O’Brien pulled the Ziploc out of his pocket, opened it, and set the bullets on the glass next to the gun. “Can you tell me if these bullets came from that Luger?”
The man’s eyebrows arched. He held one of the bullets in his palm, sniffed it, and said, “This is made out of iron and lead. They called them mit Eisenkern.”
“Iron?”
“Yes, made in Germany at the time of the last war. They were trying to conserve lead, so they made the core of the bullet out of iron encased in a lead jacket. The way they would identify these rounds was the jacket, black as ink.” He worked the oil slowly in and around clip, reached under the counter and laid a leather gunsmith apron on the glass, unfolding it. He used a small wrench and knife to ply the corroded button that controlled the clip. In a few seconds, he leveraged the clip from the pistol grip. He held the clip under the lamp. His voice just above a whisper, “They’re in there like sleeping children. Look.”
O’Brien closed one eye to see the round in the clip. “The jacket is black.”
“Yes, looks like there are four rounds left. Someone fired four.” He looked at the bullets on the glass. “You think these are two of them?”
“I do.”
“Give me a minute.” The man disappeared in the back room and returned with a cigar box. He opened the lid and removed eight bullets. All had black jackets. “These are some I’ve saved, collected, I suppose. They were made for a gun like this. You have a German officer’s gun. The eagle and cross on the bottom … look, you can see it here. Remarkable. I have never found a gun like this, but I did come across nine millimeter parabellum bullets. Parabellum is Latin and it means if you seek peace, prepare for war. Inside that Luger, my friend, during World War II, these bullets were very accurate … had enormous knock-down power. Today, they could shoot right though some bullet-proof vests. They are the black bullets.”
O’Brien lifted one of the rounds off the counter. “How long before you can have the gun cleaned?”
“Give me a full day.”
“Thank you. Here’s my cell number.” O’Brien turned to leave.
“Can I ask you something?”
O’Brien stopped at the door. “Sure.”
“You said you found this in the ocean … can I ask where?”
“On a German U-boat.”
“The one that’s in the news, correct?”
“Right.”
“I knew it! So this Luger came from Hitler’s last sub, Germany’s last mission?”
“Looks that way.”
“This is a very special gun.”
“It probably is the last Luger fired in World War II.”
The man looked down at the gun like it possessed a soul.
CHAPTER SIXTY-EIGHT
O’Brien started his Jeep and entered Brad Ford’s address into the GPS. As he pulled out of the Black Forest Gun Shop, he called Glenda and Abby Lawson. Abby answered on the first ring. “I’ve got some interesting news,” O’Brien said.
“What’d they find?”
“Your grandfather was shot three times. Just like your grandmother said. The bullets that killed him didn’t come from a.38. They came from a German Luger.”
“Oh my God,” Abby screamed, “Grandma!”
Abby repeated what O’Brien had told her. He could hear Glenda speaking in the background, and then Abby came back on the line. “Grandma had to sit down.”
“Tell her that Billy’s body and casket will be placed back in the grave tomorrow.”
“We can’t thank you enough, Sean. Where do we go from here?”
“The suspect, the guy who actually shot your grandfather, one of the German sailors, has spent the last sixty-seven years in a watery grave. Now I try to find out why the people who investigated the murder wanted it to look like something it wasn’t.”
It took O’Brien less than an hour to locate the house where Brad Ford lived. The home was 1950s ranch style, shingles long overdue for replacement, and white paint the shade of dinosaur bones, cracked and peeling. Chinch bugs had sucked the life out of the St. Augustine grass, leaving knee-high patches of brown weeds. The home sat under century-old live oaks, each sporting thick branches holding Spanish moss, extended like hand towels. The yard reeked of dog shit and urine.
O’Brien knocked at the door. No response. He knocked a second time, louder. He heard someone stirring inside. A minute later, a man with white hair and tumbleweed eyebrows looked suspiciously through the glass panels.
“Hello, Mr. Ford. My name is Sean O’Brien.”
The door cracked open, a tarnished brass chain visible against the dark room. “What do you want?” The old man’s voice was gruff and strained at the same time.
“I want to ask you a couple of questions about an investigation.”
“What investigation?”
“May I come inside?”
“Show me your badge.”
“I don’t have a badge … PI. I do have a young man who’s being held hostage by some people who have nothing to lose by killing him. Please, can we talk?”
The door opened. “Come in.”
O’Brien walked into a home that smelled like fried eggs and dog food mingling with the odor of a carpet that hadn’t been cleaned in years. Brad Ford was tall, almost O’Brien’s height. Rail thin. Round shoulders. Uncombed white hair. Guarded eyes that squinted in the light entering the room. He looked like a man who’d slept through the last century and was abruptly awakened by a stranger who wanted to know the time.
“C’mon in the living room,” Ford said.
O’Brien followed as the old man led him to a small living room. He walked by a bar in the kitchen where an old, black lab slept on a cushion below. The bar had opened cans of sardines, beans and crackers. A tomato was sliced on a paper plate, a fly crawling across it. Oil paintings hung on every wall. O’Brien could see most of the paintings were signed by the same person. “Who did the paintings?” O’Brien asked.
“My wife, Nancy. She began painting when she turned sixty. She always took exception to any birthday with a zero in the second digit. She said when that happened, it was time for self-reflection, see where you were and where you wanted to be.”
“I heard that an artist mixes a little of his or her soul on the palette with the paint.”
Ford stared at a painting of an old windmill under the moonlight. “Yeah, she did … lot of her is in them.” He turned to O’Brien. “How can I help you?”
“I’m investigating a murder. It was a murder you investigated in 1945.”
Ford’s bushy left eyebrow cocked. His mouth turned down. “What murder?”
“Billy Lawson.” O’Brien watched every detail of the old man’s reaction.
Ford looked at the floor, memories firing and misfiring in his aged brain. He crossed his arms and grunted. He looked over O’Brien’s shoulder, his eyes clinging to one of his wife’s paintings, his thoughts like a stiff deck of cards that hadn’t been shuffled in sixty-seven years. He said slowly, “What about the killing?”
“You remember it?”
Ford nodded.
“What can you tell me about the night you found Billy Lawson?”
He sighed, the sound a release of tension more than air. “We got the call from his wife … can’t remember the lady’s name ….”
“Glenda.”
“Yes, that was it, Glenda. She called dispatch, said her husband had been shot. It was in a phone booth off A1A by a bait and tackle shop that’s been long gone. He was dead when I got there. I found his truck parked about three-quarters a mile north. Keys still in the ignition. Motor was off, but the engine was warm. Weren’t any signs of anybody either. We had no witnesses. No weapon was recovered, and as far as we could tell, that boy, Billy Lawson, didn’t have any enemies.”
“Glenda said she told you that Billy said he saw men, German sailors, burying something on the beach. Near or on Rattlesnake Island.”