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Right now, Erich's witty lecture was bouncing off the big ears I hide under my pageboy bob and I was thinking how awful it is that for us that there's not only change but Change. You don't know from one minute to the next whether a mood or idea you've got is really new or just welling up into you because the past has been altered by the Spiders or Snakes.

Change Winds can blow not only death but anything short of it, down to the featheriest fancy. They blow thousands of times faster than time moves, but no one can say how much faster or how far one of them will travel or what damage it'll do or how soon it'll damp out. The Big Time isn't the little time.

And then, for the Demons, there's the fear that our personality will just fade and someone else climb into the driver's seat and us not even know. Of course, we Demons are supposed to be able to remember through Change and in spite of it; that's why we are Demons and not Ghosts like the other Doublegangers, or merely Zombies or Unborn and nothing more, and as Beau truly said, there aren't any great men among us — and blamed few of the masses, either — we're a rare sort of people and that's why the Spiders have to Recruit us where they find us without caring about our previous knowledge and background, a Foreign Legion of time, a strange kind of folk, bright but always in the background, with built-in nostalgia and cynicism, as adaptable as Centaurian shape-changers but with memories as long as Lunan's six arms, a kind of Change People, you might say, the cream of the damned.

But sometimes I wonder if our memories are as good as we think they are and if the whole past wasn't once entirely different from anything we remember, and we've forgotten that we forgot.

As I say, the Gallery gets you feeling real low, and so now I said to myself, "Back to your lousy little commandant, kid," and gave myself a stiff boot.

Erich was holding up a green bowl with gold dolphins or spaceships on it and saying, "And, to my mind, this proves that Etruscan art is derived from Egyptian. Don't you agree, Bruce?"

Bruce looked up, all smiles from Lili, and said, "What was that, dear chap?"

Erich's forehead got dark as the Door and I was glad the hussars had parked their sabers along with their shakos, but before he could even get out a Jerry cuss-word, Doc breezed up in that plateaustate of drunkenness so like hypnotized sobriety, moving as if he were on a dolly, ghosted the bowl out of Erich's hand, said, "A beautiful specimen of Middle Systemic Venusian. When Eightaitch finished it, he told me you couldn't look at it and not feel the waves of the Northern Venusian Shallows rippling around your roofs. But it might look better inverted. I wonder. Who are you, young officer? Nichevo," and he carefully put the bowl back on its shelf and rolled on.

It's a fact that Doc knows the Art Gallery better than any of us, really by heart, he being the oldest inhabitant, though he maybe picked a bad time to show off his knowledge. Erich was going to take out after him, but I said, "Nix, Kamerad, remember gloves and sugar," and he contented himself with complaining, "That nichevo — it's so gloomy and hopeless, ungeheuerlich. I tell you, Liebchen, they shouldn't have Russians working for the Spiders not even as Entertainers."

I grinned at him and squeezed his hand. "Not much entertainment in Doc these days, is there?" I agreed.

He grinned back at me a shade sheepishly and his face smoothed and his blue eyes looked sweet again for a second and he said, "I shouldn't want to claw out at people that way, Greta, but at times I am just a jealous old man," which is not entirely true, as he isn't a day over thirty-three, although his hair is nearly white.

Our lovers had drifted on a few steps until they were almost fading into the Surgery screen. It was the last spot I would have picked for the formal preliminaries to a little British smootching, but Lili probably didn't share my prejudices, though I reruembered she'd told me she'd served a brief hitch in an Arachnoid Field Hospital before transferred to the Place.

But she couldn't have had anything like the experience I'd bad during my short and sour career as a Spider nurse, when I'd acquired. my best-hated nightmare and flopped completely (jobwise, but on the floor, too) at seeing a doctor flick a switch and a being, badly injured but human, turn into a long cluster of glistening strange fruit — ugh, it always makes me want to toss my cookies and my buttons. And to think that dear old Daddy Anton wanted his Greta chile to be a doctor.

Well, I could see this wasn't getting me anywhere I wanted to go, and alter all there was a party going on.

Doc was babbling something at a great rate to Sid — I just hoped Doc wouldn't get inspired to go into his animal imitations, which sound pretty fierce and once seriously offended some recuperating ETs.

Maud was demonstrating to Mark a 23rd Century two-step and Beau sat down at the piano and improvised softly on her rhythm.

As the deep-thrumming relaxing notes hit us, Erich's face brightened and he dragged me over. Pleasantly soon I had my feet off the diamondrough floor, which we don't carpet because most of the ETs, the dear boys, like it hard, and I was shouldering back deep into the couch nearest the piano, with cushions around me and a fresh drink in my hand, while my Nazi boy friend was getting ready to discharge his Weltschmerz as song, which didn't alarm me too much, as his baritone is passable.

Things felt real good, like the Maintainer was just idling to keep the Place in existence and moored to the cosmos, not exerting itself at all or at most taking an occasional lazy paddle stroke. At times the Place's loneliness can be happy and comfortable.

Then Beau raised an eyebrow at Erich, who nodded, and next thing they were launched into a song we all know, though I've never found out where it originally came from. This time it made me think of Lili, and I wondered why — and why it's a tradition at Recuperation Stations to call the new Lili, though in this case it happened to be her real name.

Standing in the Doorway just outside of space, Winds of Change blow 'round you but don't touch your face; You smile as you whisper tenderly, "Please cross to me, Recuperee; "The operation's over, come in and close the Door."

4

De Bailhache, Fresca, Mrs. Cammell, whirled Beyond the circuit of the shuddering Bear In fractured atoms.
— Eliot
SOS FROM NOWHERE

I realized the piano had deserted Erich and I cranked my head up and saw Beau, Maud and Sid streaking for the control divan. The Major Maintainer was blinking emergency-green and fast, but the mode was plain enough for even me to recognize the Spider distress call and for a second I felt just sick. Then Erich blew out his reserve breath in the middle of "Door" and I gave myself another of those helpful mental boots at the base of the spine and we hurried after them toward the center of the Place along with Mark.

The blinks faded as we got there and Sid told us not to move because we were making shadows. He glued an eye to the telltale and we held still as statues as he caressed the dials like he was making love.

One sensitive hand flicked out past the Introversion switch over to the Minor Maintainer and right away the Place was dark as your soul and there was nothing for me but Erich's arm and the knowledge that Sid was nursing a green light I couldn't even see, although my eyes had plenty time to accommodate.