"Yes, though I suspect the Sun's glare would make them hard to see."
Trumbull said, "That's not important. All you would have to do is cut an opaque circle of metal and hold it up in the air at the proper distance from your photographic equipment in order to just block out the Sun's blazing disc. You can't do that on Earth, because even if you blocked out the Sun, the scattered light of the sky obscures the corona. On the Moon, there's no scattered light in the sky and the corona would shine out."
Peterborough said, "In theory, that's possible. In fact, it can even be done on Earth on mountain tops, making use of a coronagraph. It still wouldn't be the real thing, though, for it's not just a matter of light scattered by the atmosphere. There's light scattered and reflected by the ground.
' 'The Lunar surface would be very brightly lit up and light would be coming in from every angle. The photographs you would take would not be good ones. You see, the reason the Moon does the good job it does here on Earth is that its shadow doesn't just fall on the telescope and camera. It falls on all the surrounding landscape. The shadow of the Moon can, under ideal conditions, be 160 miles wide and cover 21,000 square miles of the Earth's surface. Usually, it's considerably smaller than that; but generally it's enough to cover the immediate landscape-that is, if it happens to be a total eclipse."
Trumbull said, "A bigger opaque object, then-"
"It would have to be quite big and quite far away," said Peterborough, "to achieve the effect. That would be too cumbersome."
Halsted said, "Wait, I think I have it. You would need something big for the purpose, all right. Suppose there were spherical space settlements in the Moon's orbit. If Victim is in a spaceship and gets the space settlement between himself and the Sun, that would be exactly what he wants. He could arrange to be close enough to have the shadow-which, of course, is conical and narrows to a point if you get far enough away-to be just thick enough to enclose his entire ship. There would be no world-surface to reflect light, and there you are."
Peterborough said, uneasily, "I hadn't thought of that. It's possible."
Halsted grinned, and a flush of pleasure mounted to the hairline he had once had. "That's it, then."
Peterborough said, "I don't want to be troublesome, but- but if we introduce the space motif, it's going to create some problems in the rest of the story. It's sort of important that everything stay on or near the Earth and yet that there be something so startling and unexpected that it would-"
He paused and Rubin completed the sentence for him, "So startling and unexpected that it would drive Murderer to rage and vengeance."
"Yes."
"Well," said Rubin, "since I'm the master of mystery here, I think I can work it out for you without leaving Earth very far behind, just as soon as I get some points straightened out.-You said that Murderer is taking the photographs from a plane. Why?"
"Oh. That's because the Moon's shadow, when it falls on Earth, moves quickly-up to 1440 miles an hour or about 0.4 miles a second. If you're standing in one place on Earth, the longest possible duration of a total eclipse is seven minutes and then the shadow has moved beyond you. That's when the Earth is as deep into the Moon's shadow as it ever gets. When the Earth isn't as deep in and is nearer the final point of the shadow, the total eclipse may last only a couple of minutes, or even only a few seconds. In fact, more than half the time, the Moon's shadow during an eclipse doesn't reach the
Earth's surface at all; and when the Moon is squarely in front of the Sun, the Sun overlaps it on all sides. That's an 'annular eclipse' and enough sunlight then slips past the Moon to wash out everything. An annular eclipse is no good at all."
"But in the airplane?" prompted Rubin.
"In an airplane, you can race along with the shadow and make the total eclipse last for an hour or more even if it would only endure a very short time on one position on Earth. You have a great deal more time to take photographs and make scientific observations. That's not science-fictional; it's done right now."
"Can you take very good pictures from the plane?" asked Rubin. "Does it allow a steady enough basis for photography?"
"In my story," said Peterborough, "I've got a computer guiding the plane, allowing for wind movements, and keeping it perfectly steady. That's one of the places where the science fiction comes in."
"Still, the Moon's shadow eventually leaves the Earth's surface altogether, doesn't it?"
"Yes, the eclipse track covers a fixed portion of the Earth's surface, and it has an overall starting point and an overall ending point."
"Exactly," said Rubin. "Now Murderer is confident that his photographs taken from the stratosphere are going to include the best views of an eclipse ever seen, but he doesn't count on Victim's having a spaceship. Don't worry, there's no need to leave Earth very far. It's just that the spaceship follows the Moon's shadow after it leaves the Earth. Victim has a still longer chance to take photographs, a steadier base, and no atmospheric interference whatever. Murderer is hoist on his own petard for he sees that poor simp, Victim, do exactly what he does but go him one better. He snaps and becomes a killer."
Gonzalo waved both arms in the air in excitement. "Wait! Wait! We can do even better than that. Listen, what about that annular eclipse you mentioned a while ago? You said the shadow doesn't reach the Earth."
"It doesn't reach the surface. That's right."
"How high off the surface is it?"
"That depends. Under extreme conditions, the end point of the shadow could miss the Earth by hundreds of miles."
"Yes," said Gonzalo, "but could that end point miss Earth by, say, ten miles?"
"Oh, sure."
"Would it still be annular, and no good?"
"That's right," said Peterborough. "The Moon would come just barely short of covering the Sun. There would be just the thinnest sliver of Sun around the Moon, and that would give enough light to spoil things. If you took photographs, you'd miss the prominences, the flares, and the corona."
"But what if you went ten miles up into the atmosphere?" said Gonzalo. "Then you'd see it total, wouldn't you?"
"If you were in the right spot, yes."
"There it is, then. One of those annular eclipses comes along, and Murderer thinks he'll pull a fast one. He gets into his stratoplane, goes ten miles up to get into the point of the shadow or just over it, and follows it along. He's going to make a total eclipse out of an annular one-and Victim, the usual loser, does the same thing, except he uses a spaceship and follows it out into space and gets better pictures. What can get old Murderer more torn up than having him play his ace-and getting trumped."
Avalon nodded his head. "Good, Mario. That is an improvement."
Rubin looked as if he had unexpectedly bitten into a lemon. "I hate to say it, Mario-"
"You don't have to say it, Manny," said Gonzalo. "I see it all over you.-There you are, kid. Write the story."
Peterborough said, with a sigh, "Yes, I suppose that is the best that can be done."
"You don't sound overjoyed," said Gonzalo.
"I was hoping for something more-uh-outrageous, but I don't think it exists. If none of you could think up anything-"
"May I interrupt, sir?" said Henry.
"Huh? Oh-no, I don't want any more coffee, waiter," said Peterborough, absently.
"No, sir. I mean, concerning the eclipse."
Trumbull said, "Henry's a member of the club, Martin. He broke the tie on the matter of the discussion. Remember?''
Peterborough put a hand to his forehead. "Oh, sure. Ask away-uh-Henry.''
"Actually, sir, would the photographs be that much better in a vacuum than in the thin air of the stratosphere? Would the difference in quality be enough to result in murder, unless Murderer was a close approach to a homicidal maniac?"