The Best American Mystery Stories 2016
“The Little Men” by Megan Abbott. First published by Bibliomysteries, Mysterious Press, September 15, 2015. Copyright © 2015 by Megan Abbott. Reprinted by permission of Megan Abbott.
“Okay, Now Do You Surrender?” by Steve Almond. First published in Cincinnati Review, vol. 11, no. 2. Copyright © 2015 by Steve Almond. Reprinted by permission of Steve Almond.
“Toward the Company of Others” by Matt Bell. First published in Tin House, issue 65. Copyright © 2015 by Matt Bell. Reprinted by permission of Matt Bell.
“Fool Proof” by Bruce Robert Coffin. First published in Red Dawn: Best New England Crime Stories. Copyright © 2015 by Bruce Robert Coffin. Reprinted by permission of Bruce Robert Coffin.
“Safety” by Lydia Fitzpatrick. First published in One Story, issue 207. Copyright © 2015 by Lydia Fitzpatrick. Reprinted by permission of Georges Borchardt, Inc., on behalf of the author.
“Christians” by Tom Franklin. First published in Murder under the Oaks, edited by Art Taylor. Copyright © 2015 by Tom Franklin. Reprinted by permission of Tom Franklin.
“A Death” by Stephen King. First published in The New Yorker, March 9, 2015. From The Bazaar of Bad Dreams by Stephen King. Copyright © 2015 by Stephen King. Reprinted with the permission of Scribner, a division of Simon & Schuster, Inc. All rights reserved.
“For Something to Do” by Elmore Leonard. First published in Charlie Martz and Other Stories: The Unpublished Stories of Elmore Leonard. Copyright © 2015 by Elmore Leonard, Inc. Reprinted by permission of HarperCollins Publishers.
“The Continental Opposite” by Evan Lewis. First published in Alfred Hitchcock’s Mystery Magazine, May 2015. Copyright © 2015 by David Evan Lewis. Reprinted by permission of Evan Lewis.
“Street of the Dead House” by Robert Lopresti. First published in nEvermore! edited by Nancy Kilpatrick and Caro Soles, July 1, 2015. Copyright © 2015 by Robert Lopresti. Reprinted by permission of Robert Lopresti.
“Lafferty’s Ghost” by Dennis McFadden. First published in Fiction, no. 61. Copyright © 2015 by Dennis McFadden. Reprinted by permission of the author.
“The Tank Yard” by Michael Noll. First published in Ellery Queen’s Mystery Magazine, July 2015. Copyright © 2015 by Michael Noll. Reprinted by permission of Michael Noll.
“Trash” by Todd Robinson. First published in Last Word by the editors of Joyride Press, August 2015. Copyright © 2015 by Todd Robinson. Reprinted by permission of Todd Robinson.
“Christmas Eve at the Exit” by Kristine Kathryn Rusch. First published in Ellery Queen’s Mystery Magazine, January 2015. Copyright © 2015 by Kristine K. Rusch. Reprinted by permission of Kristine K. Rusch.
“The Mountain Top” by Georgia Ruth. First published in Fish or Cut Bait: A Guppy Anthology, April 7, 2015. Copyright © 2015 by Georgia Wilson. Reprinted by permission of Georgia Wilson.
“Mailman” by Jonathan Stone. First published in Cold-Blooded, edited by Clay Stafford and Jeffery Deaver, October 27, 2015. Copyright © 2015 by Jonathan Stone. Reprinted by permission of Jonathan Stone.
“Rearview Mirror” by Art Taylor. First published in On the Road with Del & Louise by Art Taylor, September 15, 2015. Copyright © 2015 by Art Taylor. Reprinted by permission of Henery Press, LLC.
“Border Crossing” by Susan Thornton. First published in the Literary Review, vol. 58, no. 3, Summer 2015. Copyright © 2015 by Susan R. Thornton. Reprinted by permission of Susan R. Thornton.
“Entwined” by Brian Tobin. First published in Alfred Hitchcock’s Mystery Magazine, June 2015. Copyright © 2015 by Brian Tobin. Reprinted by permission of Brian Tobin.
“God’s Plan for Dr. Gaynor and Hastings Chiume” by Saral Waldorf. First published in Southern Review, Spring 2015. Copyright © 2015 by Saral Waldorf. Reprinted by permission of Saral Waldorf
Foreword
This is the twentieth edition of The Best American Mystery Stories of the year, a very gratifying milestone. The series began when my agent, Nat Sobel, and I were having lunch, as we have every month for the past thirty years. In the middle of a sentence about who knows what he said, “I have an idea.” This is common in our relationship, as I would argue that he is the best and most creative agent on the planet.
Nat had represented the longtime series editor of Houghton Mifflin’s prestigious The Best American Short Stories of the year, an annual event that began in 1915. He suggested that it was time for a similar mystery series and thought I should be the editor. I agreed. He went back to his office, called the editor in chief of Houghton Mifflin, and they came to an agreement in two minutes.
For my first guest editor, I wanted someone who was an accomplished author, not just in the mystery category but one who brought serious literary credentials to the table as well. Being a bestseller was not a requirement but was certainly a desirable element. I aimed high and called my friend Robert B. Parker, who agreed to take on the job without hesitation. To this day, his introduction to the 1997 edition remains the most erudite and comprehensive essay in the history of the series. The book went on to make the bestseller list in Boston and sold enough copies nationally to make Houghton Mifflin happy.
Reflecting on the past twenty years reminds me of how much has changed but also how much has remained the same.
Changes? The publisher is now Houghton Mifflin Harcourt, following a merger of these two honored houses, both with long histories of excellence. The editor in chief has changed twice during those two decades. The publishing landscape has changed, with more and more mergers, though there is less impact on readers than one might have expected. The bookselling landscape has changed even more. Twenty years ago, Amazon was just beginning to emerge as a major force; today it dominates the bookselling world. Whereas the giant book emporiums of Barnes & Noble and Borders had forced many independent bookshops out of business, the marketplace dominance of Amazon has forced Borders out of existence and seriously threatens Barnes & Noble, while further crippling the independent bookstore. The ray of light is that more independent bookstores have opened in America during the past three years than closed their doors.
Similarities? I am still the series editor, and the methodology of determining which stories make the cut remains the same. My invaluable associate Michele Slung reads and evaluates thousands of stories every year, culling those that clearly do not belong on a short list — or a long one either, for that matter — to determine if they have mystery or criminal content, frequently impossible to know merely by reading the title, as well as whether they have any literary merit. I then read the stories that need to be considered in order to arrive at the fifty best (or at least those I like the most). Those are sent to the guest editor, who selects the twenty stories that make it into the book; the remaining thirty receive honorable mention. The best writing makes it into the book. Fame, friendship, original venue, reputation, subject — none of it matters. It isn’t only the qualification of being the best writer that will earn a spot in the table of contents; it also must be the best story.