In the icy shadows of the firs lay the skeletons of three large dogs, or even wolves, perhaps.
Something about the bones terrified me. Yet the cold tingling of my spine and neck, the desire to look over my shoulder, had become so much a part of me that I was almost able to ignore them.
Tree shadows sprayed across the base of the hand, on the intricate stonework and carving which represented a bracelet. Facing me, set like a jewel in the bracelet, was an oval dark door which seemed to be made of onyx. There was no marking on the door, no indication of a way in. Across the threshold something lay staring at us with black sockets.
“The Guardian,” Fethlin said softly.
The skeleton was fully clothed in an ancient decayed armor, a cloak from which all color had faded, a helm with a long crumbled plume. A sword rested on its bone thigh, vivid with rust. It was strange, for the flowers and grass which had overgrown all the rest had not touched him.
The dread I felt then, I realized, did not come from me, but from the place, and from some long ago atmosphere laid on it by a curse or a Power.
“No farther,” I said to Fethlin. “I must go in alone, if there is a way in.”
They did not argue with me, and I forced myself forward to the oval door. I stooped over the dead sentry, and touched his armored chest with my fingers.
“Peace, old one,” I said. I was not sure why I said it, but the words seemed to come into my mouth. “I mean no harm, and I have a right to walk here. Know me, and let me by.”
There was no lessening of the cold or terror, but I went past, going around him, and not stepping over, and when I put my hand on the oval door, there came the snap of a lock, and it opened inward in front of me.
I do not know what I expected, I suppose, the worst or the best that could come to me. Certainly nothing so ordinary as the round white room. I went into it and the door flew shut behind me. I felt no particular panic, for somehow I had known it would. With the shutting of the door, the room grew darker, yet not totally dark. Light came, not from windows but from the well above where a stairway led upward into the tower.
On the walls there were faint shapes, the ghosts of pictures. I could make nothing of them. I needed my lost sight—that sight which could make out the engraved words on the High-Lord’s way, so blurred and faded no other could tell what they were. I left the walls and went toward the stairway of white marble.
On the first step a second skeleton-warrior sat grinning at me.
“To you, also, peace,” I whispered. Eyes seemed to move far back in the sockets, the hideous mouth laughed. I went around him and up the stairs.
On the first level there was nothing, only replicas of the faded walls, and the light was stronger. At the second level the wind blew in coldly on my face. Five oval open doorways pierced the walls of the room.
I crossed the marble floor, and emerged from one of them on the ring-balcony of the finger tower. The balustrade was very high, its carved head a foot above my own. Only tall men or women could have looked out over the ring, across the green valley. To me, only the sky showed itself, hard and icy blue, and the tips of the hills beneath it. I moved around the balcony slowly. The floor was laid with colored stones, red and brown and green and gold, the same as in the ruined theater at Kee-ool, yet the pattern was more intricate, almost mathematical. I moved round and round the balcony, my eyes on the colored paving. Round and round. It came to me, dreamily, that I might walk here forever, round and round, until I died. Yet the paving held such a variety of vistas, it did not seem I crossed the same space, but over water and treetops, and the red sands of some other world. ...
A gull, flying inland, saved me. It shrieked high above the tower, as if to warn me, perhaps in its own fear of the valley. I came to my senses, ran in at an oval door, and stood in the pale room, panting. Fool!
Surely I had known there would be magic in this place, and traps to catch every brain and will. Had I forgotten already the brown bones in the grass?
The stairs still led up, this time away from the daylight. I went to them and began to climb. Black marble here, and darkness. And narrowness. My dreams came back swiftly to me now, those dreams I had lost in Ezlann. The white marble leading to the black, and then—
I screamed in irresistible, brief fright. In the dark I had come face to face, breast to breast, with a third sentry. Unlike the other two, he stood upright, balanced in some inexplicable way across the oval door-mouth at which the stairs ended. There seemed no way past.
“Peace, old one; know me and let me by,” I said.
We stood facing each other, and he towered over me, glaring down from the pits of the skull. And then anger came to me, fierce and sudden.
“Let me by,” I hissed at the thing, as if it were some soldier and I the cat-goddess of White Desert, and when the skeleton stayed in its place, I struck out at it with my hand. It tottered, and tumbled by me down the stairs, rattling. At the bottom, the hard marble cracked the helmed skull free of the spine, and it rolled away, out of my sight. To the clammy persistent terror, a new terror was added then. I knew the superstitious worth of all guardians—those men set to guard till death and beyond it the hallowed places of vanished peoples. Still, it was done now, and for a purpose. I went through the doorway into the last room of the tower.
There was a source of light in the darkness. It flickered and flared up, and many different colors played over the three painted walls. I had no time to spare for the light, for the paintings took my whole attention—they were clear and unfaded, and very, very old, and my whole body trembled when I looked at them.
On one wall there was the painting of a black mountain.
Over it a purple cloud rested, and under it a woman lay asleep. Her body was very white and her hair was also white; she had no face. Instead, there was a piece of jade set into the stone. On the second wall, this jade-faced woman was shown again, dressed in a green robe that left bare breasts and arms.
She carried in one hand a golden whip, in the other a silver rod. Behind her, three warriors, dressed as the skeletons had been, in golden armor and green cloth, green plumes trailing from their helms. They bore no resemblance that I could see to Maggur, Giltt, or Kel; Mazlek, Slor, or Dnarl; Fethlin, Wexl, or Peyuan. On the third wall the woman stood for the last time, behind her the symbol of a sinking bloody sun, and in her two hands a knife I remembered well—the Knife of Easy Dying, its sharp point directed at her breast.
I would not look at it. I turned to the fourth wall, over which a long curtain was hanging. I reached for it, and tore it down, and beyond it there was a wide golden couch, and on it a white-skinned woman in a green robe, her hair plaited with gold and pieces of jade, with a veil of gauze across her face. I did not know if she were statue or embalmed thing, but I knew now well enough what place I had entered. It was a tomb. And the tomb was mine.
My impulse was to fall to my knees, to whimper with fear, but one last curiosity drove me on. I leaned across the creature, which could so easily be me, and I pulled the gauze away.
No, this was not my body, after all. I stared down at her a long while. A carving of something beautiful, yet no words had ever come from the pale mouth, no brain had ever woken behind the wide forehead.
Her closed eyelids were like two green leaves that had fallen on the sleeping face.
“You forget,” I said to the room, “you forget what I am. You forget that I have been made to know myself.”