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That evening before dinner, as she arranged the butter and margarine side by side on the table — one yellow airy and light, the other yellow hard and dark like the yolk of an egg — she wondered how she could have forgotten the way James Dean’s eyebrows curved. Isn’t memory a strange thing, she thought. I could forget all of this, how everything feels, what all of these things mean to me. She was suddenly seized with the desire to grab the sticks of butter and margarine in her hands and squeeze them until her fingers went right through, to somehow imprint their textures and colors on her brain like a stamp, to make them something that she would never lose. And then she heard the bell.

When she opened the door Pat noticed that it was still daylight. The sky was blue and bright and clear and she had a fleeting, guilty thought that she should not have spent so much time indoors. After that she crumpled backwards into the hall as the bullet from a .38-caliber Saturday Night Special pierced her chest, exited below her shoulder blade, and jammed into the wood of the stairs, where it would later be dug out with a penknife by Lieutenant Sales and dropped gingerly into a transparent plastic Baggie.

Pat’s husband Clyde was found in the kitchen by the back door, a knife in his hand (first considered a defense against his attacker and later determined as the carver of the roast). He had been shot twice — once in the stomach and once in the head — and then covered with cereal, the boxes lined up on the counter beside him and the crispy golden contents of Captain Crunch, Corn Flakes, and Special K emptied out over what remained of his face.

Nothing had been stolen.

It was a warm spring evening, full of summer promises. Pat and Clyde’s bodies lay silent and still while the orange sunset crossed the floors of their house and the streetlights clicked on. As darkness came, and the skunks waddled through the backyard and the raccoons crawled down from the trees, they were still there, holding their places, suspended in a moment of quiet blue before the sun came up and a new day started and life went on without them.

It was Clyde’s mother who called the police. She dialed her son’s number every Sunday morning from Rhode Island. These phone calls always somehow perfectly coincided with whenever Pal and Clyde had just settled down to breakfast, or whenever they were on the verge of making love.

Thar she blows, Clyde would say, and take his hot coffee with him over to where the phone hung on the wall, or slide out of bed with an apologetic glance at his wife. The coffee and Pat would inevitably cool, and in this way his mother would ruin every Sunday. It had been years now since they frolicked in the morning, but once, when they were first married and Pat was preparing breakfast, she had heard the phone, walked over to where her husband was reading the paper, dropped to her knees, pulled open his robe, and taken him in her mouth. Let it ring, she thought, and he had let it ring. Fifteen minutes later the police were on their front porch with smiles as Clyde, red-faced, bathrobe bulging, answered their questions at the door.

In most areas of her life Clyde’s mother was a very nice person. She behaved in such a kind and decorous manner that people would often remark, having met her, What a lovely woman. But with Clyde she lost her head. She was suspicious, accusing, and tyrannical. Her husband had died suddenly a few years back, and once she got through her grief her son became her man. She pushed this sense of responsibility through him like fishhooks, plucking on the line, reeling him back in when she felt her hold slipping, so that the points became embedded in his flesh so deep that it would kill him to take them out.

She dialed the police after trying her son thirty-two times, and because the lieutenant on duty was a soft touch, his own mother having recently passed, a cruiser was dispatched to Pat and Clyde’s on Bridge Street, and because one of the policemen was looking to buy in the neighborhood, the officers decided to check out the back of the house after they got no answer, and because there was cereal blowing around in the yard the men got suspicious, and because it was a windy day and because the hinges had recently been oiled and because the door had been left unlocked and swung open and because one of them had seen a dead body before, a suicide up in Hanover, and knew blood and brain and bits of skull when he saw them, he made the call back to the station, because his partner was quietly vomiting in the rosebushes, and said, We’ve got trouble.

Earlier that morning, as Little Mike Findleman delivered Pat and Clyde’s Sunday Globe, the comics straining around the sections like wrapping on an inappropriate gift, he noticed that the welcome mat was gone. It had been ordered out of an expensive catalog and said, Home Sweet Home. Every day when Little Mike rode up on his bicycle and delivered the paper, he looked at the mat and thought of his own home. It was not sweet.

Little Mike’s father had recently returned from a minimum-security prison, where he had spent the past three years doing time for embezzlement. With her husband back in the house, Little Mike’s mother, a charismatic redhead, was now on antidepressants, and had cooked spaghetti for dinner twenty-eight days in a row. To top it off, Little Mike had not made the cut to junior league baseball, as his friends Norman and Greg Kessler had, and the shame he felt when he checked the list posted outside the gym and later as he told the twins, who squinted into the sun and shrugged their shoulders together as if they were brushing him off their lives like a bug, struck him deeply and confirmed his suspicions of his own lack of greatness. Little Mike enjoyed getting off of his bicycle and kicking Pat and Clyde’s welcome mat as he dropped off their paper just after dawn, leaving it askew and glancing back at it as he walked down the front porch steps. It made him feel less alone.

Each morning he would return and find the welcome mat back in place. He wondered sometimes if they complained about their delivery, but Pat and Clyde never said anything, and when the money was due for the paper they left a check in an envelope taped above the doorbell, usually with a few extra bucks for a tip. So when he walked up the porch steps and found the door shut tight and no Home Sweet Home, Little Mike paused. Later, when he was interviewed by Lieutenant Sales, he would say that he had sensed that something was wrong. But in that moment, standing on the porch in the smoky light of early morning, he felt angry and cheated, as if this small pleasure of kicking the mat had been plugging up a large and gaping hole inside of him, and now that it was gone he saw through it to all the other empty places in his life. Little Mike threw the Sunday Globe off the porch into the bushes with a vengeance, where it would later be found by Buster, the Mitchells’ Labrador retriever, and buried in another part of the yard along with some abandoned Kentucky Fried Chicken rummaged from the local barrels. Little Mike did not tell the police that he had done this. He claimed that he had left the paper on the front porch as always. He did not want anyone to think he was a bad delivery boy.

Buster was the kind of dog who knew how to feel at home. He treated all the yards on Bridge Street as if they were his own, making his way leisurely through flower beds, pausing for a drink from a sprinkler, tearing into garbage bags and relieving himself among patches of newly planted rutabagas. When he discovered Pat and Clyde’s Sunday Globe caught in the low branches of a rhododendron it was after eight. Mrs. Mitchell had let him out that morning with an affectionate pat on his behind. Don’t get into too much trouble, she said. He had left her with his nose to the ground.