Bosch pulled to the curb a half block from the Hideaway and lit a cigarette. Some things about Hollywood never changed. They just came up with new names for them. The place had been a run-down dump thirty years ago when it was called the El Rio. It was a run-down dump now. Bosch had never been there but he had grown up in Hollywood and remembered. He had stayed in enough places like it. With his mother. When she was still alive.
The Hideaway was a 1940s-era courtyard motel that during the day would be nicely shaded by a large banyan tree which stood in its center. At night, the motel’s fourteen rooms receded into a darkness only the glow of red neon invaded. Harry noticed that theE in the sign announcing MONTHLY RATES was out.
When he was a boy and the Hideaway was the El Rio, the area was already in decay. But there wasn’t as much neon and the buildings, if not the people, looked fresher, less grim. There had been a Streamline Moderne office building that looked like an ocean liner docked next to the motel. It had set sail a long time ago and another mini-mall was there now.
Looking at the Hideaway from his parked car, Harry knew it was a sorry place to stay the night. A sorrier place to die. He got out and headed over.
Yellow crime scene tape was strung across the mouth of the courtyard and was manned by uniformed officers. At one end of the tape bright lights from TV cameras focused on a group of men in suits. The one with the gleaming, shaven scalp was doing all the talking. As Bosch approached, he realized that the lights were blinding them. They could not see past the interviewers. He quickly showed his badge to one of the uniforms, signed his name on the Crime Scene Attendance Log the cop held on a clipboard and slipped under the tape.
The door to room 7 was open and light from inside spilled out. The sound of an electric harp also wafted from the room and that told Bosch that Art Donovan had caught the case. The crime scene tech always brought a portable radio with him. And it was always tuned to The Wave, a new-age music channel. Donovan said the music brought a soothing calm to a scene where people had killed or been killed.
Harry walked through the door, holding a handkerchief over his mouth and nose. It didn’t help. The odor that was like no other assaulted him as soon as he passed the threshold. He saw Donovan on his knees dusting fingerprint powder onto the dials of the air-conditioner unit in the wall below the room’s front, and only, window.
“Cheers,” Donovan said. He was wearing a painter’s mask to guard against the odor and the intake of the black powder. “In the bathroom.”
Bosch took a look around, quickly, since it was likely he would be told to leave as soon as the suits discovered him. The room’s queen-sized bed was made with a faded pink coverlet. There was a single chair with a newspaper on it. Bosch walked over and noted that it was the Times, dated six days earlier. There was a bureau and mirror combination to the side of the bed. On top of it was an ashtray with a single butt pressed into it after being half smoked. There was also a.38 Special in a nylon boot holster, a wallet and a badge case. These last three had been dusted with the black fingerprint powder. There was no note on the bureau-the place Harry would’ve expected it to be.
“No note,” he said, more to himself than Donovan.
“Nope. Nothing in the bathroom, either. Have a look. That is, if you don’t mind losing your Christmas dinner.”
Harry looked down the short hallway that went to the rear off the left side of the bed. The bathroom door was on the right and he felt reluctance as he approached. He believed there wasn’t a cop alive who hadn’t thought at least once of turning his own hand cold.
He stopped at the threshold. The body sat on the dingy white floor tile, its back propped against the tub. The first thing to register on Bosch was the boots. Gray snakeskins with bulldog heels. Moore had worn them the night they had met for drinks. One boot was still on the right foot and he could see the manufacturer’s symbol, anS like a snake, on the worn rubber heel. The left boot was off and stood upright next to the wall. The exposed foot, which was in a sock, had been wrapped in a plastic evidence bag. The sock had once been white, Bosch guessed. But now it was grayish and the limb was slightly bloated.
On the floor next to the door jamb was a twenty-gauge shotgun with side-by-side barrels. The stock was splintered along the bottom edge. A four-inch-long sliver of wood lay on the tile and had been circled with a blue crayon by Donovan or one of the detectives.
Bosch had no time to deliberate on these facts. He just tried to take it all in. He raised his eyes the length of the body. Moore was wearing jeans and a sweatshirt. His hands were dropped at his sides. His skin was gray wax. The fingers thick with putrefaction, the forearms bulging like Popeye’s. Bosch saw a misshapen tattoo on the right arm, a devil’s grinning face below a halo.
The body was slumped back against the tub and it almost appeared that Moore had rolled his head back as if to dip it into the tub, maybe to wash his hair. But Bosch realized it only looked that way because most of the head was simply not there. It had been destroyed by the force of the double-barrel blast. The light blue tiles that enclosed the tub area were awash in dried blood. The brown drip trails all went down into the tub. Some of the tiles were cracked where shotgun pellets had struck.
Bosch felt the presence of someone behind him. He turned into the stare of Assistant Chief Irvin Irving. Irving was wearing no mask and holding no rag to his mouth and nose.
“Evening, Chief.”
Irving nodded and said, “What brings you here, Detective?”
Bosch had seen enough to be able to put together what had happened. He stepped away from the threshold, moved around Irving and walked toward the front door. Irving followed. They passed two men from the medical examiner’s office who were wearing matching blue jumpsuits. Outside the room Harry threw his handkerchief into a trash can brought to the scene by the cops. He lit a cigarette and noticed that Irving was carrying a manila file in his hand.
“I picked it up on my scanner,” Bosch said. “Thought I’d come out since I’m supposed to be on call tonight. It’s my division, it’s supposed to be my call.”
“Yes, well, when it was established who was in the room, I decided to move the case to Robbery-Homicide Division immediately. Captain Grupa contacted me. I made the decision.”
“So it’s already been established that’s Moore in there?”
“Not quite.” He held up the manila file. “I ran by records and pulled his prints. They will be the final factor, of course. There is also the dental-if there is enough left. But all other appearances lead to that conclusion. Whoever’s in there checked in under the name Rodrigo Moya, which was the alias Moore used in BANG. And there’s a Mustang parked behind the motel that was rented under that name. At the moment, I don’t think there is much doubt here among the collective investigative team.”
Bosch nodded. He had dealt with Irving before, when the older man was a deputy chief in command of the Internal Affairs Division. Now he was an AC, one of the top three men in the department, and his purview had been extended to include IAD, narcotics intelligence and investigation, and all detective services. Harry momentarily debated whether he should risk pushing the point about not getting the first call.
“I should have been called,” he said anyway. “It’s my case. You took it away before I even had it.”
“Well, Detective, it was mine to take and give away, wouldn’t you agree? There is no need to get upset. Call it streamlining. You know Robbery-Homicide handles all officer deaths. You would have had to pass it to them eventually. This saves time. There is no ulterior motive here other than expediency. That’s the body of an officer in there. We owe it to him and his family, no matter what the circumstances of his death are, to move quickly and professionally.”