Marlee ran into the street to get her lunchbox. The bad little kid laughed and threw it at her. It hit the street and broke open. Her Thermos bottle fell out and rolled. I saw that sky-blue Roadmaster coming and yelled for Marlee to look out, but I wasn’t really worried because it was only Pokey Peckham, and she was still a block down, going slow as ever.
You let go of her hand, so now it’s your fault, the kid said. He was looking at me and grinning, his lips drawn back so I could see all his little teeth. He said, You can’t hold onto nothing, dink-sucker. He stuck out his tongue and blew a raspberry at me. Then he stepped back behind the bush.
Mrs Peckham said her accelerator stuck. I don’t know if the police believed her or not. All I know is she never taught first grade at Mary Day again.
Marlee bent over, picked up her thermos, and shook it. I could hear the rattle it made. She said, It’s all broke inside, and started crying. She bent down again, to get her lunchbox, and that was when Mrs Peckham’s gas pedal must have stuck because the engine roared and her Buick just leaped down the road. Like a wolf on a rabbit. Marlee stood up with the lunchbox clutched to her chest in one hand and the broken thermos bottle in the other, and she saw the car coming, and she never moved.
Maybe I could have pushed her out of the way and saved her. Or maybe if I’d run out into the street, I would have gotten hit too. I don’t know, because I was as frozen as she was. I just stood there. I didn’t even move when the car hit her. Not even my head moved. I just followed her with my eyes when Marlee flew and then crashed down on her poor soft head. Pretty soon I heard screaming. That was Mrs Peckham. She got out of her car and fell down and got up with her knees bleeding and ran for where Marlee was lying in the street with blood coming out of her head. So I ran too. When I got a little ways, I turned my head. By then I was far enough so I could see behind the hackberry bush. There was no one there.
3
Hallas stopped and put his face in his hands. At last he lowered them.
‘Are you all right, George?’ Bradley asked.
‘Thirsty is all. I’m not used to talking so much. There’s very little call for conversation on Death Row.’
I waved my hand at McGregor. He took out his earbuds and stood up. ‘All finished, George?’
Hallas shook his head. ‘There’s a lot more.’
Bradley said, ‘My client would like a drink of water, Mr McGregor. Is that possible?’
McGregor went to the intercom by the door to the monitoring station and spoke into it briefly. Bradley took the opportunity to ask Hallas just how big Mary Day Grammar School had been.
He shrugged. ‘Small town, small school. There couldn’t have been more than a hundred and fifty kids, grades one to six.’
The door of the monitoring room opened. A hand appeared, holding a paper cup. McGregor took it and brought it over to Hallas. He drank greedily and said thank you.
‘Very welcome,’ McGregor said. He went back to his chair, replaced the earbuds, and once more lost himself in whatever he was listening to.
‘And this kid – the bad little kid – was a carrottop? A real carrottop?’
‘Hair like a neon sign.’
‘So if he’d gone to your school, you would have recognized him.’
‘Yes.’
‘But you didn’t, and he didn’t.’
‘No. I never saw him there before, and never afterward.’
‘So how did he get the Jacobs girl’s lunchbox?’
‘I don’t know. But there’s a better question.’
‘What would that be, George?’
‘How did he get away from that hackberry bush? There was nothing but lawn on either side. He was just gone.’
‘George?’
‘Yes?’
‘Are you sure there really was a kid?’
‘Her lunchbox, Mr Bradley. It was in the street.’
I don’t doubt that, Bradley thought, tapping his Uniball on his legal pad. It would have been if she’d had it all along.
Or (here was a nasty thought, but nasty thoughts were par for the course when you were listening to the bullshit story of a child-killer) maybe you had her lunchbox, George. Maybe you took it from her and threw it into the street to tease her.
Bradley looked up from his pad and saw from his client’s expression that what he was thinking might as well have been on a Teletype strip going across his forehead. He felt his face warming up.
‘Do you want to hear the rest? Or have you already made up your mind?’
‘Not at all,’ Bradley said. ‘Continue. Please.’
Hallas drank the rest of his water, and took up his tale.
4
For five years or more I dreamed about that bad little kid with the carroty hair and the beanie cap, but eventually the dreams went away. Eventually I got to a place where I believed what you must believe, Mr Bradley: that it was just an accident, that Mrs Peckham’s accelerator really did stick, as they sometimes will, and if there was a kid over there, teasing her … well, kids do tease sometimes, don’t they?
My dad finished his job for the Good Luck Company and we moved up to eastern Kentucky, where he went to work doing much the same thing as he had in Alabama, only on a grander scale. Plenty of mines in that part of the world, you know. We lived in the town of Ironville long enough for me to finish high school. In my sophomore year, just for a lark, I joined the Drama Club. People would laugh if they knew, I suppose. A little mousy fellow like me, who made a living doing tax returns for small businesses and widows, acting in things like No Exit? Talk about Walter Mitty! But I did, and I was good. Everyone said so. I thought I might even have a career in acting. I knew I was never going to be a leading man, but someone has to play the president’s economic adviser, or the bad guy’s second-in-command, or the mechanic who gets killed in the first reel of a movie. I knew I could play parts like that, and I thought people might actually hire me. I told my dad I wanted to major in drama when I got to college. He said okay, great, go for it, just make sure you have something to fall back on. I went to Pitt, where I majored in theater arts and minored in business administration.
The first play I was cast in was She Stoops to Conquer, and that’s where I met Vicky Abington. I was Tony Lumpkin and she was Constance Neville. She was a beautiful girl with masses of curly blond hair, very thin and high-strung. Far too beautiful for me, I thought, but eventually I got up enough nerve to ask her out for coffee. That was how it began. We’d sit for hours in Nordy’s – that’s the hamburger joint in Pitt Union – and she’d pour out all her troubles, which mostly had to do with her dominating mother, and tell me about her ambitions, which were all about the theater, especially serious theater in New York. Twenty-five years ago there still was such a thing.
I knew she got pills at the Nordenberg Wellness Center – maybe for anxiety, maybe for depression, maybe for both – but I thought, That’s just because she’s ambitious and creative, probably most really great actors and actresses take those pills. Probably Meryl Streep takes those pills, or did before she got famous in The Deer Hunter. And you know what? Vicky had a great sense of humor, which is something many beautiful women seem to lack, especially if they suffer from the nervous complaint. She could laugh at herself, and often did. She said being able to do that was the only thing that kept her sane.