“Yes?”
“Howard, you been in Milwaukee the past few years?”
“I was in Milwaukee in the spring of’47. Why?”
“Any chance you went to a whorehouse that specialized in girls made up like movie stars?”
Howard sighed. “Buzz, you know my alleged propensity in that department. Is this about Gretchen Rae?”
“Yeah. Did you?”
“Yes. I was entertaining some colleagues from the Pentagon. We had a party with several young women. My date looked just like Jean Arthur, only a bit more …endowed. Jean broke my heart, Buzz. You know that.”
“Yeah. Did the high brass get looped and start talking shop around the girls?”
“Yes, I suppose so. What does this —”
“Howard, what did you and Gretchen Rae talk about — besides your sex fantasies?”
“Well, Gretchy seemed to be interested in business — stock mergers, the little companies I’ve been buying up, that sort of thing. Also politics. My Pentagon chums have told me about Korea heating up, implying lots of aircraft business. Gretchy seemed interested in that, too. A smart girl always interests herself in her lovers’ endeavors, Buzz. You know that. Have you got leads on her?”
“I surely have. Boss, how have you managed to stay alive and rich so long?”
“I trust the right people, Buzz. Do you believe that?”
“I surely do.”
I gave my sitting-in-the-dark stakeout another three hours, then raided the icebox for energy and took the Other Guy Routine on the road, a mitzvah for Mickey in case I had to play an angle to shoot Gretchen Rae to Howard — his very own teenage murderess. First I wrapped up Fritz Steinkamp in three windows’ worth of chintz curtains and hauled him out to my car; next I mummified Voyteck Kirnipaski in a bedspread and wedged him into the trunk between Fritz and my spare tire. Then it was a routine wipe of my own possible prints, lights off, and a drive out to Topanga Canyon, to the chemical debris dump operated by the Hughes Tool Company —a reservoir bubbling with caustic agents adjacent to a day camp for underprivileged kids: a Howard tax dodge. I dumped Fritz and Voyteck into the cauldron and listened to them snap, crackle, and pop like Kellogg’s Rice Krispies. Then, just after midnight, I drove to the Strip to look for Mickey and his minions.
They weren’t at the Trocadero, the Mocambo, or the La Rue; they weren’t at Sherry’s or Dave’s Blue Room. I called the DMV night information line, played cop, and got a read on Mo Hornbeck’s wheels —1946 tan Dodge Coupe, CAL-4986-J, 896¼ Moonglow Vista, South Pasadena — then took the Arroyo Seco over the hill to the address, a block of bungalow courts.
At the left side tail end of a stucco streamline job was 896V4 — rounded handrails and oblong louvers fronting tiny windows strictly for show. No lights were burning; Hornbeck’s Dodge was not in the carport at the rear. Maybe Gretchen Rae was inside, armed with stuffed animals, negligee garrotes, stew pots, and frying pans — and that suddenly made me not give a fuck whether the world laid, prayed, stayed, or strayed. I kicked the door in, flipped on a wall light, and got knocked flat on my ass by a big furry mother with big, shiny, razor-white teeth.
It was a Doberman, sleek black muscle out for blood — mine. The dog snapped at my shoulder and got a snootful of Hart, Schaffner & Marx worsted; he snapped at my face and got an awkwardly thrown Meeks right jab that caused him to flinch momentarily. I dug in my pocket for my Arkansas toad stabber, popped the button, and flailed with it; I grazed the beast’s paws and snout — and he still kept snapping and snarling.
Giving the fucker a stationary target was the only way. I put my left arm over my eyes and tried to stay supine; Rex the Wonder Dog went for my big, fat, juicy elbow. I hooked my shiv up at his gut, jammed it in, and yanked forward. Entrails dropped all over me; Rex vomited blood in my face and died with a snap-gurgle.
I kicked the day’s third corpse off of me, stumbled to the bathroom, rummaged through the medicine cabinet, and found witch hazel. I doused my elbow bite and the blood-oozing teeth marks on my knuckles. Deep breathing, I splashed sink water on my face, looked in the mirror, and saw a middle-aged fat man, terrified and pissed to his drawers, in deep, deep shit without a depth gauge. I held the gaze, thinking it wasn’t me for long seconds. Then I smashed the image with the witch hazel bottle and eyeballed the rest of the bungalow.
The larger of the two bedrooms had to be Gretchen Rae’s. It was all girlish gewgaws: pandas and arcade Kewpie dolls, pinups of matinee idols and college pennants on the walls. Kitchen appliances still in their boxes were stacked on the dresser; publicity glossies of RKO pretty boys littered the bedspread.
The other bedroom reeked of VapoRub and liniment and sweat and flatulence — bare walls, the floor space almost completely taken up by a sagging Murphy bed. There was a medicine bottle on the nightstand — Dr. Revelle prescribing Demerol for Mr. Hornbeck — and checking under the pillow got me a .38 Police Special. I flipped the cylinder, extracted four of the shells, and stuck the gun in my waistband, then went back to the living room and picked up the dog, gingerly, so as not to drench myself in his gore. I noticed that it was a female; that a tag on its collar read janet. That hit me as the funniest thing since vaudeville, and I started laughing wildly, shock coming on. I spotted an Abercrombie & Fitch dog bed in the corner, dumped Janet in it, doused the lights in the room, found a couch, and collapsed. I was heading into some sort of weird heebie-jeebie haze when wood creaking, a choked “Oh my God!” and hot yellow glare jolted me to my feet.
“Oh Janet, no!”
Mo Hornbeck beelined for the dead dog, not even noticing me. I stuck out my leg and tripped him; he hit the floor almost snout to snout with Janet. And I was right there, gun at his head, snarling like the psycho Okie killer I could have been. “Boy, you’re gonna blab on you, Gretchen Rae, and them bodies on Mariposa. You’re gonna spill on her and Howard Hughes, and I mean now.”
Hornbeck found some balls quicksville, averting his eyes from the dog, latching them onto me. “Fuck you, Meeks.”
“Fuck you” was acceptable from a ranking sheriff’s dick in my debt, but not from a statch raper hoodlum. I opened the .38s cylinder and showed Hornbeck the two rounds, then spun it and put the muzzle to his head. “Talk. Now.”
Hornbeck said, “Fuck you, Meeks”; I pulled the trigger; he gasped and looked at the dog, turning purple at the temples, red at the cheeks. Seeing myself in a cell next to Fud, the Meeks boys playing pinochle sideways through the bars, I popped off another shot, the hammer clicking on an empty chamber. Hornbeck bit at the carpet to stanch his tremors, going deep purple, then subsiding into shades of crimson, pink, death’s-head white. Finally he spat dust and dog hair and gasped, “The pills by my bed and the bottle in the cupboard.”
I obeyed, and the two of us sat on the porch like good buddies and killed the remains of the jug — Old Overholt Bonded. Hornbeck blasted Demerol pills along with the juice, flew to cloud nine, and told me the saddest goddamn story I’d ever heard.
Gretchen Rae Shoftel was his daughter. Mom hit the road shortly after she was born, hightailing it to parts unknown with a Schlitz Brewery driver rumored to be double-digit hung, like the human equivalent of Mickey Cohen Jr.; he raised Gretch as best he could, nursing a bad case of the hots for her, ashamed of it until he picked up scads of unrelated skinny: that his wife was servicing the entire Schlitz night shift during the time his little girl was conceived. On general principles he stayed hands-off, taking his lust out on girls from the greenhorn hooker camps up in Green Bay and Saint Paul.