Ed McBain
The Big Bad City
This, again, is for my wife ..... Dragica Dimitrijevic-Hunter
The city in these pages is imaginary. The people, the places are all fictitious. Only the police routine is based on established investigatory technique.
1.
The detectives hadn't even known the two men were acquainted. One of the men was in the holding cell because he'd inconsiderately shot a little Korean grocer who'd resisted his attempts to empty the store's cash register. The other one was just being led into the cell. He'd been caught running from the scene of a liquor store holdup on Culver and Twelfth.
Aside from their occupations, the two men had nothing in common.
One-was white, the other was black. One was tall, the other was short.
One had blue eyes, the other had brown eyes. One had the body of a weight lifter, possibly because he'd spent two years upstate on a prior felony. The one being led into the cell was somewhat plump. Sometimes, the plump ones were the ones to watch.
"Inside, let's move it," Andy Parker said and nudged him into the cell.
Parker would later tell anyone who'd listen that he'd automatically figured the arresting blues had frisked the perp at the scene. "How was I to know he had a knife tucked into his crack?" he would ask the air.
In this instance, "crack" was not a controlled substance. Detective Parker was referring to the wedge between the man's ample buttocks, from which hiding place he had drawn a sling blade knife the instant he spotted the body builder slouching and sulking in the far corner of the cage. What Parker did the minute he saw the plump little magician pull a knife out of his ass was slam the cell door shut and turn the key. At that very moment, Steve Carella and Artie Brown were together leading nine handcuffed basketball players into the squad room Both detectives smelled trouble at once.
The trouble was not that any policeman was in danger from the chubby little knife-wielding man in the cage. But the body builder was in police custody, and presumably under police protection as well, and every cop in that room conjured up visions of monumental lawsuits against the city for allowing a black man black, no less to be carved up while in a locked cell locked, no less with a fat white assassin who kept slashing the air with the knife and repeating over and over again, "Oh, yeah? Oh, yeah? Oh, yeah?”
Carella fired a shot at the ceiling.
"A minute before I was about to," Parker would later claim.
"You I" Carella yelled, sprinting toward the cage. "Don't get any ideas," Brown warned the nine basketball players, who, although they were not lawyers, were already spouting learned Supreme Court decisions on false arrest and civil rights and such. Just in case one of them decided to drag the rest of his handcuffed buddies after him into the corridor, Brown drew his own gun and stood massively and menacingly between the players and the slatted wooden railing that separated the squad room from the hallway outside.
"Oh, yeah?" the knifer in the cage said again, and slashed the air.
The body builder kept backing away, hands circling the air in front of him. He had seen a few knife-wielders in his time, this dude, and he was waiting for the next gunshot from outside the cage, hoping the cops would help distract this crazy fat bastard who kept coming at him with the knife and yelling "Oh, yeah?" as if he was supposed to know what it meant. "Oh, yeah?" the corpulent little shit said again and again came at him.
"You hear me?" Carella shouted from just outside the cage now. "Throw that knife down! Now I”
"Juke him, man!" one of the basketball players shouted.
"Oh, yeah?" the fat man yelled, and lunged again, and this time drew blood.
The body builder yanked back his right hand as if a searing line of fire had scorched the palm, which in fact was exactly what the knife slash had felt like. His face went ashen when he turned his palm up and saw the deep cut spurting from pinkie to thumb. By then, the knifer, smelling blood, smelling fear, was closing in for the kill.
Parker, standing outside the cage with his gun in his hand, Carella standing alongside him with his own gun in his hand, had to decide in the next ten seconds whether they would be justified within the guidelines to drop the man in his tracks. They were both certain that a man pulling a knife while in police custody was reason enough for them to have drawn their weapons and shouted a warning. They both shouted warnings again, "Drop the knife!" from Carella, "Freeze!" from Parker, but the fat little man was neither freezing nor dropping the knife.
He simply kept moving closer and closer to the black body builder whose palm was steadily and alarmingly gushing blood, the knife swinging in the air ahead of him as he advanced, muttering, "Oh, yeah? Oh, yeah?”
"You crazy sumbitch, what,s wrong with you?" the black man yelled, but the knifer kept coming on like a tank in the streets, the knife swinging, "Oh, yeah? Oh, yeah?”
"Steve?" Parker asked.
"Drop him," Carella said, and fired the first shot, hitting the knifer in the right thigh, collapsing him to his knees. Parker fired an instant later, taking the man in the right forearm, causing him to release his grip on the knife. As it clattered to the cell floor, the black man lunged for it.
"Don't," Carella said very softly.
The reason there were only nine basketball players in the squad room rather than the customary ten, five to a team was that the forward on one of the teams had been shot while running down-court for a basket.
Presumably, one of the remaining nine players had fired the shot, since this had been a practice game without spectators, on a deserted playground court, on a sizzling Friday evening in August.
The oppressive heat notwithstanding, the pair of blues riding Adam Four knew the sound of a gunshot when they heard one. Two, in fact. In rapid succession. Bang, bang, like in the comics. They rolled up outside the cyclone fence in time to stop nine youths from dispersing fast, as was the usual case in this neighborhood whenever the music of gunfire filled the air.
The kids ranged in age from seventeen to twenty four twenty-five, the blues guessed, all of them wearing T-shirts and what one of the Adam Four cops described as "droopy shorts," which meant they hung down below the knees. The white team was wearing white T-shirts. The blue team was wearing blue T-shirts. The kid lying on the ground with two bullet holes in his chest was or had been a member of the white team, but his T-shirt was now stained a bright red.
The Adam Four cops found a .32 Smith & Wesson revolver in the weeds lining the dilapidated court. None of the nine knew anything at all about the gun or how Jabez Courtney happened to have got himself shot with it. All of them presumably including the one who'd shot young Jabez complained that they were being rounded up and herded to the cop shop simply because they were black, the O. J. legacy.
Now, at ten minutes to eight, Carella and Brown started doing their paperwork. In this city, the tempo in August slowed down to what Lieutenant Byrnes had once described as "summertime," not quite the equivalent of "ragtime," a slow-motion rhythm that leisurely waltzed the relieving team into the sometimes frantic pace of police work.
There were three eight-hour shifts in any working day. First came the day shift, from eight in the morning to four in the afternoon. Next came the night shift, from four to midnight. Lastly, and least desirably, came the morning shift, from midnight to eight A.M. Usually, the teams were relieved at a quarter to the hour, but not during the month of August. In August, a good third of the squad was on vacation, and many of the detectives were pulling overtime working double shifts. Which perhaps explained why Carella and Brown, who had both clocked in at a quarter to eight this morning, were still here more than twelve hours later.