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Still, she drives while she can. The footprint of the mesas is so big it never shifts; she moves like someone in a dream, not quite fast enough.

EVENING TIMES

OTHRYS WHISTLEBLOWER TELLS ALL ABOUT SHOCKING MEDICAL EXPERIMENTATION: “THEMIS WASN’T WORTH THE COST”

THE SUNDAY LEDGER

“THE WARDEN KNEW, AND NO ONE STOPPED HIM”: HOW “THEMIS” MUST MARK THE END OF THE PRISON INDUSTRIAL COMPLEX

THE NEW YORK STANDARD

THE ORACLE OF OTHRYS: VIDEO-GAME SNITCH BLOWS THE LID OFF VR HORROR

THE LONE CANDLE

THE THEMIS EXPERIMENT: WHY VIRTUAL REALITY MAKES EVERYONE A PRISONER

OWL EYES NEWS

BOSS BATTLE: CHRISTOPHER COLLINS, “THE VIDEO-GAME WARDEN,” RETIRES WITH $2 MILLION SEVERANCE

TABULA GAMES

WORLD-CLASS: “THEMIS” BREAKS SALES RECORDS

THE NEW YORK WEEK IN REVIEW

MARIE ROLAND: THE WOMAN WHO CAN NEVER GO HOME

Samara, Anthony,

This is my last letter. I hope this ends up being of some use to you—make no secret of it, if it will help. I’m happy to be anybody’s pawn now.

It was an honor building Themis with you. I’m glad you’re not coming, but it won’t be the same. Marie

Spent today walking downstream a dozen kilometers and recording things. There are more species of cattails in this one stretch than I ever saw on Earth. Saw a lot of teeth marks on them—bodes well for the idea of some Earth-adjacent fauna that have just been scared off by our camp but might eventually be coaxed to come back.

Of course, I shredded my feet and somehow managed to get a giant bruise on my knee without even falling down. (How did they ever let me become a naturalist with a constitution like this?) Listened to a whole chapter of a book while I was soaking in salt water, which is the most salt and the most reading I’ve gotten since I landed.

You’d think they’d have sent more people, but I guess for a temperate zone you don’t really have to. Winters don’t kill you here, and it’s only a couple of weeks until the pass melts and we can set off for the mountains to do the survey for the second-wave team. (My bet is glacier melt that will sustain a thousand people; Vivian claims there’s taiga and we can support twice that. Carlos is holding the money.)

It’s winter at home by now, isn’t it? I hope all is well with you. I would love to know for sure.

The bread I made today was edible! The bird outside was very proud of me—he sang along with me all night. I threw him crumbs, at the end of it, and he liked them, and it feels like it will even last the night without going stale. This time next year I’ll have the hang of it for sure.

That bird really does have a lovely song. They said to be careful assigning old observations to what I find here, but: thrush family. I just know it.

All my love—

E. LILY YU

The Witch of Orion Waste and the Boy Knight

FROM Uncanny Magazine

Once, on the edge of a stony scrub named for a star that fell burning from Orion a hundred years ago, there stood a hut with tin spangles strung from its rafters and ram bones mudded in its walls. Many witches had lived in the hut over the years, fair and foul, dark and light, but only one at any particular time, and sometimes no one lived there at all.

The witch of this story was neither very old nor very young, and she had not been born a witch but had worked, once she was old enough to flee the smashed bowls and shrieks of her home, as a goose girl, a pot scrubber, then a chandler’s clerk. On the days when she wheedled the churchwomen into buying rosewater and pomanders, the chandler declared himself fond of her, and on other days, when she asked too many questions, or wept at the abalone beauty of a cloud, or refused to take no for an answer, he loudly wished her back among her geese.

On a Monday like any other, the chandler gave her two inches of onion peel scrawled with an order and precise instructions to avoid being turned into a toad, and shortly thereafter the clerk carried a packet of pins and three vials of lavender oil the three heathery miles from the chandler’s shop to the hut on Orion Waste.

The white-haired crone who lived in the hut opened the door, took the basket, and looked the clerk up and down. She spat out a small object and said, “You will do.”

“I beg your pardon?”

“I have a proposition for you,” the crone said. “It is past time for me to leave this place. There is a city of women many weeks’ travel away, and it sings in my mind like a young blue star. Would you like to be a witch?”

Here was something better than liniment for the hurts confided to her, better than candles for warding off nightmares.

“I would,” the clerk said.

“Mind, you must not meddle in what is none of your business, nor help unless you are asked.”

“Of course,” the clerk said, her thoughts full of names.

“Too glib,” the crone said. “The forfeit is three years’ weeping.” She rummaged in her pockets and placed a brass key beside the book on the squat table. “But you won’t listen.”

The clerk tilted her head. “I heard you clearly.”

“Hearing’s not listening. You learned to walk by falling, and you’ll stir a hornet’s nest and see for yourself. I was just as foolish at your age.” The crone shook a blackthorn stick under the clerk’s nose. “I would teach you to listen, if I had the time. Here is the key. Here is the book. Here is the bell. Be careful who you let through that door.”

Grasping the basket and her stick, the crone sneezed twice and strode off into other stories without a backward glance.

And the clerk sat down at the table and leafed through the wormy tome of witchcraft, dislodging mushrooms pressed like bookmarks and white moths that fluttered into the fire. Bent over the book, by sunlight and candlelight, she traced thorny letters with her fingertips and committed the old enchantments, syllable by syllable, to heart.

The villagers who came with bread, apples, mutton, and the black bottles of cherry wine the old witch favored were surprised by news of the crone’s departure and doubtful of the woman they knew as goose girl and chandler’s clerk. Their doubts lasted only until she compounded the requested charms for luck, for gout, for biting flies, for thick, sweet cream in the pail. For all its forbidding appearance, the Waste provided much of what the book prescribed: gnarled roots that she picked and spread on a sunny cloth, bark peeled in long curls and bottled, snakeskins cast in the shade of boulders and tacked to the rafters.

Certain of her visitors traveled farther, knowing only the hundred-year-old tale of a witch on the Waste. They came stealthily at night and asked for poison, or another’s heart, or a death, or a crown, and the witch, longing for the simple low-necked hissing of geese, shut the door in their faces.

A few of these were subtler than the rest, and several lied smoothly. But the crone had left a tongueless bell, forged from cuckoo spit, star iron, and lightning glass, which if warmed in the mouth showed, by signs and symbols, true things. In this way the witch could discern the dagger behind the smile. But the use of it left her sick and shuddering for days, plagued with bad dreams and waking visions, red and purple, and she only resorted to the bell in great confusion.

Three years from when she first parted its covers, the witch turned the last page of the book, read it, and sat back with a sigh. Someone had drawn in the margin a thorny archway, annotated in rusty red ink in a language she did not recognize, but apart from that, she knew all the witchcraft that the book held. The witch felt ponderous with knowledge and elastic with powers.

But because even arcane knowledge and occult powers do not properly substitute for a bar of soap and a bowl of soup, she washed her face and ate.