Michael decided not to interview Toby in his office or bedroom. Reflective, now that he had decided to wait no longer, he wanted the interview to be business-like, not intimate. He found himself planning it and deciding what he was going to say, even with a sort of satisfaction. He recalled his promise to show Toby where the nightjars haunted, and he thought that to speak to the boy while fulfilling that promise would strike the right note of ordinariness. He would thereby make clear to Toby that nothing much had changed and there was no fearful discontinuity between the time before and the time after that unfortunate moment last night. He discovered from Margaret Strafford that Toby was in the fruit garden; and as she was going there herself she bore him the message.
Michael waited for him on the other side of the ferry. He wanted to shorten the part of the journey they would make together. He also wanted to make sure that Nick was not in the vicinity. Fortunately there seemed to be no sign of him in the field or in the wood. As Michael walked back to the lake side he saw Toby running down the grassy slope from the house. He jumped into the boat, almost sinking it, propelled it across as fast as its sluggish weight would allow, and arrived breathless on the wooden landing-stage where Michael was now standing.
“Hello, Toby,” said Michael coolly, turning at once to lead him along the path to the wood. “I’m going to show you the nightjars. You remember I said I would. It’s not very far from here. Do you know anything about nightjars?”
Toby, who was looking resolutely at the ground while he walked, shook his head.
“The nightjar”, said Michael, “is a migrant. It should be leaving us any time now, and it always sings with particular vigour just before it goes. It’s a most unusual bird, as you’ll see. Its Latin name is caprimulgus, goat-sucker, as it was once thought to feed on the milk of goats. Its main call, which I hope you’ll hear, is a sort of bubbling sound on two notes. It only flies about in the twilight and it has a very odd flight, exceedingly fast, yet rather irregular and bat-like. It has another peculiarity too, which is that when it’s sitting on a branch it often claps its wings together over its back.”
Toby said nothing. They were well into the wood now, and although it was still daylight outside, here it was already quite obscure. The weakened light of the setting sun could not penetrate the trees, which seemed to generate their own darkness. They turned into a wide grassy alley where many coniferous trees had been planted among the oaks and elms. Here it was a little lighter, but still shadowy, and even as they looked growing darker. The alley led towards the wall of the Abbey which could be seen in the distance, pierced by a small gate, the sun still lingering upon it.
Near the middle of the alley Michael stopped under a tree. They stood there in silence, listening to the inaudible yet somehow living and stirring quietness of the darkening wood. They stood there for a long time, not looking at each other, lulled at last in a kind of coma. Then from nearby among the trees, seeming like a signal, there came a hollow clapping sound. The clapping was followed shortly by a low bubbling churr, then by more clapping; and in the thickening twilight of the alley the birds were suddenly present. They flitted to and fro between the trees, turning and returning in an insistent bat-like circular dance. It was impossible to see how many there were, but it seemed like a multitude as they fluttered and poised in the granular darkness, making a very soft whirring noise with their long pointed wings. Deep in the wood the hollow clapping continued.
Soon it was almost too dark to see. The birds could still be vaguely apprehended, close overhead, like great leaves that fluttered but never fell, until at last they disappeared, gathered up into the obscurity of the coming night. Michael began to pace slowly back down the middle of the avenue. He did not turn towards Toby, who kept step with him, putting his feet down softly in the longish grass. Michael felt now an extraordinary peace in which he felt sure that Toby shared. It was as if they had been present together at some esoteric and liberating rite. In a way, it was a pity to break the spell by vulgar explanations. But at last he spoke, seeming to utter something that he had learnt by heart.
“Toby, about what happened yesterday evening. I did something foolish and wrong – and something I assure you that I’m not at all in the habit of doing. I was almost as surprised at it as you were. I don’t want to make a drama about this. I won’t say‘forget it’ because we can’t do that; but I suggest we set it aside and don’t brood on it or give it an exaggerated importance. In so far as it was a wrong action, that concerns me and not you. I just wanted, well, to apologize to you and to ask you to bury the matter. I know I needn’t appeal to your discretion. But I was anxious in case you should be worrying about it. I’m deeply sorry that you’ve been upset and bothered in this way – and I hope you’ll make a real effort not to let this thing spoil your time at Imber.”
They stopped and turned to face each other. It was almost completely dark now, even in the more open space of the avenue, and the trees were almost invisible, opaque presences of deeper black on either side. Toby looked at the ground and then with an obvious effort raised his head to look at Michael. He said in a low voice, “Of course, it’s all right. I’m sorry. It’s all right. It was good of you to talk to me like this. I quite understand. As far as I’m concerned, I’ll bury the matter completely.”
Looking at his darkened countenance Michael had suddenly a strange sense of déjà vu. Where had this scene, with its inevitable ending, happened before? And even as he spoke and moved he remembered the fading light in his room at school when he and the boy had sat for so long quite still and face to face.
“Thank you,” said Michael, also very softly. No power on earth could have prevented him at that moment from touching Toby. He Beached his hand out blindly toward the boy – and as if drawn magnetically Toby’s hand met his in a strong grip. They stood silently together in the darkness.
CHAPTER 13
IT was the next morning. The sun was still faithfully shining, but a certain dullness and bleakness in the air at breakfast-time made known the season, and then the eye was more quick to see the signs of autumnal decay. Toby spent the earlier part of the morning with Patchway, who was anxious to teach him how to use the cultivator. Toby found himself surprisingly uninterested in the thing and clumsy with it. After eleven he was dispatched, as usual, to the packing shed, but found there was nothing for him to do there. Mrs Mark, rushing off herself to the house to do the laundry, told him to go back to the garden. But instead Toby slunk away by himself. He wanted to think.
He decided to go and sit for a while in the visitors’ chapel, and crossed the causeway, careless of observation. He had never been in the chapel except during Mass, and he found it now, empty and silent, an awe-inspiring place. The curtains were drawn back and the altar and the dim sanctuary light could be seen through the grille. The visitors’ chapel was lighted by two small windows of greenish glass and was rather dark. The nuns’ chapel, or what could be seen of it, was darker still, lit no doubt by late Victorian stained-glass windows. Inside there it was desperately silent and yet somehow attentive.