“Why are you back?” asked Tom, gathering the notebooks. I didn’t want to let on about the loss of my job, thinking that the subterfuge would give me a means of keeping track of them. “Some screw-up on the set,” I told him. “They had to put off filming. What say we go into town?”
From that point on, no question I asked them was casual; I was always testing, probing, trying to ferret out some of their truth.
“Oh, I don’t know,” said Tom. “I thought I’d have a swim.”
I took a mental note: why do subjects exhibit avoidance of town? For an instant I had an unpleasant vision of myself, a teenage monster gloating over his two gifted white mice, but this was overborne by my delight in the puzzle they presented. “Yeah,” I said breezily. “A swim would be nice.”
That night making love with Alise was a whole new experience. I wasn’t merely screwing; I was exploring the unknown, penetrating mystery. Watching her pale, passionless face, I imagined the brain behind it to be a strange glowing jewel, with facets instead of convolutions. National Enquirer headlines flashed through my head. NAZI MUTANTS ALIVE IN SPAIN. AMERICAN TEEN UNCOVERS HITLER’S SECRET PLOT. Of course there would be no such publicity. Even if Tom’s story was true—and I was far from certain that it was—I had no intention of betraying them. I wasn’t that big a jerk.
For the next month I maintained the illusion that I was still employed by the film company and left home each morning at dawn; but rather than catching the bus into Malaga, I would hide between the houses, and as soon as Tom and Alise went off on one of their walks (they always walked west along the beach, vanishing behind a rocky point), I would sneak into Tom’s house and continue investigating the notebooks. The more I read, the more firmly I believed the story. There was a flatness to the narrative tone that reminded me of a man I had heard speaking about the concentration camps, dully recounting atrocities, staring into space, as if the things he said were putting him into a trance. For example:
…It was on July 2nd that they came for Urduja and Klaus. For the past few months they had been making us sleep together in a room lit by harsh fluorescents. There were no mattresses, no pillows, and they took our clothes so we could not use them as covering. It was like day under those trays of white light, and we lay curled around each other for warmth. They gassed us before they entered, but we had long since learned how to neutralize the gas, and so we were all awake, linked, pretending to be asleep. Three of them came into the room, and three more stood at the door with guns. At first it seemed that this would be just another instance of rape. The three men violated Urduja, one after the other. She kept up her pretense of unconsciousness, but she felt everything. We tried to comfort her; sending out our love and encouragement. But I could sense her hysteria, her pain. They were rough with her, and when they had finished, her thighs were bloody. She was very brave and gave no cry; she was determined not to give us away. Finally they picked her and Klaus up and carried them off. An hour later we felt them die. It was horrible, as if part of my mind had short-circuited, a corner of it left forever dim.
We were angry and confused. Why would they kill what they had worked so hard to create? Some of us, Uwe and Peter foremost among them, wanted to give up the tunnel and revenge ourselves as best we could; but the rest of us managed to calm things down. Was it revenge we wanted, we asked, or was it freedom? If freedom was to be our choice, then the tunnel was our best hope. Would I—I wonder—have lobbied so hard for the tunnel if I had known that only Alise and I would survive it?
The story ended shortly before the escape attempt was to be made; the remainder of the notebooks contained further depictions of that fantastic Third Reich—genetically-created giants who served as executioners, fountains of blood in the squares of Berlin, dogs that spoke with human voices and spied for the government—and also marginalia concerning the twins’ abilities, among them being the control of certain forms of energy: these particular powers had apparently been used to create the tunnel. All this fanciful detail unsettled me, as did several elements of the story. Tom had stated that the usual avenues of escape had been closed to the twenty clones, but what was a tunnel if not a usual avenue of escape? Once he had mentioned that the tunnel was “unstable.” What did that mean? And he seemed to imply that the escape had not yet been effected.
By the time I had digested the notebooks, I had begun to notice the regular pattern of the twins’ walks; they would disappear around the point that bounded the western end of the beach, and then, a half hour later, they would return, looking worn-out. Perhaps, I thought, they were doing something there that would shed light on my confusion, and so one morning I decided to follow them.
The point was a spine of blackish rock shaped like a lizard’s tail that extended about fifty feet out into the water. Tom and Alise would always wade around it. I, however, scrambled up the side and lay flat like a sniper atop it. From my vantage I overlooked a narrow stretch of gravelly shingle, a little trough scooped out between the point and low brown hills that rolled away inland. Tom and Alise were sitting ten or twelve feet below, passing a kef pipe, coughing, exhaling billows of smoke.
That puzzled me. Why would they come here just to get high? I scrunched into a more comfortable position. It was a bright, breezy day; the sea was heaving with a light chop, but the waves slopping onto the shingle were ripples. A few fishing boats were herding a freighter along the horizon. I turned my attention back to the twins. They were standing, making peculiar gestures that reminded me of T’ai Chi, though these were more labored. Then I noticed that the air above the tidal margin had become distorted as with a heat haze…yet it was not hot in the least. I stared at the patch of distorted air—it was growing larger and larger-—and I began to see odd translucent shapes eddying within it: they were similar to the shapes that the twins were always sketching. There was a funny pressure in my ears; a drop of sweat slid down the hollow of my throat, leaving a cold track.
Suddenly the twins broke off gesturing and leaned against each other; the patch of distorted air misted away. Both were breathing heavily, obviously exhausted. They sat down a couple of feet from the water’s edge, and after a long silence Tom said, “We should try again to be certain.”
“Why don’t we finish it now?” said Alise. “I’m so tired of this place.”
“It’s too dangerous in the daylight.” Tom shied a pebble out over the water. “If they’re waiting at the other end, we might have to run. We’ll need the darkness for cover.”
“What about tonight?”
“I’d rather wait until tomorrow night. There’s supposed to be a storm front coming, and nobody will be outside.”
Alise sighed.
“What’s wrong?” Tom asked. “Is it Lucius?”
I listened with even more intent.
“No,” she said. “I just want it to be over.”
Tom nodded and gazed out to sea. The freighter appeared to have moved a couple of inches eastward; gulls were flying under the sun, becoming invisible as they passed across its glaring face, and then swooping away like bits of winged matter blown from its core. Tom picked up the kef pipe. “Let’s try it again,” he said.
At that instant someone shouted, “Hey!” Richard Shockley came striding down out of the hills behind the shingle. Tom and Alise got to their feet. “I can’t believe you people are so fucking uncool,” said Shockley, walking up to them; his face was dark with anger, and the breeze was lashing his hair as if it, too, were enraged. “What the hell are you trying to do? Get everyone busted?”