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In 1988, Richard Green made a pilgrimage to Reichenbach Falls to see where his childhood hero had nearly met his demise. Conan Doyle himself had visited the site in 1893, and Green wanted to repeat the author's journey. Standing at the edge of the falls, Green stared at the chasm below, where, as Watson noted after he called out, "My only answer was my own voice reverberating in a rolling echo from the cliffs around me."

By the mid-nineteen-nineties, Green knew that he would not have access to the Conan Doyle archive until Dame Jean died- presuming that she bequeathed the papers to the British Library. In the meantime, he continued researching his biography, which, he concluded, would require no less than three volumes: the first would cover Conan Doyle's childhood; the second, the arc of his literary career; the third, his descent into a kind of madness.

Relying on public documents, Green outlined this last stage, which began after Conan Doyle started using his powers of observation to solve real-world mysteries. In 1906, Conan Doyle took up the case of George Edalji, a half-Parsi Indian living near Birmingham, who faced seven years of hard labor for allegedly mutilating his neighbors' cattle during the night. Conan Doyle suspected that Edalji had been tagged as a criminal merely because of his ethnicity, and he assumed the role of detective. Upon meeting his client, he noticed that the young man was holding a newspaper inches from his face.

"Aren't you astigmatic?" Conan Doyle asked.

"Yes," Edalji admitted.

Conan Doyle called in an ophthalmologist, who confirmed that Edalji's malady was so severe that he was unable to see properly even with glasses. Conan Doyle then trekked to the scene of the crime, traversing a maze of railroad tracks and hedges. "I, a strong and active man, in broad daylight, found it a hard matter to pass," he later wrote. Indeed, he contended, it would have been impossible for a nearly blind person to make the journey and then slaughter an animal in the pitch black of night. A tribunal soon concurred, and the New York Times declared: conan doyle solves a new dreyfus case.

Conan Doyle even helped in solving a case of a serial killer, after he spotted newspaper accounts in which two women had died in the same bizarre manner: the victims were recent brides, who had "accidentally" drowned in their bathtubs. Conan Doyle informed Scotland Yard of his theory, telling the inspector, in an echo of Holmes, "No time is to be lost"; the killer, dubbed "the Bluebeard of the Bath," was subsequently caught and convicted in a sensational trial.

Around 1914, Conan Doyle tried to apply his rational powers to the most important matter of his day-the logic of launching the First World War. He was convinced that the war was not simply about entangling alliances and a dead archduke; it was a sensible way to restore the codes of honor and moral purpose that he had celebrated in his historical novels. That year, he unleashed a spate of propaganda, declaring, "Fear not, for our sword will not be broken, nor shall it ever drop from our hands." In the Holmes story "His Last Bow," which is set in 1914, the detective tells Watson that after the "storm has cleared" a "cleaner, better, stronger land will lie in the sunshine."

Though Conan Doyle was too old to fight, many of his relatives heeded his call "to arms," including his son Kingsley. The glorious battle Conan Doyle envisioned, however, became a cataclysm. The products of scientific reason-machines and engineering and electronics-were transformed into agents of destruction. Conan Doyle visited the battlefield by the Somme, where tens of thousands of British soldiers died, and where he later reported seeing a soldier "drenched crimson from head to foot, with two great glazed eyes looking upwards through a mask of blood." In 1918, a chastened Conan Doyle realized that the conflict was "evidently preventable." By that time, ten million people had perished, including Kingsley, who died from battle wounds and influenza.

After the war, Conan Doyle wrote a handful of Holmes stories, yet the field of detective fiction was changing. The all-knowing detective gradually gave way to the hardboiled dick, who acted more on instinct and gin than on reason. In "The Simple Art of Murder," Raymond Chandler, while admiring Conan Doyle, dismissed the tradition of the "grim logician" and his "exhausting concatenation of insignificant clues," which now seemed like an absurdity.

Meanwhile, in his own life, Conan Doyle seemed to abandon reason altogether. As one of Green's colleagues in the Baker Street Irregulars, Daniel Stashower, relates in a 1999 book, Teller of Tales: The Life of Arthur Conan Doyle, the creator of Holmes began to believe in ghosts. He attended seances and received messages from the dead through "the power of automatic writing," a method akin to that of the Ouija board. During one session, Conan Doyle, who had once considered the belief in life after death as "a delusion," claimed that his dead younger brother said, "It is so grand to be in touch like this."

One day, Conan Doyle heard a voice in the seance room. As he later described the scene in a letter to a friend:

I said, "Is that you, boy?"

He said in a very intense whisper and a tone all his own, "Father!" and then after a pause, "Forgive me!"

I said, "There was never anything to forgive. You were the best son a man ever had." A strong hand descended on my head which was slowly pressed forward, and I felt a kiss just above my brow.

"Are you happy?" I cried.

There was a pause and then very gently, "I am so happy."

The creator of Sherlock Holmes had become the St. Paul of psychics. Conan Doyle claimed to see not only dead family members but fairies as well. He championed photographs taken in 1917 by two girls that purported to show such phantasmal creatures, even though, as one of the girls later admitted, "I could see the hatpins holding up the figures. I've always marvelled that anybody ever took it seriously." Conan Doyle, however, was convinced, and even published a book called The Coming of Fairies. He opened the Psychic Bookshop, in London, and told friends that he had received messages that the world was coming to an end. "I suppose I am Sherlock Holmes, if anybody is, and I say that the case for spiritualism is absolutely proved," he declared. In 1918, a headline in the Sunday Express asked: is conan doyle mad?

For the first time, Green struggled to rationalize his subject's life. In one essay, Green wrote, "It is hard to understand how a man who had stood for sound common sense and healthy attitudes could sit in darkened rooms watching for ectoplasm." Green reacted at times as if his hero had betrayed him. In one passage, he wrote angrily, "Conan Doyle was deluding himself."

"One thing Richard couldn't stand was Conan Doyle's being involved with spiritualism," Edwards said. "He thought it crazy." His friend Dixon Smith told me, "It was all Conan Doyle. He pursued him with all his mind and body." Green's house became filled with more and more objects from Conan Doyle's life: long-forgotten propaganda leaflets and speeches on spiritualism; an arcane study of the Boer War; previously unknown essays on photography. "I remember once, I discovered a copy of A Duet with an Occasional Chorus," Gibson said. "It had a great red cover on it. I showed it to Richard and he got really excited. He said, 'God, this must have been the salesman's copy.' " When Green found one of the few surviving copies of the 1887 Beeton's Christmas Annual, with "A Study in Scarlet," which was worth as much as a hundred and thirty thousand dollars, he sent a card to a friend with two words on it: "At last!"

Green also wanted to hold things that Conan Doyle himself had held: letter openers and pens and spectacles. "He would collect all day and all night, and I mean night," his brother, Scirard, told me. Green covered many of his walls with Conan Doyle's family photographs. He even had a piece of wallpaper from one of Conan

Doyle's homes. " 'Obsession' is by no means too strong a word to describe what Richard had," his friend Nicholas Utechin, the editor of The Sherlock Holmes Journal,said.