“The Abbess called on the guilty nun to confess, but no one came forward. Then the Bishop was called in. The Bishop, who was an especially holy and spiritual man, also demanded that the guilty one should confess. When there was still no response he put a curse on the Abbey, and as the chronicler puts it, the great bell‘flew like a bird out of the tower and fell into the lake’.”
“Good heavens!” said Dora.
“That wasn’t the end,” said Paul. The guilty nun was so overwhelmed by this demonstration that she forthwith ran out of the Abbey gates and drowned herself in the lake.”
“Oh, poor thing!” said Dora.
“You, of course, identify yourself with the faithless one,” said Paul.
“She was probably forced into the order,” said Dora.“People were in those days.”
“She broke her vows,” said Paul.
“Is that a true story?” said Dora.
“These legends usually have some truth behind them,”said Paul. “There are records of a famous bell here, but no one knows what happened to it. It was cast by a great craftsman at Gloucester, Hugh Belleyetere, or Bellfounder, and it had a considerable reputation because of its fine tone and because it was very good at keeping away plagues and evil spirits. It had some carvings on it too, scenes of the life of Christ, which is a very unusual feature. It would be an object of great interest if it ever did turn up. It’s possible that it was in fact thrown into the lake at the time of the dissolution, either by people plundering the Abbey or else, more likely, by the nuns themselves, so as to keep it safe. Bell metal was very valuable. I believe someone once had the lake dragged looking for it, but nothing was found. The bell’s name was Gabriel.”
“It had a name!” said Dora. “How beautiful! But I feel so sorry for the nun. Is her ghost ever seen?”
“That’s not recorded,” said Paul, “but there is a story about the bell ringing sometimes in the bottom of the lake, and how if you hear it it portends a death.”
Dora shivered. She was undressed now and had pulled Paul’s shirt over her head. “Have you told the others this story?”she asked.
“No, I haven’t told them,” said Paul. “Oh yes, I think I told it to Catherine.” He got into bed.
Dora felt a twinge of displeasure. She went over to the window and looked out. The moon had risen now and the lake was fully visible, silvering in ripples caused perhaps by the breeze, perhaps by some night creatures. An air heavy with perfume drifted into the room. Dora saw more clearly now the expanse before her, the gaunt façade of the Abbey wall, wrinkled with light and dark, the trees beyond with their rounded tops catching the pale illumination, and long strange shadows of trees and bushes cast upon the open space of grass underneath the window. Looking a little to her left she made out what seemed to be a low causeway raised upon a series of arches which ran across the nearer reach of the lake towards the wall. Then, with a shock of alarm, she saw that there was a dark figure standing quite near on the edge of the water, very still.
Dora’s heart began to beat violently as she stared down and she checked an exclamation. Then the figure moved, and a moment later she recognized it. It was the boy Toby Gashe who was wandering along on the shore of the lake. He walked there by himself, kicking his feet through the long grass. Dora could just hear the swish of it as he moved. She drew back a little from the window, still keeping him in sight. So that Paul should not think she was watching anything she said, “They’re getting a new bell?”
“Yes,” said Paul. “A tenor bell is being cast for them, to hang in the tower. It may arrive before we go. My work should take another fortnight.”
Dora saw the boy turning to look back along the lake. Then suddenly he stretched out both his hands and raised them above his head. He looked to Dora at that moment the very image of freedom. She could not bear to look at him any longer and turned away from the window.
Paul was staring at her. He was sitting up in bed with a book in his hand.
Dora looked at him with hostility. That was a horrible story,” she said. “You like telling me unpleasant stories. Like that beastly one by De Maupassant about the dogs that you once made me read aloud.”
Paul continued to stare. Dora realized obscurely that in telling her the story he had released in himself the desire for her which had been quiescent before. The violence of the tale was in him now and he wanted her love. She looked at him with a mixture of excitement and disgust.
“Come, Dora,” said Paul.
“In a minute,” said Dora. Turning from him she caught sight of herself in the long mirror. She was barefoot and wearing only Paul’s shirt, with sleeves rolled up and well open at the neck. The shirt just reached to her thigh, revealing the whole length of her long solid legs. Dora looked with astonishment at the person that confronted her. She admired the vitality of the sunburnt throat and the way the flat tongues of hair licked down on to the neck. She threw her head back and looked into the bold eyes. There was a steady and encouraging rejoinder. She continued to look at the person who was there, unknown to Paul. How very much, after all, she existed; she, Dora, and no one should destroy her.
“Come, Dora,” said Paul again.
“Yes,” said Dora. She switched the light out and marched towards his bed.
CHAPTER 4
THE moon was rising. Toby Gashe stood with his feet almost in the water looking across the lake at the wall of the Abbey. Behind him various lights had gone on in the big house. He was waiting to be conducted to the place where he was to sleep. It was with some disappointment that he discovered that he was not to live in Imber Court itself, but in the Lodge cottage, with another member of the community whom he had not yet met. He would have liked to stay in the beautiful house and be with the others. He felt shy at the thought of another encounter, and a little alarmed at the idea of being cloistered with one person.
Toby, whose parents lived in north London, had been at a day school, which gave him a slight sense of inferiority together with a thoroughly romantic conception of community life. When James Tayper Pace, who was friendly with one of his masters, had come to give an address in the school chapel and had spoken of Imber, Toby had conceived a passionate desire to go there. He had been, ever since his fairly recent confirmation, a keen practising Christian, and filled with an as yet undirected desire to dedicate his life. He was greatly attracted by the idea of living and working, for a while at least, with a group of holy people who had given up the world. The Imber community, which had not existed for very long and was still in an experimental stage, worked on the land, running the small market garden which supplied the needs of the Abbey and left some produce over for sale. Something clean, simple, and vigorous about the whole conception moved Toby very much. His ecclesiastical experience had been narrow, and he was fired by the dramatic idea, new upon his horizon, of the monastic life. He was also impressed by the personality of James Tayper Pace, with his combination of masculine vitality and Christian candour.
Toby petitioned to be allowed to visit Imber. To his great joy he had been told that he might come and work there for a month during his final summer holiday before Oxford, where he was due to go in October as an engineering student. His imagination had been busy beforehand, conjuring up some exceedingly close-knit complex of human brotherhood into which he would snugly fit, humble and industrious, edified and strengthened for his life ahead by the company and example of unworldly persons. He was therefore a little dashed to find that he was after all to live apart; but quickly resolved to conquer his disappointment with an ardent cheerfulness. It was not difficult. Gaiety and energy and hope filled him, at this moment in his life, to overflowing.