Thirty-seven
HE DIDN’T WANT TO LEAVE OWL, BUT HIS JOB WAS to find the Englishman before the French did.
She was alive. Coughing, wheezing, eyes watering, with a nasty burn on her back, but alive. She’d feel the hurt later, when she stood still.
He spent one minute with her, just long enough to hear her breathing clear. No time to say he’d thought she was going to die—thought they both were going to die—and he would have traded his life to get her out.
No time, no place, to kiss her. They’d do that later. He’d find the Englishman and wring his damn neck. Then he’d take Owl to bed.
He signaled Pax, and they took off, following the route the Englishman must have taken, down the corridor and out the door, into the courtyard between the Tuileries and the Louvre.
Ten feet from the door he let himself look back. Owl had attached herself to that bastard Napoleon, playing guard. She was drawn up straight, all steel, ready to shoot anybody who looked at Bonaparte cross-eyed.
The best strike came after the first one failed and the target relaxed. If he was running an operation to kill that cove, he’d do it now.
Clever Owl. Consummate professional. Nothing she didn’t see.
Smoke plumed out of a line of windows to his left. The whole side of the building was covered with a blanket of black. Men pumped water into the horse trough, scooped it up, and ran with buckets into the Tuileries.
He motioned Pax to the center of the courtyard and some clear space. “Our Englishman is six foot, built heavy, brown hair going thin on top, red face. Fifty years old. Dark blue coat with brass buttons. Blue vest.”
“I got one look at him, running away.” Pax kept up. “He won’t be out here where everybody can see him.”
“He’ll stay, though. Stay to see what happens.”
“Amateur.”
“This all stinks of the amateur.”
A hundred people had come out to stare at the fire. Office clerks, maids, cooks, and floor scrubbers from the Tuileries. Gaggles of art lovers running across from the Louvre, pointing and shouting. Soldiers headed in from all quarters, dodging the gawking idiots, trying to get to the fire and do something useful.
The Englishman was here, somewhere.
“A professional would have killed you so you couldn’t move that heavy bit of furniture away from the door. He’d have shot Napoleon when he came out of the smoke. And he’d be halfway to Montmartre by now.”
“That’s what you’d do.”
“That’s what anyone sensible would do.” They were jostled by men wanting a better view of the fire. “Only a bloody amateur traps six dozen people in a fire. When you set out to kill a man, you kill the man. You don’t burn half a bloody palace doing it.”
“Lots of places for him to hide and watch.” Pax looked from door to door, window to window, rooftop to rooftop. “Or set up a gun.”
He stripped away the anger and considered the kind of man who put together a plot with so many deaths. “He doesn’t have a gun. He planned one big, showy spectacular moment. Mopping up afterward isn’t in his calculations.”
“He doesn’t kill face-to-face.”
“Right. It’s not the gut hit and the blood he’s after. He wants to wind everything up like a clock and set it down and watch it happen. He wants to be . . . like the ceilings in this place. All those gods sneering down from the clouds. Jupiter. That lot.”
“The classical gods.” Amusement from Pax, but he was thinking about it too.
“He wants to look down on everybody. He’s tucked himself up where there’s a good view.”
Lots of places to hide in the attics of the Louvre. The top floor, up under the roof, had big, wide windows with pointed tops and—what were they called?—plinths running up beside them. Arrogant-looking windows. “What’s on the top floor over there?”
Pax would know. He was like Owl, always running over to the Louvre to see some picture or other. He tapped finger to finger as they walked, counting off. “Exhibits on the ground floor. The office of the curator upstairs. Top floor, it’s workshops. The studios where they do restoration. There’s storage.”
“He’ll use a storage room. Damn, but I need a map of this place.” They were in step, eating the distance across this churned-up gravel. Not moving so fast they stood out in the general mob scene. “He’s upstairs, watching the Tuileries.”
“Likely.”
They crossed one of the charcoal arrows he’d drawn on the ground. “Who did Carruthers send?”
“Hawk, everybody’s scattered out. She’ll send what she can, but . . .”
“Damn.” He thought about it for a while and said, “Damn,” again. “We’re on our own. There’s at least three others with the Englishman. They needed that many to block both doors at once.”
“Let’s hope we don’t run into them all at once.” Pax touched one pocket of his coat and then another. “I have two shots.”
“The Frenchmen have sense enough to get out of—” In a high window, a patch of light color moved against dark. Somebody stood there. “See that? Someone’s taking an interest. What do you want to bet that’s the ballock-sucking pustule who sets fire to a room with women and kids?”
“I never bet with you, Hawk.”
They ran the last fifty paces. In a minute, Napoleon was going step out into the courtyard and show himself to everybody, letting the world know he was safe. The Englishman was going to realize he’d failed. He’d run.
Through the door, into this piece of the Louvre. Pax drew his gun and cocked it. Acres of white marble on the floor. Marble and bronze people on pedestals, not wearing clothes. Archways and columns. Three hundred places for some cove to jump out and shoot a hole in you.
At the end of this gallery, the steps going up were more goddamned marble. A hell bitch to run on. Carved marble grapes and cherubs frolicked around the banister, flight after flight, all the way up. Pax followed him up, keeping an eye behind. If anybody had a gun, he and Pax were going to get holes shot in them on these stairs.
On the second floor, they met two men jabbering their way along the hall, all excited.
“Get back in your office. Stay there.” It was enough to send them skittering. Ten years of war and riot had taught people to get out of the way fast when somebody barked orders.
Outside, shouts and cheering echoed sharp on the stone. Napoleon must have walked out into the courtyard.
Pax said, “The First Consul of France escapes again. Let joy be unconfined.”
“I should have put a knife in him as I passed by. There are some opportunities it is just a sin and a shame to miss.”
Pax whispered, “We do not assassinate foreign heads of state.” They were at top of the stairs, backed to the wall. He leaned to look down the row of doors. “Without orders.”
“I would have saved ten thousand English lives on the battlefields of Europe.”
“It’s not that simple.”
“Listen.” Somebody was up here. Footsteps. The middle door opened, and a man ran past, headlong.
Got ’im. He grabbed the man’s coat. Swung him to crash against the wall. Now we do a little talking. Twisted an arm behind his back. For all the brute size and muscle, it was easy to force the gasping, thrashing ape to his knees. “Who’s in it with you? Talk to me, you bastard.”
Pax grabbed the man’s hair and pulled his head back so they could see him.
From the man, in English, “I don’t understand. I don’t speak French.”
This wasn’t the man in charge. This was somebody’s cat-spaw. This was the fool. Le fou. He switched languages, “Who are you working for? Give me their names.”
“You’re English!” Relief filled the man’s face. “Thank God. You have to get me out of here. They’ll be after us in a minute.”
“Who sent you to France?”
“I can’t be taken by the garde. I have important work to finish.”
Killing women and kids. “Who gave the orders?”
“I have to get away. He has to be stopped.”