Mr. Vance decided to go back to the beginning. "There's a fire in the building. Please-"
"Charlie's got a gun, Mr. Vance, " Mike Gavin said in a discussing-the-weather tone. "I think you better-"
The second bullet caught him in the throat. His flesh spread liquidly like water spreads when you throw a rock in it. He walked backward into the hall, scratching at his throat, and fell over.
Irma Bates screamed again, but again she had no takers. If it had been Carol Granger, there would have been imitators galore, but who wanted to be in concert with poor old Irma Bates? She didn't even have a boyfriend. Besides, everyone was too busy peeking at Mr. Vance, whose scratching motions were slowing down.
"Ted," I said to Ted Jones, who sat closest to the door. "Shut that and lock it.-
"What do you think you're doing?" Ted asked. He was looking at me with a kind of scared and scornful distaste.
"I don't know all the details just yet," I said. "But shut the door and lock it, okay?"
Down the hall someone was yelling: "It's in a locker! It's in a Vance's had a heart attack! Get some water! Get . . . "
Ted Jones got up, shut the door, and locked it. He was a tall boy wearing wash-faded Levi's and an army shirt with flap pockets. He looked very fine. I had always admired Ted, although he was never part of the circle I traveled in. He drove last year's Mustang, which his father had given him, and didn't get any parking tickets, either. He combed his hair in an out-of-fashion DA, and I bet his was the face that Irma Bates called up in her mind when she sneaked a cucumber out of the refrigerator in the wee hours of the night. With an all-American name like Ted Jones he couldn't very well miss, either. His father was vice-president of the Placerville Bank and Trust.
"Now what?" Hannon Jackson asked. He sounded bewildered.
"Um." I put the pistol down on the blotter again. "Well, somebody try and bring Pig Pen around. He'll get his shirt dirty. Dirtier, I mean."
Sarah Pasterne started to giggle hysterically and clapped her hand over her mouth. George Yannick, who sat close to Pig Pen, squatted down beside him and began to pat his cheeks. Pig Pen moaned, opened his eyes, rolled them, and said, "He shot Book Bags."
There were several hysterical laughs this time. They went off around the room like popping corn. Mrs. Underwood had two plastic briefcases with tartan patterns on them, which she carried into each class. She had also been known as Two-Gun Sue.
Pig Pen settled shakily into his seat, rolled his eyes again, and began to cry.
Somebody pounded up to the door, rattled the knob, and yelled, "Hey! Hey in there!" It looked like Mr. Johnson, who had been talking about the Hessians. 1 picked up the pistol and put a bullet through the chicken-wired glass. It made a neat little hole beside Mr. Johnson's head, and Mr. Johnson went out of sight like a crash-diving submarine. The class (with the possible exception of Ted) watched all the action with close interest, as if they had stumbled into a pretty good movie by accident.
"Somebody in there's got a gun!" Mr. Johnson yelled. There was a faint bumping sound as he crawled away. The fire alarm buzzed hoarsely on and on.
"Now what?" Harmon Jackson asked again. He was a small boy, usually with a big cockeyed grin on his face, but now he looked helpless, all at sea.
I couldn't think of an answer to that, so I let it pass. Outside, kids were milling restlessly around on the lawn, talking and pointing at Room 16 as the grapevine passed the word among them. After a little bit, some teachers-the men teachers-began shooing them back toward the gymnasium end of the building.
In town the fire whistle on the Municipal Building began to scream, rising and falling in hysterical cycles.
"It's like the end of the world," Sandra Cross said softly.
I had no answer for that, either.
Chapter 12
No one said anything for maybe five minutes-not until the fire engines got to the high school. They looked at me, and I looked at them. Maybe they still could have bolted, and they're still asking me why they didn't. Why didn't they cut and run, Charlie? What did you do to them? Some of them ask that almost fearfully, as if I had the evil eye. I don't answer them. I don't answer any questions about what happened that morning in Room 16. But if I told them anything, it would be that they've forgotten what it is to be a kid, to live cheek-by-jowl with violence, with the commonplace fistfights in the gym, brawls at the PAL hops in Lewiston, beatings on television, murders in the movies. Most of us had seen a little girl puke pea soup all over a priest right down at our local drive-in. Old Book Bags wasn't much shakes by comparison.
I'm not taking on any of those things, hey, I'm in no shape for crusades these days. I'm just telling you that American kids labor under a huge life of violence, both real and make-believe. Besides, I was kind of interesting: Hey, Charlie Decker went apeshit today, didja hear? No! Did he? Yeah. Yeah. I was there. It was just like Bonnie and Clyde, except Charlie's got zitzes and there wasn't any popcorn.
I know they thought they'd be all right. That's part of it. What I wonder about is this: Were they hoping I'd get somebody else?
Another shrieking sound had joined the fire siren, this one getting closer real fast. Not the cops. It was that hysterical yodeling note that is all the latest rage in ambulances and paramedic vehicles these days. I've always thought the day will come when all the disaster vehicles will get smart and stop scaring the almighty shit out of everyone they're coming to save. When there's a fire or an accident or a natural disaster like me, the red vehicles will rush to the scene accompanied by the amplified sound of the Darktown Strutters playing "Banjo Rag." Someday. Oh, boy.
Chapter 13
Seeing as how it was the school, the town fire department went whole hog. The fire chief came first, gunning into the big semicircular school driveway in his blue bubble-topped Ford Pinto. Behind him was a hook-and-ladder trailing firemen like battle banners. There were two pumpers behind that.
"You going to let them in?" Jack Goldman asked.
"The fire's out there," I said. "Not in here."
"Did you shut ya locka door?" Sylvia Ragan asked. She was a big blond girl with great soft cardiganed breasts and gently rotting teeth.
"Yes. "
"Prolly out already, then."
Mike Gavin looked at the scurrying firemen and snickered. "Two of 'em just ran into each other," he said. "Holy moly."
The two downed firemen untangled themselves, and the whole group was preparing to charge into the inferno when two suit-coated figures ran over to them. One was Mr. Johnson, the Human Submarine, and the other was Mr. Grace. They were talking hard and fast to the fire chief.
Great rolls of hose with shiny nozzles were being unreeled from the pumpers and dragged toward the front doors. The fire chief turned around and yelled, "Hold it! " They stood irresolutely on the lawn, their nozzles gripped and held out before them like comic brass phalluses.
The fire chief was still in conference with Mr. Johnson and Mr. Grace. Mr. Johnson pointed at Room 16. Thomas Denver, the Principal with the Amazing Overshaved Neck, ran over and joined the discussion. It was starting to look like a pitcher's mound conference in the last half of the ninth.
"I want to go home!" Irma Bates said wildly.
"Blow it out," I said.
The fire chief had started to gesture toward his knights again, and Mr. Grace shook his head angrily and put a hand on his shoulder. He turned to Denver and said something to him. Denver nodded and ran toward the main doors.
The chief was nodding reluctantly. He went back to his car, rummaged in the back seat, and came up with a really nice Radio Shack battery-powered bullhorn. I bet they had some real tussles back at the fire station about who got to use that. Today the chief was obviously pulling rank. He pointed it at the milling students.