Ratlit opened the door on an explosion of classical beauty. "Come in," she sang, accompanied by symphonic arrangement scored on twenty-four staves, with full chorus. "What's that you're carrying, Vyme? Oh, it's a golden!" And before me, dizzying tides of yellow.
"Put him down, put him down quick and let's see what's wrong!" Hundreds of eyes, spotlights, glittering lenses; I lowered him to the mattress in the corner. "Ohhh ... " breathed Alegra.
And the golden lay on orange silk pillows in a teak barge drawn by swans, accompanied by flutes and drums.
"Where did you find him?" she hissed, circling against the ivory moon on her broom. We watched the glowing barge, hundreds of feet below, sliding down the silvered waters between the crags.
"We just picked him up off the street," Ratlit said. "Vyme thought he was drunk. But he don't smell."
"Was he laughing?" Alegra asked. Laughter rolled and broke on the rocks.
"Yeah," Ratlit said. "Just before he collapsed"
"Then he must be from the Un-dok expedition that just got back." Mosquitoes darted at us through wet fronds. The insects reeled among the leaves, upsetting droplets that fell like glass as, barely visible beyond the palms, the barge drifted on the bright, sweltering river.
"That's right," I said, back-paddling frantically to avoid a hippopotamus that threatened to upset my kayak. "I'd forgotten they'd just come in."
"Okay," Ratlit said, his breath clouding his lips. "I'm out of it. Let me in. Where did they come back from?" The snow hissed beneath the runners, as we looked after the barge, nearly at the white horizon.
"Un-dok, of course," Alegra said. The barking grew fainter. "Where did you think?"
White eclipsed to black, and the barge was a spot gleaming in galactic night, flown on by labouring comets.
"Un-dok is the furthest galaxy reached yet," I told Ratlit. "They just got back last week."
"Sick," Alegra added.
I dug my fingers against my abdomen to grab the pain.
"They all came back sick — "
Fever heated blood-bubbles in my eyes: I slipped to the ground, my mouth wide, my tongue like paper on my lips ...
Ratlit coughed. "All right, Alegra, Cut it out! You don't have to be so dramatic!"
"Oh, I'm dreadfully sorry Ratty, Vyme." Coolth, water. Nausea swept away as solicitous nurses hastily put the pieces back together until everything was beautiful, or so austerely horrible it could be appreciated as beauty. "Anyway," she went on, "they came back with some sort of disease they picked up out there. Apparently it's not contagious, but they're stuck with it for the rest of their lives. Every few days they suddenly have a blackout. It's preceded by a fit of hysterics. It's just one of those stupid things they can't do anything about yet. It doesn't hurt their being golden."
Ratlit began to laugh. Suddenly he asked, "How long are they passed out for?"
"Only a few hours," Alegra said. "It must be terribly annoying."
And I began to feel mildly itchy in all sorts of unscratchable places, my shoulder blades, somewhere down my ear, the roof of my mouth. Have you ever tried to scratch the roof of your mouth?
"Well," Ratlit said, "let's sit down and wait it out."
"We can talk," Alegra said, patly. "That way it won't seem like such a long ... " and hundreds of years later she finished " ... time."
"Good," Ratlit said. "I wanted to talk to you. That's why I came up here in the first place."
"Oh, fine!" Alegra said. "I love to talk. I want to talk about love. Loving someone" (an incredible yearning twisted my stomach, rose to block my throat) "I mean, really loving someone" (the yearning brushed the edge of agony) "means you are willing to admit the person you love is not what you first fell in love with, not the image you first had; and you must be able to like them still for being as close to that image as they are, and avoid disliking them for being so far away."
And through the tenderness that suddenly obliterated all hurt, Ratlit's voice came from the jeweled mosaics shielding him: "Alegra, I want to talk about loneliness."
"I'm on my way home, kids," I said. "Tell me what happens with Prince Charming when he wakes up." They kept on talking while I went through the difficulties of finding my way out without Alegra's help. When my head cleared, halfway down the stairs, I couldn't tell you if I'd been there five minutes or five years.
When I got to the hangar next morning Sandy was filing the eight-foot prongs on the conveyer. "You got a job coming in about twenty minutes," he called down from the scaffold.
"I hope it's not another of those rebuilt jobs."
"Yep."
"Hell," I said. "I don't want to see another one for six weeks."
"All he wants is a general tune-up. Maybe two hours."
"Depends on where it's been," I said. "Where has it been?"
"Just back from — "
"Never mind." I started toward the office cubicle. "I think I'll put the books in order for the last six months. Can't let it go forever."
"Boss!" Sandy protested, "That'll take all day!"
"Then I better get started." I leaned back out the door. "Don't disturb me."
Of course as soon as the shadow of the hull fell over the office window I came out in my coveralls, after giving Sandy five minutes to get it grappled and himself worried. I took the lift up to the one-fifty catwalk. When I stepped out, Sandy threw me a grateful smile from his scar-ugly face. The golden had already started his instructions. When I reached them and coughed, the golden turned to me and continued talking, not bothering to fill me in on what he had said before, figuring Sandy and I would put it together. You could tell this golden had made his pile. He wore an immaculate blue tunic, with bronze codpiece, bracelets and earrings. His hair was the same bronze, his skin was burned red black, and his blue-gray eyes and tight-muscled mouth were proud, proud, proud. While I finished getting instructions, Sandy quietly got started un-welding the eight-foot seal of the organum so we could get to the checkout circuits.
Finally the golden stopped talking — that's the only way you could tell he was finished — and leaned his angular six and a half feet against the railing, clicking his glossy, manicured nails against the pipe a few times. He had that same sword-length pinky nail, all white against his skin. I climbed out on the rigging to help Sandy.
We had been at work ten minutes when a kid, maybe eighteen or nineteen, barefoot and brown, black hair hacked off shoulder length, a rag that didn't fit tucked around under his belt, and dirty, came wandering down the catwalk. His thumbs were hooked under the metal links: golden.
First I thought he'd come from the ship. Then I realised he'd just stalked into the hangar from outside and come up on the lift.
"Hey, brother!" The kid who was golden hooked his thumbs in his belt, as Sandy and I watched the dialogue from the rigging on the side of the hull. "I'm getting tired of hanging around this Star-pit. Just about broke as well. Where you running to?"
The man who was golden clicked his nails again. "Go away, distant cousin."
"Come on, brother, give me a berth on your lifeboat out of this dungheap to someplace worthwhile."
"Go away, or I'll kill you."
"Now, brother, I'm just a youngster adrift in this forsaken quarter of the sky. Come on, now — "
Suddenly the blond man whirled from the railing, grabbed up a four-foot length of pipe leaning beside him, and swung it so hard it hissed. The black-haired ragamuffin leapt back and from under his rag snatched something black that, with a flick of that long nail, suddenly grew seven inches of blade. The bar swung again, caught the shoulder of the boy, then clattered against the hull. He shrieked and came straight forward. The two bodies locked, turned, fell. A gurgle, and the man's hands slipped from the neck of the ragamuffin. The boy scrambled back to his feet. Blood bubbled and popped on the hot blade.