In "The Dead Remember," for instance, it is clear that Howard's sympathies lie with Joel and Jezebel, rather than with the cowboy who murders them in a drunken rage, and in "Pigeons from Hell," it seems equally clear that his sympathies lie with the "mulatto" maid Joan and not with her white tormentor, Celia Blassenville. Howard's own extreme sensitivity to authority ("Life's not worth living if somebody thinks he's in authority over you," he told one correspondent) may have been at the root of his discomfort with mistreatment of slaves ("Thank God the slaves on my ancestors' plantations were never so misused"), and this, along with pride in his Southern heritage, may be why he chose to make the Blassenvilles Creoles from the West Indies rather than Southerners. In "Black Canaan," it is true that the villains are Saul Stark, the conjure man, and his "quadroon" accomplice, the Bride of Damballah, but here I believe Howard's sympathies lie as much with the swamp blacks, over whom Stark holds sway not so much by holding out the promise of liberation as through fear of being "put in the swamp," as with the white inhabitants of the town. In fact, when he names the white town Grimesville, the black settlement Goshen, and the region in which both are found Canaan, I think he may be subtly--perhaps unconsciously--displaying his sympathies with the oppressed.
We have appended to this volume four fragmentary tales that, so far as can be learned, Howard never completed. Two of these will fall into the Cthulhu Mythos: "The House" concerns Justin Geoffrey, and provides a tantalizing hint of where his madness began; the "Untitled Fragment" that begins "Beneath the glare of the sun..." explicitly links the Conan series to the Mythos, through discussion of Conan's Hyborian Age in Nameless Cults. (The title Unaussprechlichen Kulten, used here by Howard for the only time, was actually coined by August Derleth, at the request of Lovecraft, who had wanted a title that would serve as the original German. Lovecraft ardently promoted the use of Derleth's version because of its "sinister, mouth-filling rhythm.") The other two fragments employ, in my view, some very interesting concepts. "Golnor the Ape," with its protagonist who had "lived in two worlds" and who is yet able to see and converse with beings of that mysterious "other" world, and "Spectres in the Dark," in which men seem to be driven mad by things that move in the shadows but cannot be seen, offer intriguing glimpses into the fertile imagination of Robert E. Howard.
Settle back in your chair and let that imagination sweep you into worlds of mystery, adventure, and terror. You might first want to be sure there are no deep shadows in the room.
Rusty Burke
February 2008
In the Forest of Villefere
The sun had set. The great shadows came striding over the forest. In the weird twilight of a late summer day, I saw the path ahead glide on among the mighty trees and disappear. And I shuddered and glanced fearfully over my shoulder. Miles behind lay the nearest village--miles ahead the next.
I looked to left and to right as I strode on, and anon I looked behind me. And anon I stopped short, grasping my rapier, as a breaking twig betokened the going of some small beast. Or was it a beast?
But the path led on and I followed, because, forsooth, I had naught else to do.
As I went I bethought me, "My own thoughts will rout me, if I be not aware. What is there in this forest, except perhaps the creatures that roam it, deer and the like? Tush, the foolish legends of those villagers!"
And so I went and the twilight faded into dusk. Stars began to blink and the leaves of the trees murmured in the faint breeze. And then I stopped short, my sword leaping to my hand, for just ahead, around a curve of the path, someone was singing. The words I could not distinguish, but the accent was strange, almost barbaric.
I stepped behind a great tree, and the cold sweat beaded my forehead. Then the singer came in sight, a tall, thin man, vague in the twilight. I shrugged my shoulders. A man I did not fear. I sprang out, my point raised.
"Stand!"
He showed no surprize. "I prithee, handle thy blade with care, friend," he said.
Somewhat ashamed, I lowered my sword.
"I am new to this forest," I quoth, apologetically. "I heard talk of bandits. I crave pardon. Where lies the road to Villefere?"
"Corbleu, you've missed it," he answered. "You should have branched off to the right some distance back. I am going there myself. If you may abide my company, I will direct you."
I hesitated. Yet why should I hesitate?
"Why, certainly. My name is de Montour, of Normandy."
"And I am Carolus le Loup."
"No!" I started back.
He looked at me in astonishment.
"Pardon," said I; "the name is strange. Does not loup mean wolf?"
"My family were always great hunters," he answered. He did not offer his hand.
"You will pardon my staring," said I as we walked down the path, "but I can hardly see your face in the dusk."
I sensed that he was laughing, though he made no sound.
"It is little to look upon," he answered.
I stepped closer and then leaped away, my hair bristling.
"A mask!" I exclaimed. "Why do you wear a mask, m'sieu?"
"It is a vow," he explained. "In fleeing a pack of hounds I vowed that if I escaped I would wear a mask for a certain time."
"Hounds, m'sieu?"
"Wolves," he answered quickly; "I said wolves."
We walked in silence for a while and then my companion said, "I am surprized that you walk these woods by night. Few people come these ways even in the day."
"I am in haste to reach the border," I answered. "A treaty has been signed with the English, and the Duke of Burgundy should know of it. The people at the village sought to dissuade me. They spoke of a--wolf that was purported to roam these woods."
"Here the path branches to Villefere," said he, and I saw a narrow, crooked path that I had not seen when I passed it before. It led in amid the darkness of the trees. I shuddered.
"You wish to return to the village?"
"No!" I exclaimed. "No, no! Lead on."
So narrow was the path that we walked single file, he leading. I looked well at him. He was taller, much taller than I, and thin, wiry. He was dressed in a costume that smacked of Spain. A long rapier swung at his hip. He walked with long easy strides, noiselessly.
Then he began to talk of travel and adventure. He spoke of many lands and seas he had seen and many strange things. So we talked and went farther and farther into the forest.
I presumed that he was French, and yet he had a very strange accent, that was neither French nor Spanish nor English, not like any language I had ever heard. Some words he slurred strangely and some he could not pronounce at all.
"This path is not often used, is it?" I asked.
"Not by many," he answered and laughed silently. I shuddered. It was very dark and the leaves whispered together among the branches.
"A fiend haunts this forest," I said.
"So the peasants say," he answered, "but I have roamed it oft and have never seen his face."
Then he began to speak of strange creatures of darkness, and the moon rose and shadows glided among the trees. He looked up at the moon.
"Haste!" said he. "We must reach our destination before the moon reaches her zenith."
We hurried along the trail.
"They say," said I, "that a werewolf haunts these woodlands."
"It might be," said he, and we argued much upon the subject.
"The old women say," said he, "that if a werewolf is slain while a wolf, then he is slain, but if he is slain as a man, then his half-soul will haunt his slayer forever. But haste thee, the moon nears her zenith."