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On a September morning, already hot at eight thirty, this is the way things happen. It’s never been any different.

II.

SO THESE TWO OLD POETS WHO WERE ONCE LOVERS IN PARIS HAVE A PICNIC NEAR THE BATHROOMS.

Phil Henreid is seventy-eight now, and Pauline Enslin is seventy-five. They’re both skinny. They both wear spectacles. Their hair, white and thin, blows in the breeze. They’ve paused at a rest area on 1–95 near Fairfield, which is about twenty miles north of Augusta. The rest area building is barnboard, and the adjacent bathrooms are brick. They’re good-looking bathrooms. State-of-the-art bathrooms, one could say. There’s no odor. Phil, who lives in Maine and knows this rest area well, would never have proposed a picnic here two months earlier. In the summertime, the traffic on the interstate swells with out-of-state vacationers, and the Turnpike Authority brings in a line of plastic Port-O-Sans. They make this pleasant grassy area stink like hell on New Year’s Eve. But now the Port-O-Sans are in storage somewhere and the rest area is nice.

Pauline puts a checked cloth on the initial-scarred picnic table standing in the shade of an old oak, and anchors it with a wicker picnic basket against a slight warm breeze. From the basket she takes sandwiches, potato salad, melon wedges, and two slices of coconut-custard pie. She also has a large glass bottle of red tea. Ice cubes clink cheerfully inside.

‘If we were in Paris, we’d have wine,’ Phil says.

‘In Paris we never had another eighty miles to drive on the turnpike,’ she replies. ‘That tea is cold and it’s fresh. You’ll have to make do.’

‘I wasn’t carping,’ he says, and lays an arthritis-swollen hand over hers (which is also swollen, although marginally less so). ‘This is a feast, my dear.’

They smile into each other’s used faces. Although Phil has been married three times (and has scattered five children behind him) and Pauline has been married twice (no children, but lovers of both sexes in the dozens), they still have quite a lot between them. Much more than a spark. Phil is both surprised and not surprised. At his age – late, but not quite last call – you take what you can and are happy to get it. They are on their way to a poetry festival at the University of Maine’s Orono branch, and while the compensation for their joint appearance isn’t huge, it’s adequate. Since he has an expense account, Phil has splurged and rented a Cadillac from Hertz at the Portland Jetport, where he met her plane. Pauline jeered at the Caddy, said she always knew he was a plastic hippie, but she did so gently. He wasn’t a hippie, but he was a genuine iconoclast, a one-of-a-kinder, and she knows it. As he knows that her osteoporotic bones have enjoyed the ride.

Now, a picnic. Tonight they’ll have a catered meal, but the food will be a lukewarm, sauce-covered mess o’ mystery supplied by the cafeteria in one of the college commons. Possibly chicken, possibly fish, it’s always hard to tell. Beige food is what Pauline calls it. Visiting poet-food is always beige, and in any case it won’t be served until eight o’clock. With some cheap yellowish-white wine seemingly created to saw at the guts of semiretired alcohol abusers such as themselves. This meal is nicer, and iced tea is fine. Phil even indulges the fantasy of leading her by the hand to the high grass behind the bathrooms once they have finished eating, like in that old Van Morrison song, and—

Ah, but no. Elderly poets whose sex drives are now permanently stuck in first gear should not chance such a potentially ludicrous site of assignation. Especially poets of long, rich, and varied experience, who now know that each time is apt to be largely unsatisfactory, and each time may well be the last time. Besides, Phil thinks, I have already had two heart attacks. Who knows what’s up with her?

Pauline thinks, Not after sandwiches and potato salad, not to mention custard pie. But perhaps tonight. It is not out of the question. She smiles at him and takes the last item from the hamper. It is a New York Times, bought at the same Augusta convenience store where she got the rest of the picnic things, checked cloth and iced-tea bottle included. As in the old days, they flip for the Arts & Leisure section. In the old days, Phil – who won the National Book Award for Burning Elephants in 1970 – always called tails and won far more times than the odds said he should. Today he calls heads … and wins again.

‘Why, you snot!’ she cries, and hands it over.

They eat. They read the divided paper. At one point she looks at him over a forkful of potato salad and says, ‘I still love you, you old fraud.’

Phil smiles. The wind blows the gone-to-seed dandelion puff of his hair. His scalp shines gauzily through. He’s not the young man who once came roistering out of Brooklyn, broad-shouldered as a longshoreman (and just as foul-mouthed), but Pauline can still see the shadow of that man, who was so full of anger, despair, and hilarity.

‘Why, I love you, too, Paulie,’ he says.

‘We’re a couple of old crocks,’ she says, and bursts into laughter. Once she had sex with a king and a movie star at pretty much the same time on a balcony while ‘Maggie May’ played on the gramophone, Rod Stewart singing in French. Now the woman The New York Times once called America’s greatest living female poet lives in a walk-up in Queens. ‘Doing poetry readings in tank towns for dishonorable honorariums and eating alfresco in rest areas.’

‘We’re not old,’ he says, ‘we’re young, bébé.’

‘What in the world are you talking about?’

‘Look at this,’ he says, and holds out the first page of the Arts section. She takes it and sees a photograph. It’s a dried-up string of a man wearing a straw hat and a smile.

Nonagenarian Wouk to Publish New Book

By Motoko Rich

By the time they reach the age of ninety-five – if they do – most writers have retired long ago. Not Herman Wouk, author of such famous novels as The Caine Mutiny (1951) and Marjorie Morningstar (1955). Many of those who remember the TV miniseries presentations of his exhaustive World War II novels, The Winds of War (1971) and War and Remembrance (1978), are now drawing Social Security themselves. It’s a retirement premium Wouk became eligible for in 1980.

Wouk, however, is not done. He published a well-reviewed surprise novel, A Hole in Texas, a year shy of his ninetieth birthday, and expects to publish a book-length essay called The Language God Talks later this year. Is it his final word?

‘I’m not prepared to speak on that subject, one way or the other,’ Wouk said with a smile. ‘The ideas don’t stop just because one is old. The body weakens, but the words never do.’ When asked about his

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As she looks at that old, seamed face beneath the rakishly tilted straw hat, Pauline feels the sudden sting of tears. ‘The body weakens, but the words never do,’ she says. ‘That’s beautiful.’

‘Have you ever read him?’ Phil asks.

Marjorie Morningstar, in my youth. It’s an annoying hymn to virginity, but I was swept away in spite of myself. Have you?’

‘I tried Youngblood Hawke, but couldn’t finish it. Still … he’s in there pitching. And, unbelievable as it may seem, he’s old enough to be our father.’ Phil folds the paper and puts it into the picnic basket. Below them, light traffic on the turnpike runs beneath a high September sky full of fair-weather clouds. ‘Before we get back on the road, do you want to do swapsies? Like in the old days?’