A week later, after much exploration, much talk, they went down into Teocinte. The town was a shambles—shattered windows, slogans painted on the walls, glass and torn banners and spoiled food littering the streets—as if there had been both a celebration and a battle. Which there had. The city fathers met with Meric in the town hall and informed him that his plan had been approved. They presented him a chest containing 500 ounces of silver and said that the entire resources of the community were at his disposal. They offered a wagon and a team to transport him and the chest to Regensburg and asked if any of the preliminary work could be begun during his absence.
Meric hefted one of the silver bars. In its cold gleam he saw the object of his desire; two, perhaps three years of freedom, of doing the work he wanted and not having to accept commissions. But all that had been confused. He glanced at Jarcke; she was staring out the window, leaving it to him. He set the bar back in the chest and shut the lid.
“You’ll have to send someone else,” he said. And then, as the city fathers looked at each other askance, he laughed and laughed at how easily he had discarded all his dreams and expectations.
It had been eleven years since I had been to the valley, twelve since work had begun on the painting, and I was appalled by the changes that had taken place. Many of the hills were scraped brown and treeless, and there was a general dearth of wildlife. Griaule, of course, was most changed. Scaffolding hung from his back; artisans, suspended by webworks of ropes, crawled over his side; and all the scales to be worked had either been painted or primed. The tower rising to his eye was swarmed by labourers, and at night the calciners and vats atop his head belched flame into the sky, making it seem there was a mill town in the heavens. At his feet was a brawling shantytown populated by prostitutes, workers, gamblers, ne’er-do-wells of every sort, and soldiers: the burdensome cost of the project had encouraged the city fathers of Teocinte to form a regular militia, which regularly plundered the adjoining states and had posted occupation forces to some areas. Herds of frightened animals milled in the slaughtering pens, waiting to be rendered into oils and pigments. Wagons filled with ores and vegetable products rattled in the streets. I myself had brought a cargo of madder roots from which a rose tint would be derived.
It was not easy to arrange a meeting with Cattanay. While he did none of the actual painting, he was always busy in his office consulting with engineers and artisans, or involved in some other part of the logistical process. When at last I did meet with him, I found he had changed as drastically as Griaule. His hair had gone grey, deep lines scored his features, and his right shoulder had a peculiar bulge at its midpoint—the product of a fall. He was amused by the fact that I wanted to buy the painting, to collect the scales after Griaule’s death, and I do not believe he took me at all seriously. But the woman Jarcke, his constant companion, informed him that I was a responsible businessman, that I had already bought the bones, the teeth, even the dirt beneath Griaule’s belly (this I eventually sold as having magical properties).
“Well,” said Cattanay, “I suppose someone has to own them.”
He led me outside, and we stood looking at the painting.
“You’ll keep them together?” he asked.
I said, “Yes.”
“If you’ll put that in writing,” he said, “then they’re yours.”
Having expected to haggle long and hard over the price, I was flabbergasted; but I was even more flabbergasted by what he said next.
“Do you think it’s any good?” he asked.
Cattanay did not consider the painting to be the work of his imagination; he felt he was simply illuminating the shapes that appeared on Griaule’s side and was convinced that once the paint was applied, new shapes were produced beneath it, causing him to make constant changes. He saw himself as an artisan more than a creative artist. But to put his question into perspective, people were beginning to flock from all over the world and marvel at the painting. Some claimed they saw intimations of the future in its gleaming surface; others underwent transfiguring experiences; still others—artists themselves—attempted to capture something of the work on canvas, hopeful of establishing reputations merely by being competent copyists of Cattanay’s art. The painting was nonrepresentational in character, essentially a wash of pale gold spread across the dragon’s side; but buried beneath the laminated surface were a myriad tints of iridescent colour that, as the sun passed through the heavens and the light bloomed and faded, solidified into innumerable forms and figures that seemed to flow back and forth. I will not try to categorize these forms, because there was no end to them; they were as varied as the conditions under which they were viewed. But I will say that on the morning I met with Cattanay, I—who was the soul of the practical man, without a visionary bone in my body—felt as though I were being whirled away into the painting, up through geometries of light, latticeworks of rainbow colour that built the way the edges of a cloud build, past orbs, spirals, wheels of flame…
There had been several women in Meric’s life since he arrived in the valley; most had been attracted by his growing fame and his association with the mystery of the dragon, and most had left him for the same reasons, feeling daunted and unappreciated. But Lise was different in two respects. First, because she loved Meric truly and well; and second, because she was married—albeit unhappily—to a man named Pardiel, the foreman of the calciner crew. She did not love him as she did Meric, yet she respected him and felt obliged to consider carefully before ending the relationship. Meric had never known such as introspective soul. She was twelve years younger than he, tall and lovely, with sun-streaked hair and brown eyes that went dark and seemed to turn inward whenever she was pensive. She was in the habit of analysing everything that affected her, drawing back from her emotions and inspecting them as if they were a clutch of strange insects she had discovered crawling on her skirt. Though her penchant for self-examination kept her from him, Meric viewed it as a kind of baffling virtue. He had the classic malady and could find no fault with her. For almost a year they were as happy as could be expected; they talked long hours and walked together, and on those occasions when Pardiel worked double shifts and was forced to bed down by his furnaces, they spent the nights making love in the cavernous spaces beneath the dragon’s wing.
It was still reckoned an evil place. Something far worse than skizzers or flakes was rumoured to live there, and the ravages of this creature were blamed for every disappearance, even that of the most malcontented labourer. But Meric did not give credence to the rumours. He half believed Griaule had chosen him to be his executioner and that the dragon would never let him be harmed; and besides, it was the only place where they could be assured of privacy.
A crude stair led under the wing, handholds and steps hacked from the scales—doubtless the work of scale hunters. It was a treacherous passage, 600 feet above the valley floor; but Lise and Meric were secured by ropes, and over the months, driven by the urgency of passion, they adapted to it. Their favourite spot lay 50 feet in (Lise would go no further; she was afraid even if he was not), near a waterfall that trickled over the leathery folds, causing them to glisten with a mineral brilliance. It was eerily beautiful, a haunted gallery. Peels of dead skin hung down from the shadows like torn veils of ectoplasm; ferns sprouted from the vanes, which were thicker than cathedral columns; swallows curved through the black air. Sometimes, lying with her hidden by a tuck of the wing, Meric would think the beating of their hearts was what really animated the place, that the instant they left, the water ceased flowing and the swallows vanished. He had an unshakable faith in the transforming power of their affections, and one morning as they dressed, preparing to return to Hangtown, he asked her to leave with him.