"Thank you, Yllas," said Sarah respectfully. "Is there any particular motion you wanted to make or did you just want to inject your comments?"
"I move," shouted Yllas Freedperson, "that we put the budget the way it was."
The vote was close. The SUB lost. Recounting was no help. They took the dignified approach, forming into a sad line behind Yllas and singing "We Shall Overcome" in slow tones as they marched out. Above their heads they carried their big black-on-red posters of S. S. Krupp with a target drawn over his face, and they marched so slowly that it took two repetitions of the song before they made it out into the hallway to distribute leaflets and posters.
Sarah, three members of her cabinet and I gathered later in my suite for wine. After the frenzy of the meeting we were torpid, and hardly said anything for the first fifteen minutes or so. Then, as it commonly did those days, the conversation came around to the Terrorists.
"What's the story on those Terrorist guys?" asked Willy, a business major who acted as Treasurer. "Are they genuine Terrorists?"
"Not on my floor," said Sarah, "since they subjugated us. We're living in… the Pax Thirteenica."
"I've heard a number of stories," I said. Everyone looked at me and I shifted into my professor mode and lit my pipe. "Their major activity is the toll booth concept. They station Terrorists in the E13 elevator lobby who continually push the up and down buttons so that every passing elevator stops and opens automatically. If it doesn't contain any non-students or dangerous-looking people, they hold the door open until everyone gives them a quarter. They have also claimed a section of the Cafeteria, and there have been fights over it. But nothing I'd call true terrorism."
"How about gang rape?" asked Hillary, the Secretary, quietly. Everything got quiet and we looked at her.
"It's just a rumor," she said. "Don't get me wrong. It hasn't happened to me. The word is that a few of the hardcore Terrorists do it, kind of as an initiation. They go to big parties, or throw their own. You know how at a big party there are always a few women– typical freshmen– who get very drunk. Some nice-looking Terrorist approaches the woman– I hear that they're very good at identifying likely candidates– and gets into her confidence and invites her to another party. When they get to the other party, she turns out to be the only woman there, and you can imagine the rest. But the really terrible thing is that they go through her things and find out where she lives and who she is, then keep coming back whenever they feel like it. They have these women so scared and broken that they don't resist. Supposedly the Terrorists have kind of an invisible harem, a few terrified women all over the Plex, too dumb or scared to say anything."
I was sitting there with my eyes closed, like everyone else a little queasy. "I've heard of the same thing elsewhere," I said. "I wonder if it's happened to any Airheads," murmured Sarah. "God, I'll bet it has. I wonder if any of them know about it. I wonder if they even understand what is being done to them– some of them probably don't even understand they have a right to be angry."
"How could anyone not understand rape?" said Hillary.
"You don't know how mixed up these women are. You don't know what they did to me, without even understanding why I didn't like it. You can't imagine those people– they have no place to stand, no ideas of their own– if one is raped, and not one of her friends understands, where is she? She's cut loose, the Terrorists can tell her anything and make her into whatever they want. Shit, where are those animals going to stop? We're having a big costume party with them in December."
"There's a party to avoid," said Hillary.
"It's called Fantasy Island Nite. They've been planning it for months. But by the time the semester is over, those guys will be running wild."
"They've been running wild for a long time, it sounds like," said Willy. "You'd better get used to that, you know? I think you're living in the law of the jungle." That sounded a trifle melodramatic, but none of us could find a way to disagree.
Sarah and Casimir met in the Megapub, a vast pale airship hangar littered with uncertain plastic tables and chairs made of steel rods bent around into uncomfortable chairlike shapes that stabbed their occupants beneath the shoulder blades. At one end was a long bar, at the other a serving bay connected into the central kitchen complex. Casimir declined to eat Megapub food and lunched on a peanut butter-and-jelly sandwich made from overpriced materials bought at the convenience store and a plastic cup of excessively carbonated beer. Sarah used the salad bar. They removed several trays from a window table and stacked them atop a nearby wastebasket, then sat down.
"Thanks for coming on short notice," said Sarah. "I need all the help I can get in selling this budget to Krupp, and your statistics might impress him."
Casimir, chewing vigorously on a big bite of generic white bread and generic chunkless peanut butter, drew a few computer-printed graphs from his backpack. "These are called Lorentz curves," he mumbled, "and they show equality of distribution. Perfect equality is this line here, at a forty-five degree angle. Anything less than equal comes out as a curve beneath the equality line. This is what we had with the old budget." He displayed a graph showing a deeply sagging curve, with the equality line above it for comparison. The graph had been produced by a computer terminal which had printed letters at various spots on the page, demonstrating in crude dotted-line fashion the curves and lines. "Now, here's the same analysis on our new budget." The new graph had a curve that nearly followed the equality line. "Each graph has a coefficient called the Gini coefficient, the ratio of the area between the line and curve to the area under the line. For perfect equality the Gini coefficient is zero. For the old budget it was very bad, about point eight, and for the new budget it is more like point two, which is pretty good."
Sarah listened politely. "You have a computer program that does this?"
"Yeah. Well, I do now, anyway. I just wrote it up."
"It's working okay?"
Casimir peered at her oddly, then at the graphs, then back at her. "I think so. Why?"
"Well, look at these letters in the curves." She pulled one of the graphs over and traced out the letters indicating the Lorentz curve: FELLATIOBUGGERYNECROPHILIACUNNILINGUSANALINGUSBESTIALITY….
"Oh," Casimir said quietly. The other curve read: CUNTFUCKSHITPISSCOCKASSHOLETITGIVEMEANENEMABEATMELICKMEOWNME…. Casimir's face waxed red and his tongue was protruding slightly. "I didn't do this. These are supposed to say, 'new budget' and 'old budget.' I didn't write this into the program. Uh, this is what we call a bug. They happen from time to time. Oh, Jeez, I'm really sorry." He covered his face with one hand and grabbed the graphs and crumpled them into his bag.