Chester, cocking an ear for sounds of the car, shook himself from his thoughts. "Let me stop you, darlin' dear."
She clutched his hand as though afraid it might escape, her eyes a pair of low-hanging plums; their skin a telling contrast, hers creamy and white like egg custard, his the shade of caramel.
I must be hungry, he thought.
"I have never," she intoned, "never heard a man play as wild, as free, as hard as you."
He could no longer see her face. His mind's eye conjured Lorena.
She was a custom Gabbanelli, not unlike the one he'd been playing onstage when the music stopped, but finer, older, one of a kind. Handmade in Castelfidardo sixty-five years ago, during the war, she'd been bought by his granddad for twenty dollars and a pig.
Chester thought he'd seen one of the Cheniers play one just like her at the Acadiana music festival, and the prospect had coiled a skein of fear around his heart. But no, theirs lacked the purple heart accents, the buttons of polished bone, much more. And sure enough, Lorena proved her royalty that day. An accordion war, oh yes, him and Richard LeBoeff at the end, Chester taking the prize with a fiery rendition of an original he'd penned just the night before, titled "Muttfish Gumbo." Next day, the local headlines screamed, "The Jimi Hendrix of the Squeezebox," and there she was, in the picture with Chester: Lorena. Who else was worthy to share his crown? He grinned, in spite of himself. What would Granddad think of that?
He'd been a marksman in the 92nd Infantry, the fabled Buffalo Soldiers, moving up the Italian peninsula in '44 while most white troops got shipped to Normandy for the push to Berlin. He hefted Lorena on his back like a long-lost child as the Mule Pack Battalion marched up alongside Italian blacksmiths and resistance volunteers, South Africans, Brazilians, trudging across minefields and treadway bridges, scaling manmade battlements and the Ligurian hills toward von Kesselring's Gothic Line.
He endured the march up the Serchio Valley, survived the Christmas slaughter in Gallicano, suffered the withering German 88s and machine-gun fire as the 92nd crawled across the Cinquale Canal. Throughout his boyhood, Chester sat beside his granddad's rocker and listened to his tales, enthralled, inspired, and each one circled back to guess who? The accordion became his granddad's prize, his lucky talisman, his reason for fighting, and he named her Lorena, same as his girl back home, the one who refused to wait. In time, the beautiful box with all that luck inside became the real Lorena, the one who was true.
And she was a stone beauty-pearl inlays, seasoned mahogany lacquered to the color of pure cane syrup, the grille cut lath by lath from brass with a jeweler's saw, double reeds made from Swedish blue steel for that distinctive tremolo, a deep mournful throbbing tone unmatched by any instrument Chester had ever heard. She had the voice of a sad and beautiful thrush, the tragic bride of a lost soldier. And yes, Granddad had come back from that war lost. The accordion became a kind of compass, guiding him back, at least halfway.
In time, Granddad passed her on to Papa Ray and he in turn handed her over to Chester, the prodigy, the instrument not so much a gift as a dare. Be unique and stunning and wise, she seemed to whisper, like me. And that was the full shape of the inheritance, not just an instrument but a sorrow wrapped in warrior loneliness. Chester treated her like the dark mystery she was, never bringing her out until the final set of the night, queen of the ball-which was why she'd been in the bus, not onstage, when the Western Flyer got jacked.
Chester glanced down at the table, saw the woman's fingers lacing his own, felt the nagging heat of her touch. "Darlin' dear," he repeated, snapping to. "As I have told you at least twice now, and which should be obvious to a fan as devoted as you claim to be…" He lumbered to his feet as, at long last, the headlights of Geno's Firebird appeared in the lot. "The name is pronounced Ree-shard."
She cocked her eye, a dark glance, the rice pudding curdled. "Oh, boo."
"Adieu."
"Boo!"
He tipped his hat and hustled into the night.
Inside the car, Chester collected a pearl-handled Colt.45 from an oilcloth held out to him by Skillet, who kept for himself a.44 Smithy and a buck knife big enough to gore a dray. Geno carried a.38 snub-nose and a length of pipe. You play enough bayou jump joints and oil-coast dives, you habituate your weapons.
Geno, sitting behind the wheel, glanced over his shoulder at Chester, who straddled the hump in the backseat. "I'm guessin' there ain't no guesswork to who took the bus."
"No." Chester dropped the magazine on the Colt, checked to be sure it had all seven rounds, plus one in the pipe, slammed it home again, then tucked the pistol under his belt as Geno slipped the Firebird into gear and took off. "I think not."
Skillet, true to his nature, remained quiet. Black as Houston crude and wiry with cavernous eyes, he'd been hit with a fry pan in '77, still had the telltale dent in his skull. Geno, plump as a friar with slicked-back hair, kept up a low, tuneless hum as he drove. He was the band's gadfly mystic, always wandering off on some oddball spirit craze, and he'd recently read somewhere that you ought to chant "Om" to get right with the cosmos. Apparently, though, he'd snagged some cross-signals, for the effort came out sounding like some rural Baptist dirge, hobbling along in waltz time. Chester almost asked for the radio, then reconsidered. Who knew what sort of ass-backward mojo you'd conjure, stopping a man midchant?
They pulled over for food at an all-night canteen on the Port Arthur outskirts: crawfish étouffée, hush puppies, grilled boudin sausage. Using his fingers to scoop the food from its white cardboard carton, Chester dug in, reminding himself that vengeance is but one of many hungers.
"Boudin," he said. "Proof that God loves a Creole man." To himself, he added, Let's hope some of that love will hold.
They took Route 73 to catch I-10 near Winnie, figuring the thief was heading west. He'd mentioned home was El Paso, just across the border from Ciudad Juárez, murder capital of the planet.
His name was Emigdio Nava but he went by Feo, the Ugly One. The handle was not ironic. Small and hunched but muscular, arms sleeved with tats, he had a scrapper's eyes, a mulish face, the complexion of a peach pit. He'd approached Chester about two weeks back, at a private party they were playing out on the levee road in East Jefferson Parish. He invited himself back into the greenroom between sets and sat himself down, a cagey introduction, smile like a paper cut. Everybody in the band figured him for a dealer-except for a few old locals too big to unseat, the Mexican gangs ran practically everything dopewise now-but he made no mention of such.
He did, though, have an offer.
"Want you to write me a song," he said, whipping out a roll of bills. He licked his thumb, flicked past five hundreds, tugged them free, and handed them out for Chester to take. "For my girl."
Chester glanced toward Skillet, by far the best judge of character in the band. He'd played up and down the coast for over thirty years, headliners to pickup bands, seen everything twice. It took a while, but finally Skillet offered a nod.
"Tell me about your girl," Chester said, taking the money.
Her name was Rosa Sánchez but everyone knew her as La Monita, Little Monkey. Again, Chester learned, irony was not at issue. Feo showed him snapshots. She was a tiny woman with unnaturally long arms. Her small round face was feathered with fine black hair. An upturned nose didn't help, though the rest of the package was straight-up fine. And being clever and resourceful, or so Chester surmised from how Feo told it, she turned misfortune to her advantage. A hooker who worked near the ship channel, she gained the upper hand over the more attractive girls by, more or less, outfucking them.