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“I approach the pleasanter stages. How would you feel if you woke up and found you’d made a robot for some unknown reason, and hadn’t the slightest idea of the creature’s attributes?”

“Well—”

“I don’t feel that way at all,” Gallegher murmured. “Probably you take life too seriously, Brock.

Wine is a mocker; strong drink is raging. Pardon me. I rage.” He drank another Martini.

Brock began to pace around the crowded laboratory, circling various enigmatic and untidy objects.

“If you’re a scientist, Heaven help science.”

“I’m the Larry Adler of science,” Gallegher said. “He was a musician -lived some hundreds of years ago, I think I’m like him. Never took a lesson in my life. Can I help it if my subconscious likes practical jokes?”

“Do you know who I am?” Brock demanded.

“Candidly, no. Should I?”

There was bitterness in the other’s voice. “You might have the courtesy to remember, even though it was a week ago. Harrison Brock. Me. I own VoxView Pictures.”

“No,” the robot said suddenly, “it’s no use. No use at all, Brock.”

“What the—”

Gallegher sighed wearily. “I forget the damned thing’s alive. Mr. Brock, meet Joe. Joe, meet Mr.

Brock-of VoxView.”

Joe turned, gears meshing within his transparent skull. “I am glad to meet you, Mr. Brock. Allow me to congratulate you on your good fortune in hearing my lovely voice.”

“Ugh,” said the magnate inarticulately. “Hello.”

“Vanity of vanities, all is vanity,” Gallegher put in, sotto voce. “Joe’s like that. A peacock. No use arguing with him either.”

The robot ignored this aside. “But it’s no use, Mr. Brock,” he went on squeakily. “I’m not interested in money. I realize it would bring happiness to many if I consented to appear in your pictures, but fame means nothing to me. Nothing. Consciousness of beauty is enough.”

Brock began to chew his lips. “Look,” he said savagely, “I didn’t come here to offer you a picture job. See? Am I offering you a contract? Such colossal nerve-Pah! You’re crazy.”

“Yoix schemes are perfectly transparent,” the robot remarked coldly.

“I can see that you’re overwhelmed by my beauty and the loveliness of my voice-its grand tonal qualities. You needn’t pretend you don’t want me, just so you can get me at a lower price. I said I wasn’t interested.”

“You’re cr-r-razy!” Brock howled, badgered beyond endurance, and Joe calmly turned back to his mirror.

“Don’t talk so loudly,” the robot warned. “The discordance is deafening. Besides you’re ugly and I don’t like to look at you.” Wheels and cogs buzzed inside the transplastic shell. Joe extended his eyes on stalks and regarded himself with every appearance of appreciation.

Gallegher was chuckling quietly on the couch. “Joe has a high irritation value,” he said. “I’ve found that out already. I must have given him some remarkable senses, too. An hour ago he started to laugh-his damn fool head off. No reason, apparently. I was fixing myself a bite to eat. Ten minutes after that I slipped on an apple core I’d thrown away and came down hard. Joe just looked at me. ‘That was it,’ he said. ‘Logics of probability. Cause and effect. I knew you were going to drop that apple core and then step on it when you went to pick up the mail.’ Like the White Queen, I suppose. It’s a poor memory that doesn’t work both ways.”

Brock sat on the small dynamo-there were two, the larger one named Monstro, and the smaller one serving Gallegher as a bank-and took deep breaths. “Robots are nothing new.”

“This one is. I hate its gears. It’s beginning to give me an inferiority complex. Wish I knew why I’d made it,” Gallegher sighed. “Oh, well. Have a drink?”

“No. I came here on business. Do you seriously mean you spent last week building a robot instead of solving the problem I hired you for?”

“Contingent, wasn’t it?” Gallegher asked. “I think I remember that.”

“Contingent,” Brock said with satisfaction. “Ten thousand, if and when.”

“Why not give me the dough and take the robot? He’s worth that. Put him in one of your pictures.”

“I won’t have any pictures unless you figure out an answer,” Brock snapped. “I told you all about it.”

“I have been drunk,” Gallegher said. “My mind has been wiped clear, as by a sponge. I am as a little child. Soon I shall be as a drunken little child. Meanwhile, if you’d care to explain the matter again—”

Brock gulped down his passion, jerked a magazine at random from the bookshelf, and took out a stylo. “All right. My preferred stocks are at twenty-eight, way below par—” He scribbled figures on the magarifle.

“If you’d taken that medieval folio next to that, it’d have cost you a pretty penny,” Gallegher said lazily. “So you’re the sort of guy who writes on tablecloths, eh? Forget this business of stocks and stuff.

Get down to cases. Who are you trying to gyp?”

“It’s no use,” the robot said from before its mirror. “I won’t sign a contract. People may come and admire me, if they like, but they’ll have to whisper in my presence.”

“A madhouse,” Brock muttered, trying to get a grip on himself. “Listen, Gallegher. I told you all this a week ago, but—”

“Joe wasn’t here then. Pretend like you’re talking to him.”

“Uh-look. You’ve heard of VoxView Pictures, at least.”

“Sure. The biggest and best television company in the business. Sonatone’s about your only competitor.”

“Sonatone’s squeezing me out.”

Gallegher looked puzzled. “I don’t see how. You’ve got the best product. Tn-dimensional color, all sorts of modern improvements, the top actors, musicians, singers—”

“No use,” the robot said. “I won’t.”

“Shut up, Joe. You’re tops in your field, Brock. I’ll hand you that. And I’ve always heard you were fairly ethical. What’s Sonatone got on you?”

Brock made helpless gestures. “Oh, it’s politics. The bootleg theaters. I can’t buck ’em. Sonatone helped elect the present administration, and the police just wink when I try to have the bootleggers raided.”

“Bootleg theaters?” Gallegher asked, scowling a trifle. “I’ve heard something—”

“It goes way back. To the old sound-film days. Home television killed sound film and big theaters.

People were conditioned away from sitting in audience groups to watch a screen. The home televisors got good. It was more fun to sit in an easy-chair, drink beer, and watch the show. Television wasn’t a rich man’s hobby by that time. The meter system brought the price down to middle-class levels.

Everybody knows that.”

“I don’t,” Gallegher said. “I never pay attention to what goes on outside of my lab, unless I have to.

Liquor and a selective mind. I ignore everything that doesn’t affect me directly. Explain the whole thing in detail, so I’ll get a complete picture. I don’t mind repetition. Now, what about this meter system of yours?”

“Televisors are installed free. We never sell ’em; we rent them. Peopie pay according to how many hours they have the set tuned in. We run a continuous show, stage plays, wire-tape films, operas, orchestras, singers, vaudeville-everything. If you use your televisor a lot, you pay proportionately. The man comes around once a month and reads the meter. Which is a fair system. Anybody can afford a VoxView. Sonatone and the other companies do the same thing, but Sonatone’s the only big competitor I’ve got. At least, the only one that’s crooked as hell. The rest of the boys-they’re smaller than I am, but I don’t step on their toes. Nobody’s ever called me a louse,” Brock said darkly.

“So what?”

“So Sonatone has started to depend on audience appeal. It was impossible till lately-you couldn’t magnify tn-dimensional television on a big screen without streakiness and mirage-effect. That’s why the regular three-by-four home screens were used. Results were perfect. But Sonatone’s bought a lot of the ghost theaters all over the country—”