearing across roads and fields, streaming out the gates and scaling the cyclone fence around the jetport. Their faces were blank and avid with panic.
The police shuffled uneasily. On no face did Amelia Williams see disbelief.
"RICHARDS?" The huge voice boomed. "THAT'S A LIE. COME OUT."
"I AM COMING OUT," he boomed back. "BUT BEFORE I DO, LET ME GIVE YOU YOUR MARCHING ORDERS. I WANT A JET FULLY FUELED AND READY TO FLY WITH A SKELETON CREW. THIS JET WILL BE A LOCKHEED/GA OR A DELTA SUPERSONIC. THE RANGE MUST BE AT LEAST TWO THOUSAND MILES. THIS WILL BE READY IN NINETY MINUTES."
Cameras reeling and cranking away. Flashbulbs popping. The press looked uneasy too. But, of course, there was the psychic pressure of those five hundred million watchers to be considered. They were real. The job was real. And Richards's twelve pounds of Black Irish might be just a figment of his admirable criminal mentality.
"RICHARDS?" A man dressed only in dark slacks and a white shirt rolled up to the elbows in spite of the fall chill strolled out from behind a gaggle of unmarked cars fifty yards beyond Lot 16. He was carrying a bullhorn larger than Richards's. From this distance, Amelia could see only that he was wearing small spectacles; they flashed in the dying sunlight.
"I AM EVAN McCONE."
He knew the name, of course. It was supposed to strike fear into his heart. He was not surprised to find that it did strike fear into his heart. Evan McCone was the Chief Hunter. A direct descendent of J. Edgar Hoover and Heinrich Himmler, he thought. The personification of the steel inside the Network's cathode glove. A boogeyman. A name to frighten bad children with. If you don't stop playing with matches, Johnny, I'll let Evan McCone out of your closet.