The circle of my arms around my head has allowed for a small air pocket, but it won’t last long. My wrist strap has snapped; my ice axe has gone. I think of Nick’s face: the dimple in his left cheek, the chip in his right incisor, the always paler circles of skin around his eyes. I think of his weight on me, pressing me down, filling me up, and it calms me a little. It calms me enough.
I breathe. I breathe. And then I spit. It dribbles down my cheek along the length of my right eyebrow. Upside down. Maybe 160, 170 degrees. I don’t know how deep I am, and the small space I have left isn’t enough to find out. Slowly, slowly, I burrow my hands down toward my torso. The snow is like cement. By the time my knuckles bump against the axe, I’m already hyperventilating again. I have cobalt blue boots, I think. The legs of my suit are black with red stripes.
I make myself remember the night we first met in a dark tavern off the main Kathmandu drag in Thamel. Me, pissed on Mustang Coffee and home-brewed Raksi, dancing among dozens of other sweaty gap year tits just like me. And Nick, sitting in a darker corner, disinterested, his mouth curled into a routine sneer until I asked him if he’d dance with me too. The first time we fucked, he gripped me tight enough to leave bruises and told me that he’d never come so hard in his life. The first time we summited—close to the end of season on the Northeast Ridge of Everest—he swung me up to that golden curve of Earth and told me that he loved me; laughed when I said I was on top of the world.
I make myself think of the warm flat of his hands against my skin; the low and steady timbre of his voice, whether he’s talking about clove hitches and belay points, or about those spirits that save only people like us: explorers on the edge of the world. Stroking my hair and reading aloud from Ernest Shackleton’s South: the treacherous glaciers, icy slopes, and snow fields of his doomed Trans-Antarctic expedition; the fog, the dark, the blank map; the exhaustion, starvation, hopelessness. And the spirit—the voiceless, faceless Third Man—that had led him down to the safety of the whaling station on Stromness. Nick’s solemn eyes, his slow smile; quoting T. S. Eliot in a tickling whisper against my ear—
Who is the third who walks always beside you?
Where is my third? I wonder now, and my eyes sting. Where the hell is the bloody spirit that’s going to lead me down to safety? My tears feel hot and my throat tries to close up. I stop trying to think of anything at all.
Me. Just me. My own strength, my own will. I am all that can save me.
Slowly, slowly, I manage to turn around now, to bring the axe around. At first I can only twist and shimmy it against the hard-packed snow; I choke and try to turn my face away from what little I manage to hollow out. I feel panic rising again. I don’t want to be on the other side of that mirror. I don’t want to be a frozen landmark. A trig point. I don’t want people to take selfies next to my frozen corpse. My cobalt blue boots. My red-striped suit.
When the way becomes abruptly easier, I nearly sob with relief. I choke more as my axe excavates more, but now I don’t care. I’m reaching out of that dark blue echoing silence, up toward that ice-rimmed circle of white. I can nearly taste the mountain’s thin air; see its clear, starry sky.
But in the instant before I break through—in the instant before I know I’m going to break through, I hear Acke’s scream. No longer high and short, but long and horrified. And oh God, so, so much deeper. I have enough room now to clasp my left hand hard over my mouth. I can’t feel the press of its glove against my lips, my skin, my teeth.
And then I’m free. The snowstorm has died. My headlight is dead. The only remaining light comes from a half-crescent moon, hanging low over the Nilgiri Himal range to the northwest. I shuffle onto my knees, pushing away from my already collapsing escape shaft. After moving no more than ten feet, I look down at the hard-packed snow between my hands and knees. Acke. Acke. I don’t shout his name, don’t even say it out loud. If he hears me, he might think that I can save him.
Two months ago, in a trekkers’ lodge close to the edge of The Sanctuary, he laughed and sang along to Fernando while mixing terrible Brännvin cocktails. He had a boyfriend in the Swedish navy who’d bought him a house, but wouldn’t tell anyone he existed. He struggled to grow a beard, always trying: every morning he’d roll his eyes and tug on it, still sexy ass fluff, my friends.
So I stay. In the disorientating white-dark, I kneel in the snow over where I think Acke is, and I keep him silent company. I hear him coughing again. Maybe he’ll drown instead of suffocate; which is worse, I don’t know—don’t want to know. I reach round for my O. I don’t know when I last drank or ate something either. These are the things you must fight: numbness, confusion, lethargy. Mercy. What good will staying here do? How can Acke know he’s not allena, and what does it matter if he does? But I think of him shouting stay with me to the mountain, the snow, the sky, and so I stay.
I’m always exactly where I’m supposed to be.
It’s no longer snowing. It’s no longer gloomy either. It’s dark. Night. I can’t hear Acke anymore. I wonder how long he fought. How long he pretended. If he’s pretending even now. Because denial has to be better than acceptance, if one side of the coin—the mirror—is death and nothing else. I shudder hard enough to again crick my neck.
When I try to get up, it feels as if I no longer exist below my waist. It takes too long to locate and change out my headlight, and the reward does not justify the effort: the thin revived glow casts only slow and frightening shadows. The drifts are high, unwieldy; the terrain is entirely changed as if I haven’t made it back through the mirror at all. The couloirs are gone, their scars and fissures hidden under the weight of so much new snow.
I shine my light down on my harness. Its main carabiner is bent and twisted out of shape, probably when the avalanche wrenched me free of the line. It takes another long time to replace it with a spare; my fingers are slow, my mind slower. Finally, I move the light wider, over smooth swathes of black and white, searching for the way down. It takes the longest time of all for the truth to sink in. The fixed ropes are gone.
My panic is too slow. There’s even something close to relief in it. The thin air whistles around me like I’m an obstacle, a rock in a stream. Now I’m fucked, there’s no way I’m not. How can I ever negotiate my way out of the Death Zone alone and with no fixed lines? This is my worst Bad Thing. After years of dread, of anticipation, this, here, is how it happens. This is the way it happens for me.
“Sarah? Why you here?”
I swing around, slow like an astronaut; at the same time assuming the voice is inside my head. It’s a not unfamiliar question.
Pasang is standing less than ten feet away, looking none the worse for wear at all. He’s half-crouched, as if readying himself for a starter’s gun. He doesn’t look afraid or fucked—more startled. Because he never expected me to make it this far? I feel the pinch of familiar resentment when I should only be feeling relief. Pasang will help me. He has to.
“Jakub Hornik and Acke Holmberg are dead,” I say, and my voice sounds strange, thin, like the air. It’s very quiet, I realize. Nearly silent. After the storm and the avalanche, it’s still enough that I wonder if I’d hear one of those blunted pins drop.